Howard Roberts (October 2, 1929 – June 28, 1992) was an American jazz guitarist, educator and session musician.[1]

Contents

Biography [link]

Roberts was born in Phoenix, Arizona, and began playing guitar at age 8. By the time he was 15 he was playing professionally locally.

In 1950 he moved to Los Angeles. There, with the assistance of Jack Marshall, he began playing with musicians including Bobby Troup, Chico Hamilton and Barney Kessel. In about 1956, Bobby Troup signed him to Verve Records as a solo artist. Around that time he decided to concentrate on recording, both as a solo artist and session musician, a direction he would continue until the early 1970s.

Roberts played rhythm guitar, lead guitar, bass and mandolin, both in the studio and for television and movie projects, including lead guitar in the theme from The Twilight Zone, guitar on the theme from The Munsters and rhythm guitar on the theme from I Dream of Jeannie.

Artists Roberts backed included Georgie Auld, Peggy Lee (Fever), Eddie Cochran (Sittin In The Balcony), Bobby Day (Rockin Robin), Jody Reynolds (Endless Sleep), Shelley Fabares (Johnny Angel), Dean Martin (Houston), The Monkees, Roy Clark, Chet Atkins, and The Electric Prunes.

In 1963, Roberts recorded Color Him Funky and H.R. Is A Dirty Guitar Player, his first two albums after signing with Capitol. Produced by Jack Marshall, they both feature the same quartet of with Roberts (guitar), Chuck Berghofer (bass), Earl Palmer (drums) and Paul Bryant alternating with Burkley Kendrix on organ. Both albums were released on a single CD under the title Dirty & Funky on Randy Bachman's label Guitarchives in 1998.[2] In all he recorded nine albums with Capitol before signing with ABC Records/Impulse! Records.

From the late 1960s, Roberts began to focus on teaching rather than recording. He traveled around the country giving guitar seminars, and wrote several instructional books. For some years he also wrote an acclaimed column "Jazz Improvisation" for Guitar Player magazine. To support his teaching activities, he founded the Guitar Institute of Technology, and Playback Publishing.

Roberts died of prostate cancer in Seattle, WA on June 28, 1992. His wife Patty, also active in musical education and curriculum development, continued in this field after his death.

He founded Roberts Music Institute in Seattle, WA, which is currently owned by his son, Jay Roberts.

Discography [link]

As leader [link]

  • The Movin' Man (1956) Verve VSP-29
  • Good Pickin's (1959)
  • Color Him Funky (1963) Capitol ST-1887
  • H.R. is a Dirty Guitar Player (1963) Capitol ST-1961
  • Something's Cookin' (1965) Capitol ST-2214
  • Goodies (1965) Capitol ST-2400
  • Whatever's Fair (1966) Capitol ST-2478
  • All-Time Great Instrumental Hits (1967) Capitol ST-2609
  • Jaunty-Jolly (1967) Capitol ST-2716
  • Guilty! (1967) Capitol ST-2824
  • Out of Sight (But "In" Sound) (1968) Capitol ST-2901
  • Spinning Wheel (1969) Capitol ST-336
  • Antelope Freeway (Impulse!, 1971)
  • Equinox Express Elevator (Impulse!, 1972)
  • Sounds (1974) Capitol ST-11247
  • The Real Howard Roberts (1977)

As sideman [link]

With David Axelrod

With Buddy Collette

With Milt Jackson

With John Klemmer

With Lalo Schifrin

With Gábor Szabó

References [link]

  • The Jazz Guitar Stylings Of Howard Roberts By Mitch Holder (Mel Bay Publications)

External links [link]


https://wn.com/Howard_Roberts

Howard Roberts (sculptor)

Howard Roberts (sculptor) (April 8, 1843 April 19, 1900) was an American sculptor based in Philadelphia, Pennsylvania. At the time of the 1876 Centennial Exposition, he was "considered the most accomplished American sculptor." But his output was small, his reputation was soon surpassed by Augustus Saint-Gaudens and others, and he is now all but forgotten. Examples of his work are in the collections of the Pennsylvania Academy of the Fine Arts, the Philadelphia Museum of Art, and the U.S. Capitol.

Biography

Born into a well-to-do Philadelphia family, Roberts studied at the Pennsylvania Academy of the Fine Arts under sculptor Joseph A. Bailly. He was an exact contemporary of fellow Philadelphian Thomas Eakins, and both entered the École nationale supérieure des Beaux-Arts in Paris in 1866, and studied under sculptor Augustin-Alexandre Dumont. Eakins did not consider Roberts a friend, calling him "a rich disagreeable young man from Philadelphia, one who has without any apparent reason seen fit to be my enemy." Still, Eakins may have sketched him, and Roberts brokered a reconciliation between Eakins and Mary Cassatt. Roberts continued his studies under sculptor Charles Gumery, before returning to Philadelphia in 1869.

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