Tube

Tube, or Tubes, may refer to:

Film, television, and Internet

Music

Construction and mechanics

Tube (band)

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Tube (チューブ, chūbu) is a Japanese pop rock band formed in 1985. The members of the group are Nobuteru Maeda (前田亘輝), Michiya Haruhata (春畑道哉) Hideyuki Kakuno (角野秀行) and Ryoji Matsumoto (松本玲二). Tube members Maeda and Haruhata have composed for other artists under the Pipeline Project alias. Since the group released most of its songs in April to July, the catchphrase originated "Summer comes with Tube".

Discography

Albums

Tube (BBC Micro)

In computing, the Tube was the expansion interface and architecture of the BBC Microcomputer System which allowed the BBC Micro to communicate with a second processor, or coprocessor.

Under the Tube architecture, the coprocessor would run the application software for the user, whilst the Micro (acting as a host) provided all I/O functions, such as screen display, keyboard and storage devices management. A coprocessor unit could be coldplugged into any BBC Micro with a disk interface (whose ROM contained the necessary host software) and used immediately.

Implementation

The 40-pin IDC "Tube" connector was a simple slave connection to the host processor's main bus, with 8 data lines, 7 address lines, and an interrupt input. The Tube protocols were implemented by hardware in the attached device.

Inside the coprocessor unit a proprietary chip (the Tube ULA, manufactured initially by Ferranti) interfaced and logically isolated the host and coprocessor buses. This allowed the Tube to work with a completely different bus architecture in the coprocessor unit. The only other active components needed were a microprocessor, some RAM, a small ROM containing processor specific client code, glue logic such as an address decoder and a power supply.

Phish

Phish is an American rock and roll band noted for their musical improvisation, extended jams, blending of musical genres, and dedicated fan base. Formed at the University of Vermont in 1983 (with the current line-up solidifying in 1985), the band's four members—Trey Anastasio (guitars, lead vocals), Mike Gordon (bass, vocals), Jon Fishman (drums, percussion, vacuum, vocals), and Page McConnell (keyboards, vocals)—performed together for nearly 20 years before going on hiatus in August 2004. They reunited in March 2009 for a series of three consecutive concerts played in the Hampton Coliseum in Hampton, Virginia, and have since resumed performing regularly.

Phish's music blends elements of a wide variety of genres, including including funk, progressive rock, psychedelic rock, folk, country, jazz, blues, bluegrass and pop. Although the band has received little radio play or mainstream exposure, Phish has developed a large and dedicated following by word of mouth, the exchange of live recordings, and selling over 8 million albums and DVDs in the United States.Rolling Stone stated that the band helped to "...spawn a new wave of bands oriented around group improvisation and super-extended grooves". They remain a very popular and successful touring act.

Phish (album)

Phish (also known as The White Tape) is a self-produced album released by the American rock band Phish on cassette in 1986. Often cited as the first Phish "album", The White Tape was originally a collection of original material that the band used as a demo/sample tape for venues, and was sometimes labelled "Phish" or simply "Demo". The album was widely circulated among Phish fans for more than a decade before being officially released in 1998.

The album was created from four-track recordings over a period of three years and includes a number of outside musicians performing on various songs. Only "Alumni Blues", "AC/DC Bag", "Slave To The Traffic Light" and "Dog Gone Dog" (a.k.a. "Dog Log") have the four band members together. The remaining tracks were recorded separately by various members and blended together to create the finished album.

The White Tape includes an early version of the Phish epic "You Enjoy Myself", performed a cappella with the band members singing the opening guitar lines. The album also contains avant-garde experimental pieces, instrumental passages, electronic noises and studio trickery. Some songs were further developed and figure heavily in the band's live performances, while a few have rarely been heard since.