Tides are the rise and fall of sea levels caused by the combined effects of gravitational forces exerted by the Moon, Sun, and rotation of the Earth.
The times and amplitude of tides at a locale are influenced by the alignment of the Sun and Moon, by the pattern of tides in the deep ocean, by the amphidromic systems of the oceans, and the shape of the coastline and near-shore bathymetry (see Timing). Some shorelines experience a semi-diurnal tide - two nearly equal high and low tides each day. Other locations experience a diurnal tide - only one high and low tide each day. A "mixed tide"; two uneven tides a day, or one high and one low, is also possible.
Tides vary on timescales ranging from hours to years due to a number of factors. To make accurate records, tide gauges at fixed stations measure the water level over time. Gauges ignore variations caused by waves with periods shorter than minutes. These data are compared to the reference (or datum) level usually called mean sea level.
Tides is a donor advised fund that directs money to politically liberal causes. Founded in 1976 in San Francisco, Tides provides money to organizations working to advance progressive policy in the areas of the environment, health care, labor issues, immigrant rights, gay rights, women's rights and human rights. Tides oversees the Tides Center, which serves as an incubator for fledgling progressive organizations.
Tides was founded in 1976 by Drummond Pike. Jane Bagley Lehman, heir to the R. J. Reynolds Tobacco Company fortune, was also involved with the founding of Tides. Tides was conceived as a nationally oriented community foundation, and founded out of Pike's frustration with established philanthropy's perceived neglect of progressive issues. Drummond founded a similar organization, Tides Canada, in 2000.
Tides grew to become the most frequently used donor advised fund for wealthy West Coast liberals who did not want to start their own family foundations. By 2009, Tides was responsible for allocating $75 million per year in donor money, most of which went to fund progressive political causes.
Tides is the second full-length studio album by English electronic musician Phaeleh. It was released in July 2013 by Afterglo Records.
Gnosis is the common Greek noun for knowledge (in the nominative case γνῶσις f.). In Christian, Islamic, or Jewish mysticism, mystery religions and Gnosticism gnosis generally signifies a spiritual knowledge or "religion of knowledge", in the sense of mystical enlightenment or "insight". Gnosis taught a deliverance of man from the constraints of earthly existence through insight into an essential relationship, as soul or spirit, with a supramundane place of freedom.
Gnosis is a feminine Greek noun, which means "knowledge". It is often used for personal knowledge compared with intellectual knowledge (eidein), as with the French connaitre compared with savoir, or the German kennen rather than wissen.
In Latin they simply drop the Greek “G” and “Gno” becomes “No” as in “Nosco” meaning “to know” and “Noscentia” meaning “Knowledge” and “Notus” meaning “Known”. The “G” returns in the Latin “Co-gni-tion” meaning “Knowledge” and “I-gno-tus” and “I-gna-rus” meaning “Unknown” and from which we get the word “I-gno-rant” and “A-gno-stic” which means “not knowing” and once again this reflects the Sanskrit “Jna” which means “to know” “to perceive” “to understand”.
Xenosaga (ゼノサーガ, Zenosāga) is a series of science fiction video games developed by Monolith Soft and published by Bandai Namco. Xenosaga's main story is in the form of a trilogy of PlayStation 2 video games. There have been three spin-off games and an anime adaptation. The Xenosaga series serves as a spiritual successor to the game Xenogears, which was released in 1998 for the PlayStation by Square. The creator of both Xenogears and Xenosaga is Tetsuya Takahashi, who left Square in 1998 along with Hirohide Sugiura. Using funds from Namco, they started MonolithSoft and the Xenosaga project.
The first game in the trilogy, Episode I: Der Wille zur Macht was released in February 2002 in Japan, and in February 2003 in North America. Xenosaga Freaks, a lighthearted game with a playable demo for Episode II, was released in April 2004 in Japan, but was not released elsewhere. Episode II: Jenseits von Gut und Böse was released in June 2004 in Japan and February 2005 in North America. Xenosaga: The Animation, an anime based on Episode I, premiered on TV Asahi in Japan on January 5, 2005. Xenosaga Pied Piper, a three chapter-long cellphone-based game depicting the history of cyborg "Ziggurat 8" 100 years before the start of Episode I, was released in Japan in July 2004. Released on July 6, 2006, Episode III: Also sprach Zarathustra is the final title in the Xenosaga series; six episodes were originally projected, but by the time Episode III was released, Namco had already established that it would be the last entry, effectively halving the series. A retelling of the first two episodes titled Xenosaga I & II was released on the Nintendo DS in March 2006 in Japan.
Gnosis is the fourth album of the British progressive rock band, Gnidrolog. The album's title, Gnosis, means divine or spiritual knowledge and understanding. It is their third studio album and the first to be recorded in 27 years. The album was mostly recorded at Select Sound Studios, Cairns, Australia, where it was engineered and produced by Nigel Pegrum. "Repent Harlequin", "Two Helens" and the title track were all recorded at Music City Studios, London, engineered by Joe Suarez and produced by Nessa Glen, in courtesy of Sarastro Music. The album was mostly published by Kempyre Music, except "Two Helens", which was published by Sarastro Music. Chris Copping of Procol Harum played his Hammond B3 Organ for a couple of tracks, which were recorded in Woodstock Studios, Melbourne and engineered by Tim Dudfield. Post production is credited to David J Burrows and Stewart Goldring. The album was mastered by David J Burrows at Disques rue Bis. The album is noted to be eclectic not only for its transcontinental recording but also for the use of traditional instruments such as the Australian aboriginal, didgeridoos. The album marks the band's comeback which has also prompted the release of the Live 1972 album. The album was essentially a cooperation between the 1970s old Gnidrolog members to release the Goldring brothers' original material with the addition of Rick Kemp of Steeleye Span and Nessa Glen.