Rota is a surname. Notable people with the surname include:
A schedule, often called a rota or roster, is a list of employees, and associated information e.g. location, working times, responsibilities for a given time period e.g. week, month or sports season.
A schedule is necessary for the day-to-day operation of many businesses e.g. retail store, manufacturing facility and some offices. The process of creating a schedule is called scheduling. An effective workplace schedule balances the needs of stakeholders such as management, employees and customers.
A daily schedule is usually ordered chronologically, which means the first employees working that day are listed at the top, followed by the employee who comes in next, etc. A weekly or monthly schedule is usually ordered alphabetically, employees being listed on the left hand side of a grid, with the days of the week on the top of the grid. In shift work, a schedule usually employs a recurring shift plan.
A schedule is most often created by a manager. In larger operations, a human resources manager or scheduling specialist may be solely dedicated to creating and maintaining the schedule. A schedule by this definition is sometimes referred to as workflow.
In Norse mythology, Róta is a valkyrie. Róta is attested in chapter 36 of the Prose Edda book Gylfaginning, where she is mentioned alongside the valkyries Gunnr and Skuld, and the three are described as "always [riding] to choose who shall be slain and to govern the killings." Otherwise, Róta appears in two kennings, one by Egill Skallagrímsson and one by Hallfreðr vandræðaskáld. Theories have been proposed about the possible appearance of Róta in Gesta Danorum and the meaning of her name.
According to Guðbrandur Vigfússon, the name Róta is connected to the Old Norse noun róta (meaning "sleet and storm") and Róta is "a goddess who sends storm and rain."
In book two of Gesta Danorum, a female by the name of "Ruta" is mentioned:
Axel Olrik considered this as an isolated reference to Hrólfr Kraki's widow Hrut mourning on the battlefield with blond hair. Hilda Ellis Davidson says "it seems more probable that it is a reference to the deathly pale head of the valkyrie, the spirit brooding over the battlefield personifying slaughter, who is summoned at the outset of battle." Davidson points out that Róta is the name of a valkyrie, and that "it seems preferable to assume" this to Olrik's theory. Davidson says that while this is, however, complicated by an earlier mention in book two of Hrólfr Kraki's sister and Bödvar Bjarki's wife Hrut, yet this Hrut is not found elsewhere as a female name.
A nail, as a unit of cloth measurement, is generally a sixteenth of a yard or 21⁄4 inches (5.715 cm). The nail was apparently named after the practice of hammering brass nails into the counter at shops where cloth was sold. On the other hand, R D Connor, in The weights and measures of England (p 84) states that the nail was the 16th part of a Roman foot, i.e., digitus or finger, although he provides no reference to support this.Zupko's A dictionary of weights and measures for the British Isles (p 256) states that the nail was originally the distance from the thumbnail to the joint at the base of the thumb, or alternately, from the end of the middle finger to the second joint.
An archaic usage of the term nail is as a sixteenth of a (long) hundredweight for mass, or 1 clove of 7 pound avoirdupois (3.175 kg).
Thou yard, three-quarters, half-yard, quarter, nail
Thou flea, thou nit, thou winter cricket thou:―
Brav'd in mine own house with a skein of
thread!
Explanation: Katherine and Petruchio are getting married. At the tailor shop, they examine the wedding dress, which is nearly finished. Petruchio is concerned that it has too many frills, wonders what it will cost, and suspects that he has been cheated. Katherine says she likes it, and complains that Petruchio is making a fool of her. The taylor repeats Katherine's words: Sir, she says you're making a fool of her. This is where Petruchio launches into the above-quoted tirade. Monstrous may be a double-entendre for cuckold. The half-yard, quarter and nail were divisions of the yard used in cloth measurement.
Nail is the fourth studio album by Scraping Foetus Off the Wheel. It was released in October 1985, through record labels Self Immolation and Some Bizzare.
The album incorporates a variety of musical genres, including classical and industrial rock, and the lyrics are often esoteric. For example, the tempo and instrumentation in "Descent into the Inferno" is infrequent: the song's first half is sparse and percussive; in the latter stages the song gathers momentum and features synthesizers. "The Overture from Pigdom Come", a composition resembling a classical piece of music, is juxtaposed with perhaps the most brutal track on the album, "Private War", a track that features one minute of various grinding noises.
There are various obscure references within the songs, some more lucid than others. "The Throne of Agony" has the lyrics "Alas, poor Yorick, I knew me well", a paraphrase of a line from Shakespeare's Hamlet (Hamlet: "Alas, poor Yorick! I knew him, Horatio..."). The line "Turn on, tune in, drop out" in "DI-1-9026" refers to the Timothy Leary phrase. Jack and the Beanstalk is also referenced, with a variation of the chant "Fee, fie, foe, fum!" appearing in the final track.
Nail is a given name which may refer to: