A triptych (/ˈtrɪptɪk/ TRIP-tik; from the Greek adjective τρίπτυχον "triptukhon" ("three-fold"), from tri, i.e., "three" and ptysso, i.e., "to fold" or ptyx, i.e., "fold") is a work of art (usually a panel painting) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry.
The triptych form arises from early Christian art, and was a popular standard format for altar paintings from the Middle Ages onwards. Its geographical range was from the eastern Byzantine churches to the Celtic churches in the west. Renaissance painters such as Hans Memling and Hieronymus Bosch used the form. Sculptors also used it. Triptych forms also allow ease of transport.
From the Gothic period onward, both in Europe and elsewhere, altarpieces in churches and cathedrals were often in triptych form. One such cathedral with an altarpiece triptych is Llandaff Cathedral. The Cathedral of Our Lady in Antwerp, Belgium, contains two examples by Rubens, and Notre Dame de Paris is another example of the use of triptych in architecture. One can also see the form echoed by the structure of many ecclesiastical stained glass windows. Although strongly identified as an altarpiece form, triptychs outside that context have been created, some of the best-known examples being works by Hieronymus Bosch, Max Beckmann, and Francis Bacon.
Triptych (French: Triptyque) is a 2013 Canadian drama film directed by Robert Lepage and Pedro Pires. The film was shown in the Panorama section of the 64th Berlin International Film Festival.
Triptych (Strings Percussion Celesta) is a ballet made by Christopher d'Amboise to Bartók's Music for Strings, Percussion and Celesta, as part of New York City Ballet's Diamond Project. The premiere took place on Wednesday, 7 June 2000 at the New York State Theater, Lincoln Center.
Did we give away too much or was it right?
I just wanna go back home and hold you tight
I can't face another crowd and feel this way
Oh no, oh no
I'm falling into every little trap that I can find
Reading too much into every single sign
I can't face you with the others all around
Oh no, oh no
I need some time to breathe
I can't fix what's wrong
Well the world I see is only two lanes wide
From this midnight van to Georgia that we ride
And the toll booths become markers of the time
Oh no, oh no
We come and go so fast