To Live may refer to the following works
Grave Digger is a German heavy metal band formed in November 1980. They were part of the German heavy/speed/power metal scene to emerge in the early to mid-1980s.
After various appearances at small festivals, the band recorded two songs for the compilation album Rock from Hell in 1983. A year later, Grave Digger, now comprising Chris Boltendahl (vocals), Peter Masson (guitar), Willi Lackmann (bass) and Albert Eckardt (drums), released their debut album Heavy Metal Breakdown.
In 1985, with Lackmann having left the band, they recorded and released their second album Witch Hunter. Only after the album was completed, a replacement on bass was found in the form of C.F. Brank. Further festival appearances followed, a tour with Helloween as special guest and, finally, their third album War Games in January 1986. To promote this album, a triple headline tour with Celtic Frost and Helloween followed. Thereafter, Peter Masson gave way to Uwe Lulis; in 1987 the band's name was changed to Digger, the name under which they released the album Stronger Than Ever. This album hardly had anything in common with the earlier music of Grave Digger. It was more an attempt to reach the masses with mainstream rock like that of Bon Jovi or Van Halen. The album flopped, as it was not accepted by fans or the masses. As a result, Boltendahl declared, at the end of 1987, the breakup of the band.
To Live (simplified Chinese: 活着; traditional Chinese: 活著; pinyin: Huózhe) is a 1993 novel by Chinese novelist Yu Hua. It describes the struggles endured by the son of a wealthy land-owner after the Revolution fundamentally alters the nature of Chinese society. The contrast between his pre-revolutionary status as a selfish fool who (literally) travels on the shoulders of the downtrodden and his post-revolutionary status as a persecuted peasant are stark.
It was originally published in the Shanghai literary journal Harvest.
Yu Hua wrote in his introduction that the novel was inspired by the American folk song Old Black Joe.
Xu Fugui, son of a local rich man, is a compulsive gambler. After he gambles away the entire family fortune, his father dies with grief and indignation. The Chinese civil war is occurring at the time, and Fugui is forced to join the army. By the time he finally returns home two years later, he finds his mother has died of a stroke, and his daughter has become mute and lost most of her hearing from a fever. Years later, Fugui's only son dies due to medical negligence while he was donating blood. The daughter finally grows up and finds a husband. They are a happy couple until she dies from dystocia. Soon after that, Fugui's wife dies of osteomalacia, and his son-in-law dies in a construction accident. Eventually, even Fugui’s last relative, his grandson Kugen (renamed Mantou in the 1994 movie adaptation), chokes to death while eating beans. Finally out of relatives, Fugui buys an old ox to accompany him. While it seems like the world holds nothing left for Fugui, he never gives up. Fugui believes there is still hope that things will get better.
To Live (Chinese: t 活著, s 活着, p Huózhe), also titled Lifetimes in some English versions, is a Chinese epic film directed by Zhang Yimou in 1994, starring Ge You, Gong Li, and produced by the Shanghai Film Studio and ERA International. It is based on the novel of the same name by Yu Hua. Having achieved international success with his previous films (Ju Dou and Raise the Red Lantern), director Zhang Yimou's To Live came with high expectations. It is the first Chinese film that had its foreign distribution rights pre-sold.
The film was banned in mainland China by the Chinese State Administration of Radio, Film, and Television due to its critical portrayal of various policies and campaigns of the Communist government. In addition, Zhang was banned from filmmaking for two years.
To Live was screened at the 1994 New York Film Festival before eventually receiving a limited release in the United States on November 18, 1994.
Zhang Yimou originally intended to adapt Mistake at River's Edge, a thriller written by Yu Hua. Yu gave Zhang a set of all of the works that had been published at that point so Zhang could understand his works. Zhang said that he began reading To Live, one of the works, and was unable to stop reading it. Zhang met Yu to discuss the script for Mistake at River's Edge, but they kept bringing up To Live. The two decided to have To Live adapted instead.
To Live (Russian: 'Жить', translit. Zhit) is a 2010 Russian drama film written, directed by Yuri Bykov. It is his debut film.
In the Russian countryside, Mikhail is hunting when he encounters Andrey, a criminal who is running from three men who are trying to kill him. They are compelled to try to escape together, first in Mikhail's car, then on foot, while tension builds between them.
Variety described the film as "[a]n impressively confident feature debut", while noting that it had been the subject of controversy due to the "onscreen death of an animal" (although the film's credits state that no animal was actually harmed).
Ikiru (生きる, "To Live") is a 1952 Japanese film directed and co-written by Akira Kurosawa. The film examines the struggles of a minor Tokyo bureaucrat and his final quest for meaning. The script was partly inspired by Leo Tolstoy's 1886 novella The Death of Ivan Ilyich, although the plots are not similar beyond the common theme of a bureaucrat struggling with a terminal illness. It stars Takashi Shimura as Kanji Watanabe.
Kanji Watanabe (Takashi Shimura) is a middle-aged man who has worked in the same monotonous bureaucratic position for thirty years. His wife is dead and his son and daughter-in-law, who live with him, seem to care mainly about Watanabe's pension and their future inheritance.
After learning he has stomach cancer and less than a year to live, Watanabe attempts to come to terms with his impending death. He plans to tell his son about the cancer, but decides against it when his son does not pay attention to him. He then tries to find escape in the pleasures of Tokyo's nightlife, guided by an eccentric novelist whom he just met. In a nightclub, Watanabe requests a song from the piano player, and sings "Gondola no Uta" with great sadness. His singing greatly affects those watching him. After one night submerged in the nightlife, he realizes this is not the solution.