Tomorrow We Live may refer to:
Tomorrow We Live is the second album from KB. Reach Records released the project on April 21, 2015.
Mentioning in a three and a half star review by Jesus Freak Hideout, Kevin Hoskins realizes, "Tomorrow We Live is solid, carries good themes" despite its drawbacks listeners will still appreciate the tunes. Richard Spadine, indicating in a three and a half star review from Rapzilla, recognizes, "Tomorrow We Live adds up to slightly less than the sum of its parts, the parts themselves are well worth your time." Signaling in a perfect ten review at Cross Rhythms, Tony Cummings responds, "Gospel hip-hop has clearly come of age and this is another gem of an album." Marcus Hathcock, writing a four and a half star review for New Release Tuesday, describes, "this is deep, introspective, challenging material here." Awarding the album four stars from CCM Magazine, Andy Argyrakis says, "Even though his lyrics address struggle and hardship, he always leaves listeners with a Christ-centered promise that hope's right around the corner". Amanda Brogan, specifying in a four and a half review for Christian Music Review, writes, "Tomorrow We Live will provide your answers." Rating the album four stars for The Christian Manifesto, Tyler Martoia says, "it shows that this man is not trying to show himself as just a rapper, but as a true, well-rounded musician." Writing a review for Christian Review Magazine, Leah St. John rating the album five stars, states, "Tomorrow We Live draws you in and makes you long to hear what the next track has to offer, and the next, and so on." David Jeffries of AllMusic, gave the album a three and a half starts by pointing out KB's maturity and musical direction he took on the album saying "fans will appreciate all the musical growth as jazz, R&B, and other genres now figure into KB's rich mix".
Tomorrow We Live (released as At Dawn We Die in the US), is a 1943 British film, directed by George King, and starring John Clements, Godfrey Tearle, Greta Gynt, Hugh Sinclair and Yvonne Arnaud.
The film was made during the Second World War, and the action is set in a small town in occupied France. It portrays the activities of members of the French Resistance and the Nazi tactic of taking and shooting innocent hostages in reprisal for acts of sabotage. The opening credits acknowledge "the official co-operation of General de Gaulle and the French National Committee".
Dorothy Hope is credited with "original story", and the storyline bears a striking similarity to her other wartime film, Candlelight in Algeria, in which an exceptionally strong heroine comes to the aid of a dashing fighter against tyranny.
A young French idealist (John Clements), who gives his name as Jean Baptiste, arrives in "St Pierre-le-Port", a small town near Saint-Nazaire, a major port and base of operations for the German Navy, particularly their U-boats, on the Atlantic coast. Baptiste tells a member of the French Resistance that "I come from Saint-Nazaire. I've details of the submarine base, the docks and power plant. If I can get them to England..."
Windows Live Mesh (formerly known as Windows Live FolderShare, Live Mesh, and Windows Live Sync) was a free-to-use Internet-based file synchronization application by Microsoft designed to allow files and folders between two or more computers be in sync with each other on Windows (Vista and later) and Mac OS X (v. 10.5 Leopard and later, Intel processors only) computers or the Web via SkyDrive. Windows Live Mesh also enabled remote desktop access via the Internet.
Windows Live Mesh was part of the Windows Live Essentials 2011 suite of software. However this application was replaced by SkyDrive for Windows application in Windows Essentials 2012 and later OneDrive in Windows 8/8.1/10. Microsoft announced on December 13, 2012 that Windows Live Mesh would be discontinued on February 13, 2013.
Features of Windows Live Mesh include:
We live like there ain't no tomorrow
No regrets, no time for the sorrow
Keep movin one foot in front of the other
We all looking for something Hey, hey, hey
I'm in the center lane on a freeway
My radiator blown on a 100 degree day
And I'm more in a hurry than I was before
And once again the whole world is in my way
So this is earth and I'm stuck here
Where profanity pours from faces like mine
And the only thing that we're sure of is
Is we're runnin out of money, patience and time
One step forward and two steps back
And we're wishin for a future, reminiscing on a flashback
Chasin a dream, hopin it exists
And we're grittin our teeth and clinchin our fists
We live like there ain't no tomorrow
No regrets, no time for the sorrow
Keep movin one foot in front of the other
We all looking for something Hey, hey, hey
Am I crazy, maybe. my brain be gravy
Insane the days we have witnessed lately
It pains my greatly someone could hate me
Maybe they were lied to as babies too
Can't see logic, we camouflage it
Technology allows us to dip and dodge it
Wit magic gadgets, wires and magnets
We're standin stagnant and thinking backwards
A whole of bunch of nothing is in our way?
We live like there ain't no tomorrow
No regrets, no time for the sorrow
Keep movin one foot in front of the other