Tunnel
A tunnel is an underground or underwater passageway, dug through the surrounding soil/earth/rock and enclosed except for entrance and exit, commonly at each end. A pipeline is not a tunnel, though some recent tunnels have used immersed tube construction techniques rather than traditional tunnel boring methods.
A tunnel may be for foot or vehicular road traffic, for rail traffic, or for a canal. The central portions of a rapid transit network are usually in tunnel. Some tunnels are aqueducts to supply water for consumption or for hydroelectric stations or are sewers. Utility tunnels are used for routing steam, chilled water, electrical power or telecommunication cables, as well as connecting buildings for convenient passage of people and equipment.
Secret tunnels are built for military purposes, or by civilians for smuggling of weapons, contraband, or people. Special tunnels, such as wildlife crossings, are built to allow wildlife to cross human-made barriers safely.
Terminology
A tunnel is relatively long and narrow; the length is often much greater than twice the diameter, although similar shorter excavations can be constructed, such as cross passages between tunnels.
Tunnel (disambiguation)
A tunnel is an underground passage such as:
Tunnel or Tunnels may also refer to:
Technology
Entertainment and media
Music
Tunnel (New York nightclub)
Coordinates: 40°45′9″N 74°0′27″W / 40.75250°N 74.00750°W / 40.75250; -74.00750
Tunnel was a nightclub in New York City, located at 220 Twelfth Avenue, in the Chelsea neighborhood of Manhattan, New York City, in the Terminal Warehouse Company Central Stores Building, which is now part of the West Chelsea Historic District. It operated from 1986 to 2001.
History and description
Tunnel, frequently misnamed as "The Tunnel", was opened in December 1986 at the cost of $5 million by Eli Dayan – the founder of Bonjour Jeans – in a space which was formerly a railroad freight terminal. Eli Dayan sold the property to Marco Riccota in January 1990. Peter Gatien acquired the 80,000-square-foot nightclub in 1992. The club was named for the tunnel-like shape of the main room, in which train tracks from the early 1900s ran through a sunken area of the dance floor. These were a relic of an era in which railroad sidings from the Eleventh Avenue freight line of the New York Central Railroad ran directly into warehouse buildings in that area, so that goods could be transferred to and from freight cars which were floated across the Hudson on barges from Hoboken.
Coil
Coil may refer to:
Science, technology and medicine
Music
Other uses
People with the surname
See also
Coil (band)
Coil was an English cross-genre, experimental music group formed in 1982 by John Balance—later credited as "Jhonn Balance"—and his life partner and collaborator Peter Christopherson, aka "Sleazy". The duo worked together on a series of releases before Balance chose the name Coil, which he claimed to be inspired by the omnipresence of the coil's shape in nature. Today, Coil remains one of the most influential and best-known industrial music groups.
The group's first official release as Coil was a 1984 12" album titled How to Destroy Angels released on the Belgian Les Disques du Crépuscule's sublabel LAYLAH Antirecords. Following the 12"s success, Some Bizarre Records produced two albums, Scatology, Horse Rotorvator and Coil departed SomeBizzare Label and Produced Love's Secret Domain, which met with little commercial success, but were praised as innovative due to their blend of industrial music and acid house.
In 1985, the group began working on a series of soundtracks, amongst them music for the first Hellraiser movie based on the novel The Hellbound Heart by their acquaintance at that time, Clive Barker. The group's first live performance in 16 years occurred in 1999, and began a series of mini-tours that would last until 2004. Following the death of John Balance on 13 November 2004, Christopherson announced via their official record label website Threshold House that Coil as an entity had ceased to exist.
Coil (album)
Coil is an album by Toad the Wet Sprocket released in 1997. It is their fifth studio album, and the final one before the band broke up in 1998. As with previous albums, Coil was released under the Columbia Records label and produced by Gavin MacKillop.
This album has been praised by some as the band's most mature album. It combines themes explored in all of their previous albums - including love, spirituality and the virtues of an uncomplicated life - and it continues the straightforward rock sound found in Dulcinea. One song from the album, "Come Down", hit the Billboard Modern Rock and Mainstream Rock Charts, and the single "Crazy Life" explores the perceived injustices experienced by Leonard Peltier. "Whatever I Fear" was also released as a single but failed to chart with poor backing from Columbia Records; thus in turn, the planned fourth single "Dam Would Break" was never released.
Track listing
Studio outtakes
17 (number)
17 (seventeen) is the natural number following 16 and preceding 18. It is a prime number.
In spoken English, the numbers 17 and 70 are sometimes confused because they sound similar. When carefully enunciated, they differ in which syllable is stressed: 17 /sɛvənˈtiːn/ vs 70 /ˈsɛvənti/. However, in dates such as 1789 or when contrasting numbers in the teens, such as 16, 17, 18, the stress shifts to the first syllable: 17 /ˈsɛvəntiːn/.
The number 17 has wide significance in pure mathematics, as well as in applied sciences, law, music, religion, sports, and other cultural phenomena.
In mathematics
Seventeen is the 7th prime number. The next prime is nineteen, with which it forms a twin prime. 17 is the sum of the first four primes. 17 is the sixth Mersenne prime exponent, yielding 131071. 17 is an Eisenstein prime with no imaginary part and real part of the form 3n − 1.
17 is the third Fermat prime, as it is of the form 22n + 1, specifically with n = 2, and it is also a Proth prime. Since 17 is a Fermat prime, regular heptadecagons can be constructed with compass and unmarked ruler. This was proven by Carl Friedrich Gauss. Another consequence of 17 being a Fermat prime is that it is not a Higgs prime for squares or cubes; in fact, it is the smallest prime not to be a Higgs prime for squares, and the smallest not to be a Higgs prime for cubes.
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