Trance is a 2013 British psychological thriller film directed by Danny Boyle with a screenplay by Joe Ahearne and John Hodge from a story by Ahearne. The film stars James McAvoy, Vincent Cassel, and Rosario Dawson. The world premiere of the film was held in London on 19 March 2013.
Simon (McAvoy), an art auctioneer, becomes an accessory to the theft of a painting–Goya's Witches in the Air–from his own auction house. When a gang attacks during an auction, Simon follows the house emergency protocol by packaging the painting. The gang's leader Franck (Cassel) then takes the package from him at gunpoint. Simon attacks Franck, who delivers him a blow to the head that leaves him with amnesia. When Franck gets home, he discovers that the package contains only an empty frame. After ransacking Simon's apartment and trashing his car, the gang kidnaps and unsuccessfully tortures him. But he has no memory of where he has hidden the painting. Franck decides to hire a hypnotherapist to try to help him remember.
Trance denotes any state of awareness or consciousness other than normal waking consciousness. Trance states may occur involuntarily and unbidden.
The term trance may be associated with hypnosis, meditation, magic, flow, and prayer. It may also be related to the earlier generic term, altered states of consciousness, which is no longer used in "consciousness studies" discourse.
Trance in its modern meaning comes from an earlier meaning of "a dazed, half-conscious or insensible condition or state of fear", via the Old French transe "fear of evil", from the Latin transīre "to cross", "pass over". This definition is now obsolete.
Wier, in his 1995 book, Trance: from magic to technology, defines a simple trance (p. 58) as a state of mind being caused by cognitive loops where a cognitive object (thoughts, images, sounds, intentional actions) repeats long enough to result in various sets of disabled cognitive functions. Wier represents all trances (which include sleep and watching television) as taking place on a dissociated trance plane where at least some cognitive functions such as volition are disabled; as is seen in what is typically termed a 'hypnotic trance'. With this definition, meditation, hypnosis, addictions and charisma are seen as being trance states. In Wier's 2007 book, The Way of Trance, he elaborates on these forms, adds ecstasy as an additional form and discusses the ethical implications of his model, including magic and government use which he terms "trance abuse".
Trance is an album by American jazz pianist and composer Steve Kuhn recorded in 1974 and released on the ECM label.
The Allmusic review by Thom Jurek awarded the album 4 stars stating "This is jazz that touches on fusion, modal, and the new spirit of the music as ECM came into the 1970s as a player. There is restlessness and calm, tempestuousness and serenity, conflict and resolution, and -- above all -- creativity and vision".
Trance (Hope Abbott) is a fictional character appearing in comic books published by the Marvel Comics. A mutant, Hope attended the Xavier Institute before its closing. She retained her powers after M-Day and is a member of the X-Men's training squad.
Hope was raised in Bloomfield Hills, Michigan. When Hope's powers manifested, it appeared as if a ghost had come out of her body, giving her father a heart attack. She was then sent to the Xavier Institute by her parents believing that she would be "cured."
While at the Institute, Hope was put in the Paragons Squad under the watch of Wolfsbane. Hope then took on the codename Trance. When it was outted that Wolfsbane and a student (Elixir) had been in a relationship, Wolfsbane decided to leave. Magma then took over as the squad's advisor.
When the events of Decimation transpired, she was one of only 27 students to keep her powers. Greatly weakened by the losses, Emma Frost placed all of the remaining students into an all-out brawl to determine who would become the team of X-Men in-training. Hope did not make the team yet, like all of the other students who retained their powers, still resides at the Institute.
$, also known as Dollars and in the UK as The Heist, is a 1971 American caper film starring Warren Beatty and Goldie Hawn, and distributed by Columbia Pictures. The movie was written and directed by Richard Brooks and produced by M.J. Frankovich. The supporting cast includes Gert Fröbe, Robert Webber and Scott Brady. The film was partly shot in Hamburg, Germany, which forms the primary location of the film and was supported by the Hamburg Art Museum and Bendestorf Studios.
The film's title appears in the opening credits only in the form of a giant character, as would be used in a sign, being transported by a crane.
Set in Hamburg, West Germany, several criminals take advantage of the German bank privacy laws to use safe deposit boxes in a German bank to store large amounts of illicit cash. These include a Las Vegas mobster as well as a ruthless drug smuggler known as the Candy Man and a crooked overbearing U.S. Army sergeant and his meek-mannered partner the Major, who conspire on a big heroin and LSD smuggling score. Joe Collins (Warren Beatty), an American bank security consultant, has been spying on them and makes mysterious and elaborate preparations to steal their money (totaling more than $1.5 million) with the help of Dawn Divine (Goldie Hawn), a hooker with a heart of gold.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.