Toni (1935 film)
Toni is a 1935 French drama film directed by Jean Renoir and starring Charles Blavette, Celia Montalván and Édouard Delmont. It is an early example of the casting of non-professional actors and on-location shooting - both of which would influence the Left Bank of the French New Wave movement. Examining the romantic interactions between a group of immigrants (both from abroad and other parts of France) working around a quarry and a farm in Provence, it is also generally considered a major precursor to the Italian neorealist movement. Luchino Visconti, one of the founding members of the later film movement, was assistant director on the film. It was based out of Marcel Pagnol's studios in Marseille and shot entirely on location in the South of France.
Although Toni is not among Renoir's most famous works, it continues to receive positive reviews from critics.
Plot
Looking for a job Toni goes from Italy to Southern France. A local woman named Marie takes him in as her tenant and becomes his lover. But when the Spanish guestworker Josepha comes to town, Toni falls for her. To his disappointment Josepha has a wedding with a wealthier man. So Toni marries Marie after all but he cannot hide that Josepha was his greatest love. After Marie has thrown him out of her house he is determined to see Josepha again. He finds her on a farm in the mountains where she lives with her increasingly abusive husband. Josepha is about to run away and for that purpose she steals money from her spouse who catches and hits her. While Toni is around she kills the man. Toni sacrifices himself in order to cover up for her.
Film (band)
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
History
New wave years (1979-1981)
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Iranian magazine)
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
References
External links
Film (film)
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
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