True self and false self are terms introduced into psychoanalysis by D. W. Winnicott in 1960.[1] Winnicott used the term "True Self" to describe a sense of self based on spontaneous authentic experience, a sense of "all-out personal aliveness" or "feeling real".[2]
The "False Self" was, for Winnicott, a defense designed to protect the True Self by hiding it. He thought that in health, a False Self was what allowed a person to present a "polite and mannered attitude" in public.[3] But he saw more serious emotional problems in patients who seemed unable to feel spontaneous, alive or real to themselves in any part of their lives, yet managed to put on a successful "show of being real". Such patients suffered inwardly from a sense of being empty, dead or "phoney".[4]
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There was much in psychoanalytic theory on which Winnicott could draw for his concept of the False Self. Helene Deutsch had described the "as if" personalities who have 'succeeded in substituting "pseudo contacts" of manifold kinds for a real feeling of contact with other people: they behave "as if" they have feeling contacts with people'.[5] Winnicott's own analyst, Joan Riviere, had memorably explored the concept of the masquerade - of 'the mask of the narcissist..."the trait of deceptiveness, the mask, which conceals this subtle reservation of all control under intellectual rationalizations, or under feigned compliance and superficial politeness"'.[6] Freud himself, with his late theory of 'the ego as constituted in its nucleus by a series of alienating identifications',[7] had produced a theory of 'the Ego, which does bear some comparison with the False Self'.[8] Erich Fromm, in his ''The Fear of Freedom'' distinguished between original self and pseudo self[9], the latter being a way to escape the loneliness of freedom, at the cost of losing the original self.
Carl Rogers had independently highlighted Kierkegaard's much earlier claim that 'the deepest form of despair is to choose "to be another than himself". On the other hand "to will to be that self which one truly is, is indeed the opposite of despair," and this choice is the deepest responsibility of man'.[10]
Despite its many antecedents, it would be wrong to underestimate the quiet conceptual revolution offered by Winnicott's 1960 article, which offered a fresh and compelling, clinically-rooted picture of the human mind.
For Winnicott, in the False Self, 'Other people's expectations can become of overriding importance, overlaying or contradicting the original sense of self, the one connected to the very roots of one's being'.[11] Winnicott thought that such an extreme kind of False Self began to develop in infancy, as a defense against an environment that felt unsafe or overwhelming because of a lack of reasonably attuned caregiving. Winnicott used the term "good enough" to refer to what he thought of as optimal parenting; he thought that babies need parents who are usually emotionally attuned and able to empathize with the baby, but not perfectly so. [12] The danger is that 'through this False Self, the infant builds up a false set of relationships, and by means of introjections even attains a show of being real'.[13] The result can be a 'child whose potential aliveness and creativity has gone unnoticed...concealing an empty, barren internal world behind a mask of independence'.[14] Yet at the same time the 'Winnicottian False Self is the ultimate defence against the unthinkable "exploitation of the True Self, which would result in its annihilation"'.[15]
By contrast, the True Self is rooted in, and '"does no more than collect together the details of the experience of aliveness" - this means the body's life-sustaining functions, "including the heart's action and breathing"'.[16] Out of this the baby creates the experience of reality: a sense that '"Life is worth the trouble of living". In the baby's nonverbal gesture which '... expresses a spontaneous instinct',[17] the true self potential can be communicated to, and affirmed by, the motherer.
'The False Self in its pathological guise prevents and inhibits what Winnicott calls the "spontaneous gesture" of the True Self. Compliance and imitation are the costly results'.[18] Some would indeed consider that 'the idea of compliance is central to Winnicott's theory of the false self',[19] and add, paradoxically, that 'concern for an object is easily a compliant act'.[20] Where the motherer is not responsive to the baby's spontaneity, where instead 'a mother's expectations are too insistent, they can eventually result in compliant behaviour and an impaired autonomy',[21] as the baby has 'to manage a prematurely important object....The False Self enacts a kind of dissociated regard or recognition of the object; the object is taken seriously, is shown concern, but not by a person'.[22]
It has been suggested that 'in pathology, Winnicott's distinction between "true and false selves" corresponds to Balint's "basic fault" and to Fairbairn's "compromised ego"'.[23] However, Winnicott's theory is at times criticised for not being theoretically integrated. Neville Sympington writes: "Most clinicians ... when they have a clinical insight, they simply paste it onto existing theory. ... Winnicott did the same with the true and false self: he did not ask himself how the theory fitted with ego and id."[24] Similarly Jean-Bertrand Pontalis and Maud Mannoni are very reserved about the theoretical implication of Winnicott's true/false self distinction, but they acknowledge the justice of his clinical observations.[citation needed]
The last half-century have seen Winnicott's ideas extended and applied in a variety of contexts, both in psychoanalysis and beyond.
It has been suggested that 'Kohut offers essentially the same program' as Winnicott in his descriptions of 'the narcissistic disorders in which he specializes....Like Winnicott's "false-self" patients, these patients develop a shoddy armor (of a "defensive" or "compensatory" character) around their maimed inner core'.[25] Kohut himself 'has noted that his work "overlaps" with Winnicott's investigations', and others have 'regarded Kohut's contribution to psychoanalysis to be an extension of Winnicott's work'.[26]
Thus Kohut emphasises that 'to be...the maintenance of even the diseased remnants of the self is preferable to not being, that is, to accept the takeover of another's personality rather than his actively elicited responsiveness'. Similarly, he stressed that 'there is a decisive difference between the support of selfobjects that are sought after and chosen by a self in harmony with its innermost ideals...and the abandoning of oneself to a foreign self, through which one gains borrowed cohesion at the price of genuine initiative and creative participation in life'.[27]
Alexander Lowen identified narcissists as having a true and a false, or superficial, self. The false self rests on the surface, as the self presented to the world. It stands in contrast to the true self, which resides behind the facade or image. This true self is the feeling self, but it is a self that must be hidden and denied. Since the superficial self represents submission and conformity, the inner or true self is rebellious and angry. This underlying rebellion and anger can never be fully suppressed since it is an expression of the life force in that person. But because of the denial, it cannot be expressed directly. Instead it shows up in the narcissist's acting out. And it can become a perverse force.[28]
James F. Masterson argued that all the personality disorders crucially involve the conflict between a person’s two “selves”: the false self, which the very young child constructs to please the mother, and the true self. The psychotherapy of personality disorders is an attempt to put people back in touch with their real selves.[29]
Jungians have explored how 'the narcissistic longings of mothers (or fathers) to amass reflected glory through their children' can result in a situation where 'in place of autonomy, the adult...would come to obey an internal source that the psychoanalyst Neville Symington calls the "discordant source"'.[30] Symington contrasted 'two poles: one in which I am the source of my own action, where I have a creative capacity that comes from my own source of action, and the other in which an inner figure opposed to myself is the source of action.[31] He termed the twin 'sources of action the "autonomous source" and the "discordant source"', and acknowledged that 'although the formulation is different, it is along the lines of what Winnicott talks about - the true self and the false self'.[32]
His main criticism of Winnicott concerned the initial adoption or internalisation of the discordant source - wanting 'to stress that an intentional identification is what brings about the donning of the false self. Winnicott leaves out this intentional aspect in his description of its origins'.[33]
In contradistinction to the relatively optimistic reading of Winnicott, whereby 'the analytic task is to give the "true self", which can feel and is cowering behind the "false self", which cannot, the strength to emerge...like a butterfly liberated from its chrysalis',[34] Alice Miller warns more cautiously that 'it would be wrong to imply that there is a fully developed, true self consciously hidden behind the false self. The important point is that the child does not know what he is hiding'.[35] She does however consider that, when 'the true self is liberated' successfully, 'where there had been only fearful emptiness or equally frightening grandiose fantasies, an unexpected wealth of vitality is now discovered'.[36]
Sam Vaknin would be more pessimistic, arguing that 'the False Self is by far more important to the narcissist than his dilapidated, dysfunctional True Self': in contrast to most psychoanalysts, he does not believe in the ability to "resuscitate" the True Self through therapy.[37] Vaknin stresses instead that 'the False Self replaces the narcissist's True Self and is intended to shield him from hurt and narcissistic injury by self-imputing omnipotence....The narcissist pretends that his False Self is real and demands that others affirm this confabulation'[38] - relational success in such instances being clinched 'when self finds in other that other who will "confirm" self in the false self that is trying to make real, and vice versa'.[39]
The alternate metaphor to the crysalis, that of 'the character armor of the false self',[40] equally leaves open the question of whether there is anything behind the 'layer after layer of defenses', or whether (as one client put it) 'there was nothing within me - just a great emptiness where I needed and wanted a solid core'.[41]
Susie Orbach saw the false self as an overdevelopment (under parental pressure) of certain aspects of the self at the expense of other aspects - of the full potential of the self - producing thereby an abiding distrust of what emerges spontaneously from the individual himself or herself.[42]
Orbach went on to develop Winnicott's account of how environmental failure can lead to an inner splitting of mind and body[43] so as to extend his concept of the False Self into that of the False Body[44] - a falsified sense of one's own body.
Orbach saw the female false body in particular as built upon identifications with others, at the cost of an inner sense of authenticity and reliability.[45] Breaking up a monolithic but false body-sense in the process of therapy could allow for the emergence of a range of authentic (even if often painful) body feelings in the patient.[46]
Jungians have explored 'to what extent Jung's concept of the persona overlaps with Winnicott's concept of the False Self' - noting the way 'the antecedents of such persona-identification in the individual's life-history are usually quite similar to those of the False Self'.[47] However most would agree that it is only 'when the persona is excessively rigid or defensive...[that] the persona then develops into a pathological false self'.[48]
In The Interpersonal World of the Infant, Daniel Stern considered 'the sense of physical cohesion (..."going on being", in Winnicott's term)' as essential to what he called the Core Self - providing 'an affective core to the prerepresentational self'.[49] He also explored how selective maternal attunement could create 'two versions of reality....Language becomes available to ratify the split and confer the privileged status of verbal representation upon the false self', so that 'the true self becomes a conglomerate of disavowed experiences of self which cannot be linguistically coded'.[50]
However 'in place of true self and false self, Stern suggests the adoption of a tri-partite vocabulary: the social self, the private self and the disavowed self'.[51]
Foucault, a philosopher, took issue with the concept of a “true self” on the grounds that the self was a construct, not (as in the Romantic paradigm) an essential to be uncovered: anti-essentialism. Foucault snarled that "In the Californian cult of the self, one is supposed to discover one's true self, to separate it from what might obscure or alienate it"[55] - whereas for him what was in question was a process of subjectification, an aesthetics of self-formation.
Foucault maintained that because "the self is not given to us....there is only one practical consequence: we have to create ourselves as a work of art".[56]
Modern Psychoanalysis: The False Self
This article may be expanded with text translated from the corresponding article in the French Wikipedia. (September 2011) Don't speak French? Click here to read a machine-translated version of the French article. Click [show] on the right to review important translation instructions before translating.
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True Self is the fourth album by the Chicago-based music group Soil. It was released in the US on May 2, 2006, via DRT Entertainment. This is the band's first album with the new vocalist AJ Cavalier, formerly of World In Pain and Diesel Machine. True Self was leaked onto P2P and BitTorrent sites on March 4, almost two months before its official release. The album sold 4,000 copies in the US during its first week of release.
A music video was filmed for "Give It Up" and released shortly before the album.
In promotion of the album, Soil did a European/USA tour with Staind, USA tours with Sevendust, 10 Years and Godsmack, as well as numerous UK and European festival and headline tours. Soil ended the cycle with the summer 2007 True Rock Tour.
All tracks were recorded at Bombshelter Studios in Los Angeles, California, unless otherwise noted.
"True..." is the first single by Riyu Kosaka. It was released on October 17, 2001. It features her solo track True..., which debuted on Konami's DDRMAX Dance Dance Revolution 6thMix. It also features a cover of BeForU's Dive, entitled Dive to the Night.
Hilary Erhard Duff (born September 28, 1987) is an American actress and singer. Duff began her acting career at a young age, and quickly became labeled a teen idol as the starring titular character in the television series Lizzie McGuire (2001–04). The series proved to be a hit, leading to a film adaptation of the series to be released. Duff began working on numerous projects with the Disney channel, including the film Cadet Kelly (2002). She later began work on an album, releasing the Christmas themed Santa Claus Lane (2002) through Walt Disney Records. Upon signing with Hollywood Records, Duff began working on her second studio album, Metamorphosis (2003). The album achieved critical and commercial success, topping the Billboard 200 and selling over three million copies in the United States alone. The album also found success in both Canada and Japan. Duff's success in both acting and music led to her becoming a household name, with merchandise such as dolls, clothing, and fragrances being released.
True is the debut extended play (EP) by American recording artist Solange Knowles, first released on November 27, 2012 digitally through Terrible Records. Following the release of her second studio album Sol-Angel and the Hadley St. Dreams (2008), Knowles announced that she had parted ways with Interscope Geffen A&M after releasing just one album on the label, and further revealed that she had chosen to go an independent route, eventually signing with Terrible Records. In 2009 Knowles began the recording of a studio album, during which she suffered a "breakdown" due to the amount of time and emotion she was putting into the recording process
A neo soul album, True contains an eclectic sound that takes influence from PBR&B, new wave music, dance, 1980s pop, and electronica, whilst the extended play's production is characterized as containing '80s references, keyboards and African percussion. The recording process took three years and was handled by Knowles and producer Dev Hynes. Together the pair produced, wrote and composed all of the songs, a decision Knowles made due to their chemistry, friendship and work relationship.
I believe in self-assertion
Destiny or slight diversion
Now it seems I've got my head on straight
I'm a freak, an apperitian
Seems I've made the right decision
Try to turn back now, it might be too late
And it's off to the morning and back again
Same old day, same situation
My happiness is back as if to say
I wanna stay home today
Don't wanna go out
If anyone comes to play
Gonna get thrown out
I wanna stay home today
Don't want no company
No way
Yeah, yeah, yeah
A simple life's my cup of tea
I don't need nobody but me
What I wouldn't give just to be left alone
I wanna be a millionaire someday
And know what it feels like to give it away
Watch me march to the beat of my own drum
And it's over and over and over again
Same old day, same situation
The happiness is back as if to say
I wanna stay home today
Don't wanna go out
If anyone comes my way
Gonna get thrown out
I wanna stay home today
Don't want no company
No way
Yeah, yeah, yeah
Same rain every day
Everyone just step away
Come another, come another
Come another day
I wanna stay home today
I wanna stay home today
I wanna stay home
Stay home, stay home, stay home
I wanna stay home today
Don't wanna go out
If anyone comes to play
Gonna get thrown out
I wanna stay home today
Don't want no company
No way
Yeah, yeah, yeah
I wanna stay home
Don't wanna go out
If anyone comes my way
Gonna get thrown out
I wanna stay home today
Don't want no company
No way