Lucid may refer to:
Lucid is a dataflow programming language. It is designed to experiment with non-von Neumann programming models. It was designed by Bill Wadge and Ed Ashcroft and described in the book Lucid, the Dataflow Programming Language.
Lucid uses a demand-driven model for data computation. Each statement can be understood as an equation defining a network of processors and communication lines between them through which data flows. Each variable is an infinite stream of values and every function is a filter or a transformer. Iteration is simulated by 'current' values and 'fby' (read as 'followed by') operator allowing composition of streams.
Lucid is based on an algebra of histories, a history being an infinite sequence of data items. Operationally, a history can be thought of as a record of the changing values of a variable, history operations such as first and next can be understood in ways suggested by their names. Lucid was originally conceived as a kind of very disciplined, mathematically pure, single-assignment language, in which verification would be very much simplified. However, the dataflow interpretation has been a very important influence on the direction in which Lucid has evolved.
Lucid is a 2005 Canadian film written and directed by Sean Garrity. It won the award for Best Western Canadian Feature Film at the Vancouver International Film Festival in 2005 and it was nominated for Best Film at the Mannheim-Heidelberg International Film Festival in 2006.
Joel Rothman (Jonas Chernick) is suffering from insomnia after having massive problems in his personal life including a separation and being targeted by his boss. As a psychotherapist he is assigned three patients suffering from Post Traumatic Stress Disorder. He must treat them to figure out his own life.
Tonite may refer to:
"Tonite" is a song by American rapper and producer DJ Quik, released as the second single from his debut studio album Quik Is the Name. The song contains samples from "Tonight" performed by Kleeer., "Tonight Is the Night" performed by Betty Wright and "Last Night Changed It All (I Really Had a Ball)" performed by Esther Williams.Complex deemed it the 44th best of "The Best L.A. Rap Songs". The synthesizer part was programmed by LA Dream Team's former producer The Real Richie Rich.
You're taking this from the man that wrote the synthesizer part to the song that I did released and fucking in 1991, called "Tonite", that's him!
God I've been asleep so long, I've been away
Back from software limbo the natives call today
I let their promises bind me
I let seductive logic blind me
I embraced a machine, I went through the routine
And I hid from the people who were trying to find me
Till the day comes when you realize
Otherwise you never care
Pandora's box reveals a new surprise
Can't wait to see your eyes, now you've been tantalized
For a hundred and one voluptuous days I broke the law
The labyrinth was closing so we panicked up a door
I let their wanton flesh obsess me
I felt their dreams and drugs assess me
I was hired and fired yet never inspired
Flattering, chattering words to impress me
All that glittered had me mesmerized
Otherwise I would have dared
Guess the nature of our enterprise
Can't stop to sympathize, how you've been tantalized
I turned up in some harsh doomed city on another plane
I couldn't believe the room I got or the guests I entertained
I felt the dirty streets surround me
I let the buzzing swarm confound me
I gave money to ghosts, I insulted my hosts
I could never get off the stuff that spellbound me