A tunnel is an underground or underwater passageway, dug through the surrounding soil/earth/rock and enclosed except for entrance and exit, commonly at each end. A pipeline is not a tunnel, though some recent tunnels have used immersed tube construction techniques rather than traditional tunnel boring methods.
A tunnel may be for foot or vehicular road traffic, for rail traffic, or for a canal. The central portions of a rapid transit network are usually in tunnel. Some tunnels are aqueducts to supply water for consumption or for hydroelectric stations or are sewers. Utility tunnels are used for routing steam, chilled water, electrical power or telecommunication cables, as well as connecting buildings for convenient passage of people and equipment.
Secret tunnels are built for military purposes, or by civilians for smuggling of weapons, contraband, or people. Special tunnels, such as wildlife crossings, are built to allow wildlife to cross human-made barriers safely.
A tunnel is relatively long and narrow; the length is often much greater than twice the diameter, although similar shorter excavations can be constructed, such as cross passages between tunnels.
Tunnel is Buckethead's third album under the name Death Cube K (an anagram for Buckethead) and the first to not feature Bill Laswell. Instead, it is one of the first collaborations of Buckethead and keyboardist Travis Dickerson. The album was released on July 10, 1999 by TDRS music and co-produced by Dickerson.
A tunnel is an underground passage such as:
Tunnel or Tunnels may also refer to:
Coil may refer to:
Coil was an English cross-genre, experimental music group formed in 1982 by John Balance—later credited as "Jhonn Balance"—and his life partner and collaborator Peter Christopherson, aka "Sleazy". The duo worked together on a series of releases before Balance chose the name Coil, which he claimed to be inspired by the omnipresence of the coil's shape in nature. Today, Coil remains one of the most influential and best-known industrial music groups.
The group's first official release as Coil was a 1984 12" album titled How to Destroy Angels released on the Belgian Les Disques du Crépuscule's sublabel LAYLAH Antirecords. Following the 12"s success, Some Bizarre Records produced two albums, Scatology, Horse Rotorvator and Coil departed SomeBizzare Label and Produced Love's Secret Domain, which met with little commercial success, but were praised as innovative due to their blend of industrial music and acid house.
In 1985, the group began working on a series of soundtracks, amongst them music for the first Hellraiser movie based on the novel The Hellbound Heart by their acquaintance at that time, Clive Barker. The group's first live performance in 16 years occurred in 1999, and began a series of mini-tours that would last until 2004. Following the death of John Balance on 13 November 2004, Christopherson announced via their official record label website Threshold House that Coil as an entity had ceased to exist.
Coil is an album by Toad the Wet Sprocket released in 1997. It is their fifth studio album, and the final one before the band broke up in 1998. As with previous albums, Coil was released under the Columbia Records label and produced by Gavin MacKillop.
This album has been praised by some as the band's most mature album. It combines themes explored in all of their previous albums - including love, spirituality and the virtues of an uncomplicated life - and it continues the straightforward rock sound found in Dulcinea. One song from the album, "Come Down", hit the Billboard Modern Rock and Mainstream Rock Charts, and the single "Crazy Life" explores the perceived injustices experienced by Leonard Peltier. "Whatever I Fear" was also released as a single but failed to chart with poor backing from Columbia Records; thus in turn, the planned fourth single "Dam Would Break" was never released.