"Trust" is the second episode of the American television series Revenge. It premiered on ABC on September 28, 2011.
The episode was co-written by Mike Kelley and Joe Fazzio and directed by Phillip Noyce.
Another part of Emily's (Emily VanCamp) plan is set in motion when she goes on her first date with Daniel (Josh Bowman). Also, Victoria's (Madeleine Stowe) suspicions about Emily grow, so she tries to find more information on her new neighbor.
A trust or corporate trust is an American English term for a large business with significant market power. It is often used in a historical sense to refer to monopolies or near-monopolies in the United States during the Second Industrial Revolution in the 19th century and early 20th century.
Originally, the corporate trust was a legal device used to consolidate power in large American corporate enterprises. In January 1882, Samuel C. T. Dodd, Standard Oil’s General Solicitor, conceived of the corporate trust to help John D. Rockefeller consolidate his control over the many acquisitions of Standard Oil, which was already the largest corporation in the world. The Standard Oil Trust was formed pursuant to a "trust agreement" in which the individual shareholders of many separate corporations agreed to convey their shares to the trust; it ended up entirely owning 14 corporations and also exercised majority control over 26 others. Nine individuals held trust certificates and acted as the trust's board of trustees. Of course, one of those trustees was Rockefeller himself, who held 41% of the trust certificates; the next most powerful trustee only held about 12%. This kind of arrangement became popular and soon had many imitators.
Trust is a 2010 American drama film directed by David Schwimmer and based on a screenplay by Andy Bellin and Robert Festinger, and an uncredited story by Schwimmer. It stars Clive Owen, Catherine Keener, Jason Clarke, Viola Davis and Liana Liberato.
The film is about a teenage girl who becomes a victim of sexual abuse when she befriends a man on the Internet.
Fourteen-year-old Annie Cameron lives in suburban Chicago. On her birthday, her parents give her a laptop. When she meets Charlie in an online chat room, she establishes an instant connection with him. At first, Charlie states that he is 16 years old. Over time, as the two bond by sending phone text messages and through instant messaging, he bumps his age up to 18, 20, then 25. Annie is taken aback at first, but comes to believe that the two of them are in love.
After two months of communicating electronically, Charlie invites Annie to meet him at the mall. While her parents are dropping off Annie's brother at college, Annie goes to the mall and awaits her first face-to-face meeting with Charlie. When he appears, she discovers that he is a man in his 30s. Annie is upset at first, but he charms her into going with him to a motel. Charlie then has her try on some lingerie which he bought for her and begins to touch her inappropriately. When she tells him no, he pushes her down onto the bed and rapes her, and even films the assault.
KMFDM (from Kein Mitleid Für Die Mehrheit [sic], translated by the band as "no pity for the majority" [sic]) is an industrial band led by German multi-instrumentalist Sascha Konietzko, who founded the group in 1984 as a performance art project. KMFDM has released nineteen studio albums and two dozen singles, with sales of more than two million records worldwide.
The band has undergone many line-up changes and featured dozens of guest musicians. Its earliest incarnation included German drummer En Esch and British vocalist Raymond Watts, the latter of whom left and rejoined the group several times over its history. German guitarist Günter Schulz joined in 1990; both he and Esch continued with the band until KMFDM broke up in 1999. Konietzko resurrected KMFDM in 2002 (Esch and Schulz declined to rejoin), and by 2005 he had assembled a consistent line-up that included American singer Lucia Cifarelli, British guitarists Jules Hodgson and Steve White, and British drummer Andy Selway.
Critics consider KMFDM to be one of the first bands to bring industrial music to mainstream audiences, though Konietzko refers to the band's music as "The Ultra-Heavy Beat". The band incorporates heavy metal guitar riffs, electronic music, samples, and both male and female vocals in its music, which encompasses a variety of styles. KMFDM normally tours at least once after every major release, and band members are known for their accessibility to and interaction with fans, both online and at concerts. Members, singly or working with each other and others, have recorded under many other names, primarily Watts' Pig in 1988, Konietzko's Excessive Force in 1991, and Esch and Schulz's Slick Idiot in 2001.
SUBMIT AND REVEAL- WHAT YOU HIDE AND CONCEAL
OPEN UP AND ENABLE- PUT YOUR CARDS ON THE TABLE
CONQUER AND DEFINE- YOUR LIFE IS ON THE LINE
ROLL-UP AND BLACK-OUT - NO TIME TO HESITATE AND DOUBT
CONFESS AND PURGE- EXPERIENCE EVERY URGE
APPROACH AND ACHIEVE- STRENGHTEN YOUR BELIEFS
ADMIT AND DEFEND YOUR EMOTIONS 'COZ THEY SEND OUT
THE MESSAGE THAT IT'S YOU AND THAT'S THE ONLY THING THAT'S TRUE
SAFE AND SECURE- NEVER BE TOO SURE
SHOW AND TELL- UNTIL YOU GO TO HELL
TAKE WHAT YOU'RE BEING GIVEN
MAKE YOUR STAND
'COZ THE LIFE THAT YOU'RE LIVING
MAY SOON COME TO AN END
DO WHAT YOU CAN- WHAT YOU WANT- WHAT YOU MUST
FEEL THE HUNGER INSIDE
HOLD ON TO YOUR TRUST
LOVE AND HATE- YOU'RE DESTINED BY FATE
PLAY AND WORK- ENJOY YOUR TIME ON EARTH
ONLY DEATH IS ETERNAL- MAKE NO MISTAKE