Touch Me! is Japanese singer-songwriter Mai Kuraki's eighth studio album, which was released on January 21, 2009, in Japan by her record label Northern Music. The album was released in two formats; the regular single CD version and a limited CD+DVD version, whose content contained a behind the scenes look at the making of the album, as well an interview and clips from her 2008 tour. The album follows the same pattern as "One Life", in which Kuraki collaborated with new composers.
Three singles were released from the album; the first, "Yume ga Saku Haru/You and Music and Dream", which debuted at number five on the Oricon single weekly chart. The second single and third single were, "Ichibyōgoto ni Love for You" and "24 Xmas Time". Both singles charted at number seven on the Oricon charts.
Selling 50,250 units in its first week, the album debuted at the number-one on the Oricon album weekly chart, becoming Kuraki's first album in five years to appear at the top spot.
Fortune is the fifth studio album by American recording artist Chris Brown, released on June 29, 2012. The album is Brown's first release through RCA Records, following the disbandment of Jive Records in October 2011. As the executive producer of the album, Brown collaborated with several record producers, including The Underdogs, Polow da Don, Brian Kennedy, The Runners, The Messengers, Danja and Fuego, among others. The album also features several guest appearances, including Big Sean, Wiz Khalifa, Nas, Kevin McCall, Sevyn and Sabrina Antoinette. Originally scheduled for release six months after the release of his fourth studio album F.A.M.E. (2011), Fortune received several push backs.
Upon its release, Fortune received generally negative reviews from music critics, who panned its songwriting and music. In the United States, the album debuted at number one on the Billboard 200, selling 135,000 copies in its first week making it Brown's second number one album in the U.S. The album also debuted at number one in the Netherlands, New Zealand and United Kingdom, and reached the top ten in Australia, Canada, France, Ireland, Japan and Switzerland.
Touch Me is an arcade game first released by Atari Inc. in 1974, and later as a handheld game in 1978. It can be described as a Simon-like game that involves touching a series of buttons that light up and produce sounds. The player must observe a sequence of blinking lights and repeat the sequence back in the same order that it occurred. Each time this is completed, the game will produce another sequence with an additional button added. This process is repeated and a digital score window displays the total number of sound sequences a player correctly repeats. The game continues until the maximum sequence of buttons is reached, or the user makes an error.
Touch Me was first released as an arcade game in 1974 by Atari. The arcade version was housed in a short arcade cabinet and had four large circular buttons of the same color. The player was allowed to make three mistakes before the game ended. The arcade game found itself competing for attention in arcades with the latest pinball machines and video games of the day and was not very successful.
Edo is a male given name. It may refer to:
In music, 31 equal temperament, 31-ET, which can also be abbreviated 31-TET, 31-EDO (equal division of the octave), also known as tricesimoprimal, is the tempered scale derived by dividing the octave into 31 equal-sized steps (equal frequency ratios). Play Each step represents a frequency ratio of 21/31, or 38.71 cents (
Play ).
31-ET is a very good approximation of quarter-comma meantone temperament. More generally, it is a tuning of the syntonic temperament in which the tempered perfect fifth is equal to 696.77 cents, as shown in Figure 1. On an isomorphic keyboard, the fingering of music composed in 31-ET is precisely the same as it is in any other syntonic tuning (such as 12-ET), so long as the notes are spelled properly -- that is, with no assumption of enharmonicity.
In music, 19 equal temperament, called 19-TET, 19-EDO ("Equal Division of the Octave"), or 19-ET, is the tempered scale derived by dividing the octave into 19 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/19, or 63.16 cents ( Play ). Because 19 is a prime number, one can use any interval from this tuning system to cycle through all possible notes; just as one may cycle through 12-edo on the circle of fifths, the number 7 (of semitones in a fifth in 12-edo) being coprime to 12.
19-edo is the tuning of the syntonic temperament in which the tempered perfect fifth is equal to 694.737 cents, as shown in Figure 1 (look for the label "19-TET"). On an isomorphic keyboard, the fingering of music composed in 19-edo is precisely the same as it is in any other syntonic tuning (such as 12-edo), so long as the notes are spelled properly—that is, with no assumption of enharmonicity.
Yeah!
Come on, come on, come on
Come on now touch me, baby
Can't you see that I am not afraid?
What was that promise that you made?
Why won't you tell me what she said?
What was that promise that you made?
Now, I'm gonna love you
Till the heavens stop the rain
I'm gonna love you
Till the stars fall from the sky for you and I
Come on, come on, come on
Come on now touch me, baby
Can't you see that I am not afraid?
What was that promise that you made?
Why won't you tell me what she said?
What was that promise that you made?
I'm gonna love you
Till the heavens stop the rain
I'm gonna love you
Till the stars fall from the sky for you and I
I'm gonna love you
Till the heavens stop the rain
I'm gonna love you