Toccata (Prokofiev)

The Toccata in D minor, Op. 11 is a piece for solo piano, written by Sergei Prokofiev in 1912 and debuted by the composer on December 10, 1916 in Petrograd. It is a further development of the toccata form, which has been used by composers such as Johann Sebastian Bach and Robert Schumann. Other composers of well-known toccatas include Maurice Ravel, Dmitri Kabalevsky and Aram Khachaturian.

Prokofiev's Toccata starts off with a persistent repetition of the note D, interchanged between the right hand (which plays the single note) and the left hand (which plays the same note but with the lower octave as well). After a brief development, there are chromatic leaps in the left hand while the right hand plays a repeated figuration. The two hands soon switch positions, although the leaps still continue for a while.

A series of split chromatic thirds leads upwards until a descending melody (in A) with chromatic third accompaniments begins, with the left hand traveling in contrary motion upwards. This leads back to the main repetition 'theme' before a very short pause. Both hands soon play a weaving series of the right hand's repeated figuration from the start, before the split chromatic thirds pattern reappears. This leads more violently to the descending melody pattern, but this time in D, before the D repetition 'theme' reappears, this time in alternating octaves in both hands. The Toccata slows down and halts temporarily before a chromatic rising scale leads to octave exhortations, followed by a glissando sweep up the keyboard to end on the top D.

Toccata (Schumann)

The Toccata in C major, Op. 7 by Robert Schumann, was completed in 1836. The piece is in sonata-allegro form.

When the work was completed in 1836, Schumann believed it was the "hardest piece ever written. A series of chords introduce the main theme, which is believed to be the passage that Schumann injured his hands trying to master. The development features rapid unison octaves.

A typical performance of this piece lasts about six minutes.

Schumann dedicated the work to his friend Ludwig Schuncke, who had dedicated his Grande Sonata in G minor, Op. 3, to Schumann.

References

External links

  • Toccata, Op.7: Scores at the International Music Score Library Project
  • Toccata on YouTube, performed by Sviatoslav Richter
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    Overload or overloaded may refer to:

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    Bands

  • Overload (Swedish band), a heavy metal band from Bollnäs, Sweden
  • Overload (USA band), a trash metal band from Louisville, Kentucky
  • Overload (Pakistani band), a Pakistani rock band from Lahore, Punjab, formed in 2003
  • Overload (Chinese band), Chinese rock / thrash metal band
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  • Overload (Harem Scarem album), a 2005 album by the Canadian hard rock band Harem Scarem
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    Plot Synopsis

    The novel is described from the point of view of vice-president of Golden State Power and Light, Nimrod "Nim" Goldman, who, despite being married, tends to be somewhat of a Lothario and has many extramarital affairs. The geographic area of service of the fictional electric utility, Golden State Power and Light, matches the actual Northern California footprint of the real-life Pacific Gas and Electric Company.

    Golden State Power and Light is a public utility, supplying two-thirds of California's electric power. During a hot summer, GSP&L as it is called, loses a major part of its capacity to supply power due to a terrorist attack on its largest "oil burner" (an oil-fired power plant), called Big Lil. There is a board meeting about the incident. The chairman of GSP&L, Eric Humphrey, leaves the matter in the hands of Nim Goldman, one of the utility's many vice-presidents, and head of security Ray Paulsen. After the explosion at Big Lil, which killed chief engineer Walter Talbot, Nim visits Ardythe, Walter's widow, and Wally, his son. After some time, Nim and Ardythe make love.

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