Tintin – Le Temple du Soleil, subtitled Le Spectacle Musical, is a Belgian musical in two acts with music by Dirk Brossé, lyrics and scenario by Seth Gaaikema and Frank van Laecke and adapted to French by Didier Van Cauwelaert, based on two of The Adventures of Tintin by Hergé: The Seven Crystal Balls (1948) and Prisoners of the Sun (1949). It is the French-language version of the Dutch show Kuifje – De Zonnetempel that premiered in 2001. It premièred in Charleroi in 2002 and was scheduled for Paris in 2003 but was cancelled.
An expedition of seven scientists, the Sanders-Hardiman expedition, discovers the tomb of the Incan mummy Rascar Capac and provokes the anger of the Sun God. A curse descends upon them. Meanwhile, Tintin and Milou (Snowy) arrive on the train at Moulinsart (Marlinspike), and Tintin talks to another traveller about the recent return of the expedition from Peru. He says that all will end badly, desecrating the burial chambers of the Incas like Tutankhamen's – five members of the expedition have already been mysteriously struck down.
Tintin may refer to:
Tintin magazine (French: Le Journal de Tintin; Dutch: Kuifje) was a weekly Franco-Belgian comics magazine of the second half of the 20th century. Subtitled "The Journal for the Youth from 7 to 77", it was one of the major publications of the Franco-Belgian comics scene and published such notable series such as Blake and Mortimer, Alix, and the principal title The Adventures of Tintin. Originally published by Le Lombard, the first issue was released in 1946, and it ceased publication in 1993.
Tintin magazine was part of an elaborate publishing scheme. The magazine's primary content focused on a new page or two from several forthcoming comic albums that had yet to be published as a whole, thus drawing weekly readers who could not bear to wait until later for entire albums{cite refs}. There were several ongoing stories at any given time, giving wide exposure to lesser-known artists. Tintin was also available bound as a hardcover or softcover collection. The content always included filler material, some of which was of considerable interest to fans, for example alternate versions of pages of the Tintin stories, and interviews with authors and artists. Not every comic appearing in Tintin was later put into book form, which was another incentive to subscribe to the magazine. If the quality of Tintin printing was high compared to American comic books through the 1970s, the quality of the albums was superb, utilizing expensive paper and printing processes (and having accompanyingly high prices).
The Adventures of Tintin (also known as The Adventures of Tintin: The Secret of the Unicorn) is a 2011 3D motion capture computer-animated epic adventure film based on The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Directed by Steven Spielberg, produced by Peter Jackson, and written by Steven Moffat, Edgar Wright and Joe Cornish, the film is based on three of Hergé's albums: The Crab with the Golden Claws (1941), The Secret of the Unicorn (1943), and Red Rackham's Treasure (1944). The cast includes Jamie Bell, Andy Serkis, Daniel Craig, Nick Frost and Simon Pegg.
Spielberg acquired rights to produce a film based on The Adventures of Tintin series following Hergé's death in 1983, and re-optioned them in 2002. Filming was due to begin in October 2008 for a 2010 release, but release was delayed to 2011 after Universal opted out of producing the film with Paramount, who provided $30 million on pre-production. Sony chose to co-produce the film. The delay resulted in Thomas Sangster, who had been originally cast as Tintin, departing from the project. Producer Peter Jackson, whose company Weta Digital provided the computer animation, intends to direct a sequel. Spielberg and Jackson also hope to co-direct a third film. The world première took place on 22 October 2011 in Brussels. The film was released in the UK and other European countries on 26 October 2011, and in the USA on 21 December 2011, in Digital 3D and IMAX.
Musical may refer to:
The musical film is a film genre in which songs sung by the characters are interwoven into the narrative, sometimes accompanied by dancing.
The songs usually advance the plot or develop the film's characters, though in some cases they serve merely as breaks in the storyline, often as elaborate "production numbers".
The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if there is a live audience watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it.
The 1930s through the early 1950s are considered to be the golden age of the musical film, when the genre's popularity was at its highest in the Western world.
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting, and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through the words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.
Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre works of American creators like George M. Cohan. The Princess Theatre musicals and other smart shows like Of Thee I Sing (1931) were artistic steps forward beyond revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat (1927) and Oklahoma! (1943). Some of the most famous and iconic musicals through the decades that followed include West Side Story (1957), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1985), The Phantom of the Opera (1986), Rent (1996), The Producers (2001) and Wicked (2003).