Total S.A.
Total S.A. (French pronunciation: [tɔtal]; English /toʊˈtæl/ or /toʊˈtɑːl/) is a French multinational integrated oil and gas company and one of the six "Supermajor" oil companies in the world. Its businesses cover the entire oil and gas chain, from crude oil and natural gas exploration and production to power generation, transportation, refining, petroleum product marketing, and international crude oil and product trading. Total is also a large-scale chemicals manufacturer. The company has its head office in the Tour Total in La Défense district in Courbevoie, west of Paris. The company is a component of the Euro Stoxx 50 stock market index.
History
Compagnie française des pétroles (CFP): 1924–1985
The company was founded after World War I, when the then French Prime Minister Raymond Poincaré rejected the idea of forming a partnership with Royal Dutch Shell in favour of creating an entirely French oil company. At Poincaré's behest, Col. Ernest Mercier with the support of ninety banks and companies founded Total on 28 March 1924, as the Compagnie française des pétroles (CFP), literally the "French Petroleum Company". Petroleum was seen as vital in the case of a new war with Germany. As per the agreement reached during the San Remo conference of 1920, the French state received the 25% share held by Deutsche Bank in the Turkish Petroleum Company (TPC) as part of the compensation for war damages caused by Germany during World War I. The French government's stake in TPC was transferred to CFP, and the Red Line agreement in 1928 rearranged the shareholding of CPF in TPC (later renamed the Iraq Petroleum Company in 1929) to 23.75%. The company from the start was regarded as a private sector company in view of its listing on the Paris Stock Exchange in 1929.
Total: From Joy Division to New Order
Total: From Joy Division to New Order is a compilation album of material from Joy Division and New Order. It was released in the United Kingdom on 6 June 2011 and is the first album to feature songs from both Joy Division and New Order in one album. It features five Joy Division tracks, including "Love Will Tear Us Apart", and thirteen New Order tracks, including a previously unreleased track, "Hellbent". An online "Deluxe version" also includes music videos.
Creation
The record label were unhappy with calling the record a "Best Of", so after brainstorming with the band the title Total was eventually chosen by Bernard Sumner.
The album cover was created by Howard Wakefield who previously served as understudy to Peter Saville. Peter was involved in art direction and told The Guardian: "I realised this was a record that would be sold in supermarkets and advertised on television. So the cover has a 'pile it high, sell it cheap' aesthetic. As you open it out, it says Total, but folded up you just see the 'O's. It says, 'From Joy Division to New Order'. I couldn't bear the words 'Best of'. It's a long way from the independent record shop to Tesco, almost 33 years. At Factory, I had a freedom that was unprecedented in communications design. We lived out an ideal, without business calling the shots. It was a phenomenon."
Total (Seigmen album)
Total is the third studio album by Norwegian rock band Seigmen. It was released on 21 October 1994, through record label 1:70.
Track listing
All lyrics written by Kim Ljung, all music composed by Klisne Seigmenn.
Release
The album was certified gold in Norway in 2006.
Personnel
References
External links
Pink Floyd bootleg recordings
Pink Floyd bootleg recordings are the collections of audio and video recordings of musical performances by the British rock band Pink Floyd, which were never officially released by the band. The recordings consist of both live performances and outtakes from studio sessions unavailable in official releases. In some cases, certain bootleg recordings may be highly prized among collectors, as at least 40 songs composed by Pink Floyd have never been officially released.
During the 1970s, bands such as Pink Floyd created a lucrative market for the mass production of unofficial recordings with large followings of fans willing to purchase them. In addition, the huge crowds that turned up to these concerts made the effective policing of the audience for the presence of recording equipment virtually impossible. Vast numbers of recordings were issued for profit by bootleg labels.
Some Pink Floyd bootlegs exist in several variations with differing sound quality and length because sometimes listeners have recorded different versions of the same performance at the same time. Pink Floyd was a group that protected its sonic performance, making recording with amateur recording devices difficult. In their career, Pink Floyd played over 1,300 concerts, of which more than 350 were released as bootlegged recordings (sometimes in various versions). Few concerts have ever been broadcast (or repeated once they were broadcast on television), especially during 'the golden age' of the group from 1966 to 1981.
Drum (2004 film)
Drum is a 2004 film based on the life of South African investigative journalist Henry Nxumalo, who worked for the popular Drum magazine, called "the first black lifestyle magazine in Africa." It was director Zola Maseko's first film and deals with the issues of apartheid and the forced removal of residents from Sophiatown. The film was originally to be a six-part television series called Sophiatown Short Stories, though Maseko could not get the funding. The lead roles of Henry Nxumalo and Drum main photographer Jürgen Schadeberg were played by American actors Taye Diggs and Gabriel Mann, while most of the rest of the cast were South African actors.
The film premiered at the Toronto International Film Festival in September 2004, and proceeded to do the rounds of international film festivals before going on general release in South Africa in July 2006. It was released in Europe, but failed to get a distributor for the USA where it went straight to DVD.
The film was generally well received critically. Most of the negative reviews were based on the quality of Maseko's directing and Jason Filardi's screenwriting. It was awarded Best South African Film at the Durban International Film Festival, and director Maseko gained the top prize at the Panafrican Film and Television Festival of Ouagadougou (FESPACO).
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