Badfinger were a British rock band that, in their most prolific lineup, consisted of Pete Ham, Mike Gibbins, Tom Evans and Joey Molland. The band evolved from an earlier group called The Iveys that was formed in 1961 by Ham, Ron Griffiths and David "Dai" Jenkins in Swansea, Wales. They were the first group signed by the Beatles' Apple label in 1968 as The Iveys. In 1969, Griffiths left and was replaced by Molland, and the band renamed themselves Badfinger. In 1970, the band engaged American businessman Stan Polley to manage their commercial affairs. Over the next five years the band recorded several albums for Apple and toured extensively, before they became embroiled in the chaos of Apple Records' dissolution.
Badfinger had four consecutive worldwide hits from 1970 to 1972: "Come and Get It" (written and produced by Paul McCartney), "No Matter What", "Day After Day" (produced by George Harrison) and "Baby Blue". In 2013, "Baby Blue" made a resurgence onto the Billboard Hot Rock Songs chart at number 14 after it was featured in the series finale of the television show Breaking Bad. Their song "Without You" has been covered many times, including a Billboard number one hit for Harry Nilsson.
Badfinger is the fifth album by British rock band Badfinger. The album was recorded in autumn 1973 and released in 1974 on Warner Bros. Records. It was the first of two albums released by the band on the Warner label. The cover art for the album shows a woman wearing a riding outfit and hat from the 1920s and smoking a cigarette in a cigarette holder.
As Badfinger were completing work on their last album for Apple Records, Ass, the band's manager, Stan Polley, signed them to a three-year, six-album deal with Warner Bros. Records. As a result, shortly after the band and producer Chris Thomas completed recording of Ass, they found themselves back in the studio making a new album for Warner's.
Originally planned for release on 28 December 1973, the album was delayed due to Ass being issued that month. Although the album is technically untitled, it is referred to as Badfinger as this is its only identification outside its matrix number. The intended title, For Love or Money, was rejected by the label at the time of production and was never used. The intended title referred to Badfinger's label change from Apple to Warner Bros.
We are yesterday, we are today
We are tomorrow, we are timeless
We are then, we are now
We are the future, we are timeless
We are the sorrow, we are the pain
We are the sunshine, we are rain
We are love, we are hate
We are the future, we are timeless
Whatever we see, wherever we go
Shows perfectly clear how little we know
Now how can we look and not even see?
How can we live and not even be free?
We are the comfort, we are the shame
We are forgiveness, we are blame
We are kind, we are kill, are we the future?