KMFDM (from Kein Mitleid Für Die Mehrheit [sic], translated by the band as "no pity for the majority" [sic]) is an industrial band led by German multi-instrumentalist Sascha Konietzko, who founded the group in 1984 as a performance art project. KMFDM has released nineteen studio albums and two dozen singles, with sales of more than two million records worldwide.
The band has undergone many line-up changes and featured dozens of guest musicians. Its earliest incarnation included German drummer En Esch and British vocalist Raymond Watts, the latter of whom left and rejoined the group several times over its history. German guitarist Günter Schulz joined in 1990; both he and Esch continued with the band until KMFDM broke up in 1999. Konietzko resurrected KMFDM in 2002 (Esch and Schulz declined to rejoin), and by 2005 he had assembled a consistent line-up that included American singer Lucia Cifarelli, British guitarists Jules Hodgson and Steve White, and British drummer Andy Selway.
Critics consider KMFDM to be one of the first bands to bring industrial music to mainstream audiences, though Konietzko refers to the band's music as "The Ultra-Heavy Beat". The band incorporates heavy metal guitar riffs, electronic music, samples, and both male and female vocals in its music, which encompasses a variety of styles. KMFDM normally tours at least once after every major release, and band members are known for their accessibility to and interaction with fans, both online and at concerts. Members, singly or working with each other and others, have recorded under many other names, primarily Watts' Pig in 1988, Konietzko's Excessive Force in 1991, and Esch and Schulz's Slick Idiot in 2001.
Torture (from the Latin tortus, “twisted") is the act of deliberately inflicting physical or psychological pain on an organism in order to fulfil some desire of the torturer or compel some action from the victim. Torture, by definition, is a knowing and intentional act; deeds which unknowingly or negligently inflict pain without a specific intent to do so are not typically considered torture.
Torture has been carried out or sanctioned by individuals, groups, and states throughout history from ancient times to modern day, and forms of torture can vary greatly in duration from only a few minutes to several days or longer. Reasons for torture can include punishment, revenge, political re-education, deterrence, interrogation or coercion of the victim or a third party, or simply the sadistic gratification of those carrying out or observing the torture. The need to torture another is thought to be the result of internal psychological pressure in the psyche of the torturer. The torturer may or may not intend to kill or injure the victim, but sometimes torture is deliberately fatal and can precede a murder or serve as a form of capital punishment. In other cases, the torturer may be indifferent to the condition of the victim. Alternatively, some forms of torture are designed to inflict psychological pain or leave as little physical injury or evidence as possible while achieving the same psychological devastation. Depending on the aim, even a form of torture that is intentionally fatal may be prolonged to allow the victim to suffer as long as possible (such as half-hanging).
Torture and the United States includes documented and alleged cases of torture both inside and outside the United States by members of the U.S. government, the U.S. military, U.S. law enforcement agencies, U.S. intelligence agencies, U.S. health care services, and other U.S. public organizations.
This includes the U.S. government, fifty U.S. state and territorial governments, 3,033 county, and thousands of municipal governments, all of which have their own independent judicial systems. All are subject to the U.S. Constitution and their own state constitutions.
While the term "torture" is defined in numerous places, including dictionaries and encyclopedias of various nations or cultures, this article only addresses the legal definition of the term, under the codified and case law of the United States of America. After the U.S. dismissed United Nations concerns about torture in 2006, one UK judge observed 'America's idea of what is torture ... does not appear to coincide with that of most civilized nations'. A two-year study by U.S. independent group The Constitution Project concluded that it was "indisputable" that U.S. forces had employed torture as well as "cruel, inhuman or degrading treatment" in many interrogations; that "the nation's most senior officials" bear ultimate responsibility for allowing and contributing to the spread of these techniques, and that there is substantial evidence that information obtained by these methods was neither useful nor reliable.
Takamasa Ishihara (石原 貴雅, Ishihara Takamasa, born September 14, 1981), better known by his stage name Miyavi, is a Japanese singer-songwriter, guitarist, record producer, and actor. He has been active since 1999, first as guitarist for the now defunct visual kei rock band Dué le Quartz and then as a solo artist starting in 2002. In 2007, he became a member of the rock supergroup S.K.I.N., and in 2009 founded his own company, J-Glam. He toured worldwide several times, with over two hundred shows. After becoming a father Miyavi toned down his on-stage attire. He is known for his finger-slapping style of playing a guitar.
Miyavi was born in the Nishikujō district in Konohana-ku ward, Osaka, Osaka Prefecture, to a Zainichi Korean father and a Japanese mother. After the first grade, he moved to Kawanishi. Miyavi says that as a child he was a good student and enjoyed playing football. In the second year of junior high school, a sports injury prevented him from pursuing a professional career in sports. Instead, at the age of 15, he learned to play the guitar. He bought a guitar and began covering songs by Ray Charles.
My motivations unresolved
Things are just never what they seem
Apathy's currencies deceit
Pitch bending radiated dreams
The jackal's wishing well forgotten
Dark cloud sunrise
The view of someone somewhere else is
Burnt in my eyes
How long dug up remains
How low the rotting fame
How low to see right through
Low long the hole i knew
How low the clear eyed staind
How long to set aflame
How low to be set up
How long and taken out
The ant-like karma from the crack in a hand
Full painting on a mural in a foreign landfill
Mind controlled by the pulley of the strings
So remote the view from the puppetry swingset
My reservations have evolved
Scenes once negated ushered in
Mercy killings one to one defend
Visionary criminals descend
On knees all burning
A term of useless lifeless thought
What a paid ride
Alchemic jail cell vivisection
Text subject day job
How long to pacify
How low you still deny
How low from up above
How long the creeping crown
How low the tripping sound
How long to kick back down
How low the holy cheat
How long the leap of faith
These revelations undermined
Controlled belief in leads mankind
Each penny sold and mesmerized
We're stoned
Two fold reversal beckoning
The binding crayon words inverted
Justice in travestia
We worship acid moans and curbside holidays
Recycle shit we throw away in glossy packaged craze
Maybe in a day or so i'll stumble on that grassy knoll
To set the record straight
Announcing to myself: wake up
We kill everything that's not tied down
We euthanize but keep alive the lowest form of prison life
So useful and experimental
Treatment of the sick and dying