Trance denotes any state of awareness or consciousness other than normal waking consciousness. Trance states may occur involuntarily and unbidden.
The term trance may be associated with hypnosis, meditation, magic, flow, and prayer. It may also be related to the earlier generic term, altered states of consciousness, which is no longer used in "consciousness studies" discourse.
Trance in its modern meaning comes from an earlier meaning of "a dazed, half-conscious or insensible condition or state of fear", via the Old French transe "fear of evil", from the Latin transīre "to cross", "pass over". This definition is now obsolete.
Wier, in his 1995 book, Trance: from magic to technology, defines a simple trance (p. 58) as a state of mind being caused by cognitive loops where a cognitive object (thoughts, images, sounds, intentional actions) repeats long enough to result in various sets of disabled cognitive functions. Wier represents all trances (which include sleep and watching television) as taking place on a dissociated trance plane where at least some cognitive functions such as volition are disabled; as is seen in what is typically termed a 'hypnotic trance'. With this definition, meditation, hypnosis, addictions and charisma are seen as being trance states. In Wier's 2007 book, The Way of Trance, he elaborates on these forms, adds ecstasy as an additional form and discusses the ethical implications of his model, including magic and government use which he terms "trance abuse".
Trance is an album by American jazz pianist and composer Steve Kuhn recorded in 1974 and released on the ECM label.
The Allmusic review by Thom Jurek awarded the album 4 stars stating "This is jazz that touches on fusion, modal, and the new spirit of the music as ECM came into the 1970s as a player. There is restlessness and calm, tempestuousness and serenity, conflict and resolution, and -- above all -- creativity and vision".
A trance is an altered state of consciousness.
Trance may also refer to:
The piano (Italian pronunciation: [ˈpjaːno]; an abbreviation of pianoforte [pjanoˈfɔrte]) is a musical instrument played using a keyboard. It is widely employed in classical, jazz, traditional and popular music for solo and ensemble performances, accompaniment, and for composing and rehearsal. Although the piano is not portable and often expensive, its versatility and ubiquity have made it one of the world's most familiar musical instruments.
An acoustic piano usually has a protective wooden case surrounding the soundboard and metal strings, and a row of 88 black and white keys (52 white, 36 black). The strings are sounded when the keys are pressed, and silenced when the keys are released. The note can be sustained, even when the keys are released, by the use of pedals.
Pressing a key on the piano's keyboard causes a padded (often with felt) hammer to strike strings. The hammer rebounds, and the strings continue to vibrate at their resonant frequency. These vibrations are transmitted through a bridge to a soundboard that amplifies by more efficiently coupling the acoustic energy to the air. When the key is released, a damper stops the strings' vibration, ending the sound. Although an acoustic piano has strings, it is usually classified as a percussion instrument because the strings are struck rather than plucked (as with a harpsichord or spinet); in the Hornbostel-Sachs system of instrument classification, pianos are considered chordophones. With technological advances, electric, electronic, and digital pianos have also been developed.
In music, dynamics are instructions in musical notation to the performer about hearing the loudness of a note or phrase. More generally, dynamics may also include other aspects of the execution of a given piece.
The two basic dynamic indications in music are:
More subtle degrees of loudness or softness are indicated by:
Beyond f and p, there are also
And so on.
Some pieces contain dynamic designations with more than three f's or p's. In Holst's The Planets, ffff occurs twice in Mars and once in Uranus often punctuated by organ and fff occurs several times throughout the work. It also appears in Heitor Villa-Lobos' Bachianas Brasileiras No. 4 (Prelude), and in Liszt's Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam". The Norman Dello Joio Suite for Piano ends with a crescendo to a ffff, and Tchaikovsky indicated a bassoon solo pppppp in his Pathétique Symphony and ffff in passages of his 1812 Overture and the 2nd movement of his Fifth Symphony.
Piano, also released as Whisper Not, is an album by jazz pianist Wynton Kelly released on the Riverside label featuring performances by Kelly with Kenny Burrell, Paul Chambers, and Philly Joe Jones recorded in 1958.
The Allmusic review by Scott Yanow states "Kelly became a major influence on pianists of the 1960s and 1970s and one can hear the genesis of many other players in these swinging performances".
In Greek mythology, Tyro (Ancient Greek: Τυρώ) was the daughter of Salmoneus and married Cretheus, but loved Enipeus. She gave birth to Pelias and Neleus, the twin sons of Poseidon. With Cretheus she had Aeson, Pheres, and Amythaon.
Her father, Salmoneus, was the brother of Athamas and Sisyphus. Tyro was married to Cretheus (with whom she had three sons, Aeson, Amythaon, Pheres) but loved Enipeus, a river god. She pursued Enipeus, who refused her advances. One day, Poseidon, filled with lust for Tyro, disguised himself as Enipeus and from their union was born Pelias and Neleus, twin boys. Tyro exposed her sons on a mountain to die, but they were found by a herdsman who raised them as his own. When they reached adulthood, Pelias and Neleus found Tyro and killed her stepmother, Sidero, for having mistreated their mother (Salmoneus married Sidero when Alkidike, his wife and the mother of Tyro, died). Sidero hid in a temple to Hera but Pelias killed her anyway, causing Hera's undying hatred of Pelias – and her glorious patronage of Jason and the Argonauts in their long quest for the Golden Fleece. Pelias' half brother Aeson, the son of Tyro and Cretheus, was the father of Jason. Soon after, Tyro married Sisyphus and had two children. It was said that their children would kill Salmoneus, so Tyro killed them in order to save her father.