A try is the major way of scoring points in rugby league and rugby union football. A try is scored by grounding the ball in the opposition's in-goal area (on or behind the goal line). Rugby union and league differ slightly in defining 'grounding the ball' and the 'in-goal' area (see next section).
The term try comes from try at goal, signifying that originally, grounding the ball only gave the opportunity to try to score with a kick at goal.[1]
A try is analogous to a touchdown in American and Canadian football, with the major difference being that a try requires the ball be simultaneously touching the ground in the in-goal area and an attacking player who is in the field of play or in-goal. (Oddly enough, the official name of the extra point in American football according to NFL rules is the try.) In the laws of both forms of rugby, the term touch down formally refers only to grounding the ball by the defensive team in their in-goal. Although occasionally people refer to a try as a 'touchdown', the correct usage for the action is 'grounding the ball'.
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There are differences in the fine detail of the laws and their interpretation between the two rugby codes. These are the common aspects, while the differences are treated below.
In rugby league, a try is worth four points, having been this case since 1983. Before that, a try was worth three points. In rugby union, a try is worth five points; this point value having varied over time. Although a try is worth less in rugby league, it is more often the main method of scoring due to the much smaller value of goals. In rugby union, however, there is heavier relevance placed on goals to accumulate points at elite levels due to the significant value of goals and the defending team's skills.
In both rugby league and in rugby union, if the referee believes that a try has been prevented by the defending team's misconduct, he may award the attacking team a penalty try. Penalty tries are always awarded under the posts regardless of where the offence took place. In rugby union, the standard applied by the referee is that a try "probably" would have been scored. The referee does not have to be certain a try would have been scored. In rugby league, the referee "may award a penalty try if, in his opinion, a try would have been scored but for the unfair play of the defending team."[2] In rugby league, an 8-point try is awarded if a penalty is conceded after the ball has been grounded. This is awarded in the form of a try beneath the posts, followed by a conversion attempt and then a penalty kick from in front of the posts
In both codes when a try is scored, the scoring team gets to attempt a conversion, which is a kick at goal to convert the try from one set of points into another larger set of points. The kick is taken at any point on the field of play in line with the point that the ball was grounded for the try, and parallel to the touch-lines. This is so the kicker can position the ball in a more advantageous position to increase the chance of scoring. If successful, additional points are scored. For the conversion to be successful the ball must pass over the crossbar and between the uprights. This kick at conversion in rugby union may take place as either a place kick (from the ground) or a drop kick whereas in rugby league, a conversion may only take place as a place kick. Most players will nevertheless opt for a place kick, this being generally regarded as the easier skill. Note, however, that in both rugby sevens (usually, but not always, played under union rules) and rugby league nines, conversions may only take place as drop kicks. In rugby league, the game clock continues during preparation and execution of a conversion, hence a team may decline a conversion attempt if recommencing play as quickly as possible is advantageous to them.
To make the conversion easier, attacking players will try to ground the ball as close to the centre of the in goal area as possible. The attacking player will however ground the ball when confronted by a defender rather than risk losing the ball by being tackled or passing it to a team mate.
In both rugby union and rugby league a conversion is worth two points; a successful kick at goal thus converts a five-point try to seven for rugby union, and a four-point try to six for rugby league.
In early forms of rugby football the point of the game was to score goals. A try [at goal] was awarded for a grounding the ball in the opponents in-goal area. The try had zero value itself, but allowed the attacking team to try a kick at goal without interference from the other team. This kick, if successful, converts a try into a goal.
Modern rugby and all derived forms now favour the try over a goal and thus the try has a definite value, that has increased over time and has for many years surpassed the number of points awarded for a goal. In rugby league and rugby union, a conversion attempt is still given, but is simply seen as adding extra 'bonus' points. These points however can mean the difference between winning or losing a match, so thought is given to fielding players with good goal-kicking skill.
I Got Dem Ol' Kozmic Blues Again Mama! is a 1969 studio album by Janis Joplin. It was the first solo studio album Joplin recorded after leaving her former band, Big Brother and the Holding Company, and the only one released in her lifetime (Pearl was released 3 months after Joplin's death).
Recording began on June 16, 1969 in New York City and ceased on June 26. For the album, Joplin recruited guitarist Sam Andrew of the Holding Company to take part in developement, along with the Kozmic Blues band. Joplin installed a brass and horn section into the tracks, a feature her previous band would not allow. It was a total contrast to Joplin's previous psychedelic rock as the compositions chosen were more soul and blues driven. All but two tracks were cover versions that producer Gabriel Mekler and Joplin chose. The other two tracks, "One Good Man" and "Kozmic Blues", were written by Joplin herself. Overall, the album was a more polished work, but with the lack prominent accompanists like the Holding Company, the album was not as successful as Cheap Thrills.
Feeding Off The Mojo is the sixth studio album by Night Ranger, released on October 17, 1995 on Drive Entertainment Records. It is the only album with bassist/vocalist Gary Moon.
"Music Box" was written by Moon before he joined the group.
The beginning intro music on the track "Mojo" was actually played while the Jack Blades-led Night Ranger took the stage during their 1996 reunion tour.
"Your Eyes Are the Window", "Wrong Again", "Alligator", and "Heart of Stone" are tracks that were submitted for the album, but were not used.
The album was produced by David Prater, who had also produced Dream Theater, Firehouse, and Arcade. The album was recorded from July 15, 1994 to August 31, 1995.
Guitarist David Zajicek played addition guitars on the album and toured with the band as an additional guitarist and keyboardist.
Night Ranger opened the first half of the tour with the song "Mojo" and the second half with the song "Longest Days".
See him shining red and gold, rocket boots to make him fly
To defend the innocents dedicates his life
Evil ones all around, till he crush 'em to the ground
An avenger made of steel, he's the Iron Man
[bridge]
He's invincible
Man-machine for war
[chorus]
Under the armor you know there's a man
His greatest weapon his brain
Fightin' with weapons he did by himself
No one can stand in his way
He can be invisible, he has got repulsor rays
Honorable, strong and brave, technologic knight
Without fear he always fights for the justice and the peace
Armored and dangerous, he's the Iron Man
[bridge]
[chorus]
See him shining red and gold, once again he flies around
He's in search of criminals, nowhere they can hide
Hearing his metallic voice, they will sweat and tremble with fear
Knowing they cannot escape from the Iron Man
[bridge]