Mono may refer to:
Mono was a British electronic music duo which had a hit in the late 1990s with their song "Life in Mono". The group's music is often described as trip hop, based on its similarities to contemporary electronic music acts including Sneaker Pimps and Portishead. Audible, and frequently cited, influences in Mono's songs include jazzy instrumentation reminiscent of 1960s spy film soundtracks and production styles rooted in 1960s pop music.
The band, formed in late 1996 in London, consisted of singer Siobhan de Maré and Martin Virgo on keyboards, synthesizer programming, and production. Virgo, trained in classical piano at the Guildhall School of Music and Drama, had been working as a session musician since the early 1990s as part of the production team of Nellee Hooper, which led to credits on a remix of Massive Attack's "Unfinished Sympathy" (considered one of the landmark songs of trip hop's "Bristol sound") and Björk's 1993 album Debut. De Maré comes from a family with several generations of history in entertainment; her father was Tony Meehan, drummer for the Shadows, her grandfather was one of the Gongmen featured in the opening logo sequences in Rank Organisation films, and her grandmother was a dancer who worked with Shirley Bassey. She had been working as a session singer for hip hop and R&B musicians, as well as writing and touring, though much of this material consisted of underground and white label releases.
Mono was the first album from The Icarus Line. It was originally released May 8, 2001 in the U.S. by Crank! Records on CD, and Buddyhead on LP.
The album was recorded throughout two separate sessions in 2000. The first of these were conducted at the studio "Rotund Rascal" on Lankershim Blvd. in North Hollywood. This initial attempt at recording the entire album with Mark Trombino as engineer, ultimately resulted in only the completion of drums, bass, Alvin's guitars, and about half of Aaron's guitar tracks. In a bold move, the band fired Trombino, and resumed work over a month later with Alex Newport at Messenger's Studio in North Hollywood, also on Lankershim Blvd. Having recorded albums such as At The Drive-In's before at this same studio, Newport was comfortable in moving very quickly there with the band. The album, being recorded onto tape, as opposed to Pro Tools (as was customary for most bands of the time) resulted in the majority of the album being "first takes". The album was also mixed quickly by the band with Newport at Messenger's Studio. It was then mastered by Mark Chalecki in the Capitol Records building.
Toss, Tossed or Tossing may refer to:
In the sport of cricket, a coin is tossed to determine which team bats first. This is known as the toss.
Before play begins, the captain of each side will inspect the pitch. Based on the pitch and weather conditions, the captains select their final eleven players. If the pitch is soft or dusty, the captain will tend to select more spin bowlers; if the pitch is hard, the choice tends to favour fast bowlers at the expense of spinners.
Half an hour before the start of play, the two captains convene and exchange team selection sheets. These list the composition of each side, which cannot be changed for the duration of the match. Then, with the supervision of the umpires, a coin is tossed to determine who bats first. The umpire's call of play marks the official beginning of the match. If the match is abandoned at any time after the toss, it stands as a match played and enters official statistical records. If a match is abandoned before the toss, it is not considered to have been played at all, and does not count for records.
Carrom (also known as Karrom) is a "strike and pocket" table game of Eastern origin similar to billiards and table shuffleboard. It is found throughout the East under different names though most non-eastern people know it by the East Asian name of Carroms (or Karrom). It is very popular in Nepal, India, Pakistan, Bangladesh, Sri Lanka and surrounding areas and in the Middle East as well. In South Asia, many clubs and cafés hold regular tournaments. Carrom is very commonly played by families, including the children, and at social functions. Different standards and rules exist in different areas.
The game of carrom is believed to have originated from the Indian subcontinent. Although no concrete evidence is available, it is believed that carrom was invented by the Indian Maharajas. One Carrom Board with its surface made of glass is still available in one of the palaces in Patiala, India. It became very popular among the masses after World War I. State level competitions were being held in different States of India during early part of the nineteenth century. Serious carrom tournaments may have begun in Sri Lanka in 1935 but by 1958, both India and Sri Lanka had formed official federations of carrom clubs, sponsoring tournaments and awarding prizes.
[VERSE 1: Jay Tee]
Late one night when I was creepin
And the rest of the world was sleepin
I got a beep from a little freak I met
At the mall, yes y'all, she was gettin the call
So I called, said: What's up, what's the deal?
You booty looked real good today
You know I'm ready to lay
(Some pipe) yeah, the N2Deep type
She said: Cool, bring someone from the crew
I said okay, picked up [Name] on my way
I woulda got [Name] but he was with some hoe
So it's just me and the dog and we're ready to gee
We picked the girl up and it was plain to see
That she was down to spin around and all that
Parked the ride and we jumped in the back
Huh, we got did and did, man, you know what's up
Straight yak, she's a toss-up
(Neighborhood)
(Neighborhood)
(Neighborhood)
(Neighborhood toss)
Toss-up
TL, wake that hoe up, man
[VERSE 2: TL]
Wake up, toss-up, you better call your boss up
Get up, wash up, dirty little toss-up
I'm in too deep and I'm still goin deeper
Not a straight peck redneck or a Crest creeper
Freak keeper, but only for a minute
Pull out ( ? ) 40 ounce and I'm up in it
Geein (Like that?) and I'm slingin thangs
Cause I'm pushin in Jimmy, then I'm pullin out James
10 gun salute to the man in the latex suit
(What's up?) This bud's for you
Straight dank man, goin up off 100 miles north of the V-Town
This shit'll have you towed down
Pull my lever and you felt the wrath
Honkey with a donkey that you know you can have
So let my super-duper ( ? ) rinky-dinky
Suck my pinky, stinky little toss-up
(Neighborhood)
(Neighborhood)
(Neighborhood)
(Neighborhood toss)
Toss-up
[VERSE 3: Jay Tee]
She's a toss-up, man, so I'm tossin her up
She look good and got a big old butt
(Is she a slut?) Yeah man, but I ain't callin her one
Not until (What's up? ) Until I get me some
(Dumb) girl, let me get in stride with you
Take a ride with you and get inside of you
(Who?) Me and my crew, like we always sdo
Don't try to say you ain't down because you know it ain't true
(I'm down) Turn off the lights and I'ma get under way
Straight strip and dip and no foreplay
Okay, so don't say that I'm gettin sprung
You didn't get no tongue, just a nut in your lung
From the young one, yeah, you know that's right
We ain't done yet, so turn off the lights
You see tonight, you're in for a treat
(You ain't gettin no sleep)