Lady and the Tramp is a 1955 American animated romantic musical comedy film produced by Walt Disney and released to theaters on 22 June 1955, by Buena Vista Distribution. The 15th film in the Walt Disney Animated Classics series, it was the first animated feature filmed in the CinemaScope widescreen film process. Based on Happy Dan, The Whistling Dog by Ward Greene, Lady and the Tramp tells the story of a female American Cocker Spaniel named Lady who lives with a refined, upper-middle-class family, and a male stray mutt named Tramp. When the two dogs meet, they embark on many romantic adventures. A direct-to-video sequel, Lady and the Tramp II: Scamp's Adventure, was released in 2001.
On Christmas morning, 1909, in a quaint Midwestern town, Jim Dear gives his wife Darling an American cocker spaniel puppy which she names Lady. Lady enjoys a happy life with the couple and two local neighborhood dogs, Jock, a Scottish terrier, and Trusty, a bloodhound. Meanwhile, across town, a stray mutt named Tramp lives on his own, dining on scraps from Tony's restaurant and protecting his friends from the local dogcatcher. One day, Lady is saddened after her owners begin treating her rather coldly. Jock and Trusty visit her and determine that their change in behavior is due to Darling expecting a baby. While Jock and Trusty try to explain what a baby is, Tramp interrupts the conversation and offers his own thoughts on the matter, making Jock and Trusty take an immediate dislike to the stray and order him out of the yard. As Tramp leaves, he reminds Lady that "when the baby moves in, the dog moves out."
"Tramp" is a soul blues song first recorded by Lowell Fulson in 1967. It was written by Fulson and Jimmy McCracklin. The song became a hit, reaching #5 in the Billboard R&B chart and #52 in the pop Billboard Hot 100 chart. Since the original recording, "Tramp" has been recorded by several R&B and other artists.
The following are characters who first appeared, or returned, in the BBC soap opera EastEnders during 2013 listed by order of first appearance . New characters were introduced by Lorraine Newman, executive producer until December 2013, when Dominic Treadwell-Collins took over.
The first character to be announced was Dexter Hartman, the teenage son of Ava Hartman. He was introduced in January. Steve Lowe, Bianca Butcher's probation officer and a love interest for Carol Jackson, arrived as a recurring character in February, and in March, Kane and his gang appeared for a storyline involving Liam Butcher. Dexter's father Sam James arrived in May. Kirsty Branning's ex-boyfriend Carl White joined the show in June. Two short-term characters, Betty Spragg, and Ollie Walters, arrived in July. Sadie Young arrived on the show in August, as the new owner of the beauty salon. Former Hollyoaks actor Jamie Lomas made his first appearance in August as well, playing Jake Stone. Upon the announcement that established character David Wicks was returning to the show, Lisa Maxwell was cast as his girlfriend, Naomi, who appeared in September for one episode. Terry Alderton, playing Terry Spraggan, made his debut in November, along with his children TJ and Rosie. Former Holby City actress Luisa Bradshaw-White was cast as Tina, who first appeared in November, followed in December by Mick Carter (Danny Dyer), Linda Carter (Kellie Bright), his partner, and their younger son, Johnny (Sam Strike).
Vital or Vitals may refer to:
Vital is the sixth studio album by American alternative rock band Anberlin which was released on October 16, 2012. In interviews, vocalist Stephen Christian has stated the album has a youthful, energetic energy and features new influences for the band. Upon release, the album was met with favorable reviews from critics and fans alike. The album was re-released in 2013 as Devotion, adding the deluxe tracks from various retailers, new remixes, and a full live album.
Vital garnered generally positive reception from music critics. The review aggregator website Metacritic gives a weighted average rating to an album based upon the selected independent mainstream reviews it utilizes, and the album has a Metascore of a 77 out of 100 based on five reviews.
At Alternative Press, Evan Lucy stating that "Vital [is] the most well-rounded Anberlin album to date." Matt Collar of AllMusic saying that "Ultimately, while Vital is Anberlin's most challenging album to date, as the title implies, it is perhaps the band's most rewarding album." At AbsolutePunk, Jack Appleby writing that "Calling Vital a career-defining record isn't a stretch in the least", which it "is the best record in Anberlin’s 10 year career, bar none." SowingSeason of Sputnikmusic remarking that "Even if it isn’t the best album they’ve ever made, Vital is perhaps the smartest", that contains some "otherworldly vocals." At Melodic, Johan Wippsson commenting that "the band has kept the energy that characterizes their sound and overall it’s an album that shows that the band is in the right direction."
Vital is the first live album by English progressive rock band Van der Graaf Generator. It was recorded 16 January 1978 at the Marquee Club in London and was released in July, one month after the band's 1978 break-up. The album (on vinyl and, later, on CD) was credited under the abbreviated name Van der Graaf, like the previous year's The Quiet Zone/The Pleasure Dome, and featured the same line-up plus newcomer cellist Charles Dickie, who had officially joined the band in August 1977, and original saxophonist and flautist David Jackson, who re-joined the band for this recording.
The album is noted for its sometimes radical reworking of the older material. Although Van der Graaf Generator were seldom less than intense on stage, the 1977 and 1978 tours were remarkable for their ferocity. The absence of Hugh Banton, whose organ work was a hallmark of the group's sound before his departure in 1976, as well as frontman Peter Hammill's increased duties as a rhythm guitarist, account for much of this.
Personal Column (French: Pièges) is a 1939 French drama film directed by Robert Siodmak and starring Maurice Chevalier, Pierre Renoir and Marie Déa. The film's sets were designed by the art directors Maurice Colasson and Georges Wakhévitch.
After one of her fellow taxi dancers is murdered by an unknown man who she met through a personal column advert, Adrienne Charpentier is recruited by the police to answer a series of similar adverts to try to track down the killer. She meets and falls in love with the charming nightclub owner and womanizer Robert Fleury, but clues begin to appear that suggest that it is he who is the murderer.