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Illicit may refer to:
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Illicit is a 1931 American Pre-Code drama film directed by Archie Mayo and starring Barbara Stanwyck, James Rennie, Ricardo Cortez, and Natalie Moorhead. Based on a play by Edith Fitzgerald and Robert Riskin, the film is about a young couple living together out of wedlock because the woman does not believe in marriage. When they finally get married, both become unfaithful to each other. Illicit was produced and distributed by Warner Bros.
Anne Vincent (Barbara Stanwyck) is a woman who has modern ideas about love. She believes that marriage kills love and leads to unhappiness and, inevitably, divorce. Although her boyfriend Dick (James Rennie), and his father (Claude Gillingwater), try to persuade Anne to get married, she resists their arguments. Anne and Dick live together for a while without getting married but eventually Anne caves in to avoid scandal and agrees to marry Dick. Anne receives a telegram from her ex-boyfriend, Price (Ricardo Cortez), saying that he wants to visit her. Dick tries to prevent Anne from seeing him, but she does so anyway. Price tries to persuade Anne not to get married, tells her that he is still in love with her and warns her that she will be unhappy if she marries, but she remains unconvinced. Anne marries Dick and eventually they settle down and start to behave like a typical married couple. They become bored with each other, avoid each other and fight over silly things. Dick becomes interested in Margie (Natalie Moorhead) who tells him that she is in love with him. Soon, he begins a torrid affair with her. He spends less and less time with Anne. Eventually Anne tells Dick that they need to separate for a time. Dick becomes bored with Margie while Anne does the same with Price, who attempts to rekindle their old relationship. The separation makes Dick and Anne realize how much they love each other. They resume their relationship, initially as a courtship. Eventually, they move back in together as husband and wife.
Dillon & Dickins is a dance music production group based in London, England, and one of the many aliases used by House music producers and DJs Marc Dillon and Patrick Dickins who also founded the dance record company and music publishing company Higher State. Other aliases include the commonly miss-spelt Dillon & Dickens, Dpd, 99 Allstars, Disco Biscuit, Sound Environment, Spacebase, Upstate and their more successful one, Illicit.
As Dillon & Dickins, their Steers & Queers EP (catalogue numbers 99NTH15 & CDNTH15), released on Higher State's sublabel 99 North in May 1999, contained a track entitled "Queers R Doin It" which was used in the U.S. TV series Queer As Folk.
Having released a number of unofficial so-called Mashup songs under the alias of Illicit, one of their first official releases under this alias was "Pulsation" featuring Shannon (best known for her vocals on "Let the Music Play"), released on 99 North in 2000.
However, their most successful chart bound release was "Cheeky Armada", released in September 2001 on Azuli's Yola label, which reached number 72 in the UK Singles Chart. This was a re-vocalised and replayed version of one of their Mashup songs called "Sneaky Armada", which combined Groove Armada's "I See You Baby" with Teddy Pendergrass's "You Can't Hide From Yourself". This single also featured the vocals of Gram'ma Funk, who performed the original vocals on "I See You Baby".
There's a time to play and there's a time for sex
There's a time to lounge and there's a time to catch wreck
Watch your spot, cause if you sleep you'll get got
Our sound is hot cause we're true to hip-hop
It's the little big man, y'all little niggas just relax
I'm coming like a nut, butt niggas catching heart attacks
Adversaries better maintain
Don't even riff, stram, cause I'm a one-man gangbang
Boom, I hit it, now money I really did it
Brung out the beast in me, and the freaks be getting with it
Yes the fame is what they sweat
But you came for me to entertain then I'll make you wet
Meanwhile, got to keep a low profile
Our style is true, so yes I do smile
Original, just like the Dirty Rotten
And while our foes is plotting, Show is riding shotgun
There's a time to play and there's a time for sex
There's a time to lounge and there's a time to catch wreck
Watch your spot, cause if you sleep you'll get got
Our sound is hot cause we're true to hip-hop
Since I hit the boom, they say my brain is doomed
I object, it's sustained, now name this tune
Bringing more than other brothers on computers
Long as my vision ain't blurry, don't worry, pass the buddhas
Forget karate, cause I'd rather kick a lyric
You ain't trying to hear it? Then I'll be talking to your spirit
Show hit me off with the hype shit
Who needs pencils and papers? Brain cells is what I write with
The format, told you last LP I'm all that
Step to A.G., then you're best to be sure, black
Roll with my crew, I got the O.E.
20 dollar sack, and my hat to the back just like TLC
Now when you play, it'd better not be with Show and Dre
Or sex in between the sheets at my rest
Now it's time to lounge and I'm free from all clowns
Now who's catching wreck? I hit the cess, yes
There's a time to play and there's a time for sex
There's a time to lounge and there's a time to catch wreck
Watch your spot, cause if you sleep you'll get got
Our sound is hot cause we're true to hip-hop
I get rough and I hurt 'em like a puff of the ganja
Tough like Tonka, you'll get seen by the Jolly Green
Monster, the G sell out? Hell no
A good fellow who sports the shell toes
Step to me, I'll shoot you and your deputy
Everybody's in jeopardy except for me
They pop shit, like their skills I can't top it
I'm the one to rock with, lounge and pop some chocolate
I'm coming through, so what you gonna do?
When I hit you in the head with the lead from the number 2
A black boo, leaving suckers froze like a statue