Bleu or BLEU may refer to:
William James McAuley III (born July 18, 1975), best known by his performing name, Bleu, is an American pop artist (singer-songwriter), professional songwriter and producer currently living in Los Angeles. Bleu graduated from the Berklee College of Music in Boston, Massachusetts. Along with his solo work, he is the lead singer and songwriter of the Electric Light Orchestra-style power pop band L.E.O., as well as a founding member of the power pop trio The Major Labels with Mike Viola and Ducky Carlisle, and is also a founding member of the Mutt Lange homage super-group LoudLion (featuring Taylor Locke of Rooney, Allison Robertson of The Donnas, Maclaine Diemer formerly of Bang Camaro, etc.). Bleu has toured the United States and internationally with bands such as John Mayer, Puffy AmiYumi, Hanson, Guster, Rooney, Mike Viola, Switchfoot, and Toad the Wet Sprocket.
Bleu was known in the local Boston music scene for his live shows and work with other musicians, and received some local notoriety for his debut effort A Bing Bang Holidang, which was a charity benefit for the Boston Institute for Arts Therapy. A single from that record, "Boston All Star 12 Dayz," received some local airplay, featuring famous local musicians and acts from Guster and The Mighty Mighty Bosstones as well as Kay Hanley of Letters to Cleo and Bill Janovitz.
Three Colors: Blue (French: Trois couleurs: Bleu) is a 1993 French drama film written, produced, and directed by the acclaimed Polish director Krzysztof Kieślowski. Blue is the first of three films that comprise The Three Colors Trilogy, themed on the French Revolutionary ideals of liberty, equality, and fraternity; it is followed by White and Red. According to Kieślowski, the subject of the film is liberty, specifically emotional liberty, rather than its social or political meaning.
Set in Paris, the film is about a woman whose husband and child are killed in a car accident. Suddenly set free from her familial bonds, she attempts to cut herself off from everything and live in isolation from her former ties, but finds that she can't free herself from human connections.
Julie (Juliette Binoche), wife of the famous composer Patrice de Courcy, must cope with the death of her husband and daughter in an automobile accident she herself survives. While recovering in hospital, Julie attempts suicide by overdose, but cannot swallow the pills. After being released from hospital, Julie, who it is suggested wrote (or helped to write) much of her husband's famous pieces, destroys what is left behind of them. Calling Olivier (Benoît Régent), an unmarried collaborator of her husband's who has always admired her, she spends a night with him and says goodbye. Emptying the family house and putting it up for sale, she takes an apartment in Paris without telling anyone, her only memento being a mobile of blue beads that the viewer assumes belonged to her daughter.
In music, tremolo (Italian pronunciation: [ˈtrɛːmolo]), or tremolando ([tremoˈlando]), is a trembling effect. There are two types of tremolo.
The first is a rapid reiteration
A second type of tremolo is a variation in amplitude
Tremolo is a fictional mutant character in Marvel Comics' shared universe, the Marvel Universe.
Tremolo was a member of female mutant terrorists. She was resuscitated by Cyber to commit acts of extortion, and worked for a notorious drug cartel. Another member of group, Shrew eventually quit the team and agreed to testify against the cartel for immunity. Tremolo and other The Belles, upon discovering their former teammate's betrayal, sought out to kill Shrew. The government then placed Shrew under the protection of X-Factor. The Belles ambushed X-Factor in a hotel, and in the ensuing battle. She was initially driven off by Wolfsbane, and was later punched out by Quicksilver and taking them into custody with other defeated Hell's.
She is currently depowered due to events of M-Day.
Tremolo radiates sound and sonic waves around her body at all times, allowing her to fly, giving off explosive shock blasts, and vibro-shattering anything within range.
Tremolo, in electronics, is the variation in amplitude of sound achieved through electronic means, sometimes mistakenly called vibrato, and producing a sound somewhat reminiscent of flanging, referred to as an "underwater effect". A variety of means are available to achieve the effect.
The first self-standing electronic tremolo effects unit may have been produced by DeArmond, in which a motor shakes a canister containing a "hydro-fluid" (not mercury as some people assume), oscillating the canister containing an electrolytic fluid that sends the signal to ground. Earliest references to DeArmond's tremolo unit date to 1941. Starting in the 1950s many companies began incorporating the effect into guitar amplifiers, including the Fender Tremolux and Vibrolux: Leo Fender marked the effect on Fender amplifiers as "vibrato", conversely calling the vibrato arm on his Fender Stratocaster a tremolo arm. The most notable early amplifiers with built-in tremolo functions were the 1961 Fender Princeton and the Gibson Falcon. In such amplifiers, the tremolo circuit was relatively simple, using as little as a dozen components and one half of a tube of the preamp circuit. The effect was achieved through "bias wiggle", in which the bias of a tube, in the preamp or output stage, was modulated (turned off and on, or partly off and on) in a pure sine wave. Such circuits typically had controls for speed and depth, and produced an effect described as "lush, warm, and roundly pulsing".