Tides are the rise and fall of sea levels caused by the combined effects of gravitational forces exerted by the Moon, Sun, and rotation of the Earth.
The times and amplitude of tides at a locale are influenced by the alignment of the Sun and Moon, by the pattern of tides in the deep ocean, by the amphidromic systems of the oceans, and the shape of the coastline and near-shore bathymetry (see Timing). Some shorelines experience a semi-diurnal tide - two nearly equal high and low tides each day. Other locations experience a diurnal tide - only one high and low tide each day. A "mixed tide"; two uneven tides a day, or one high and one low, is also possible.
Tides vary on timescales ranging from hours to years due to a number of factors. To make accurate records, tide gauges at fixed stations measure the water level over time. Gauges ignore variations caused by waves with periods shorter than minutes. These data are compared to the reference (or datum) level usually called mean sea level.
Tidal is a live coding environment designed for musical improvisation. In particular, it is a domain-specific language embedded in Haskell, focused on the generation and manipulation of audible or visual patterns. It was originally designed for heavily percussive, polyrhythmic grid-based music, but now uses a flexible, functional reactive representation for patterns, using rational time. Tidal may therefore be applied to a wide range of musical styles, although its cyclic approach to time means that it affords use in repetitive styles such as Algorave.
In its native configuration, Tidal triggers samples on disk via a C-language sampler called Dirt . However there also exist integrations for MIDI, and for the SuperCollider sound environment.
Tidal is the adjectival form of the word tide.
Tidal may also refer to:
In music, a reprise (/rəˈpriːz/ rə-PREEZ) is the repetition or reiteration of the opening material later in a composition as occurs in the recapitulation of sonata form, though—originally in the 18th century—was simply any repeated section, such as is indicated by beginning and ending repeat signs.
Reprise can refer to a version of a song which is similar to, yet different from, the song on which it is based. One example could be "Time", the fourth song from Pink Floyd's 1973 album The Dark Side of the Moon, which contains a reprise of "Breathe", the second song of the same album.
This is a glossary of terms used in fencing.
Parries generally cover one of the 'lines' of the body. The simplest parries move the blade in a straight line. Other parries move the blade in a circular, semicircular, or diagonal manner. There are eight basic parries, and many derivatives of these eight. (see #Prime, #Seconde, #Tierce, #Quarte, #Quinte, #Sixte, #Septime, #Octave, #Neuvieme). See also #Lines.
In foil, the opponent's blade should not only be deflected away from the target, but away from off-target areas as well. An attack that is deflected off the valid target but onto invalid target still retains right-of-way. In sabre, the opponent's blade need only be deflected away from valid target, since off-target touches do not stop the phrase. Sabre parries must be particularly clean and clear to avoid the possibility of whip-over touches. In épée, a good parry is simply any one that gains enough time for the riposte; opposition parries and prise-de-fer are commonly used, since they do not release the opponent's blade to allow a remise.<-- No such section yet.
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Note that the vocabulary here is primarily a glossary of modern fencing terms. Over time, the teminology has evolved, and different terminology may be found in Medieval and Renaissance sources. In many cases, English, French, and Italian terminology may be used (often interchangeably) for the same thing.
Reprise is a Norwegian film directed by Joachim Trier. Co-written over the course of five years with Eskil Vogt, it is Trier's first feature-length film. In 2006 it was the Norwegian candidate for the Academy Award for best foreign-language film.
Two 23-year-olds, Erik and Phillip, dream of becoming successful writers. They idolize the reclusive writer Sten Egil Dahl (a character modelled on Tor Ulven). When they both try to get a manuscript published, Erik's is rejected. Phillip's, on the other hand, is accepted and he becomes a star of the Norwegian literary scene overnight. Phillip meets Kari, with whom he falls in love after inviting her on a trip to Paris. Six months later, Erik and his friends pick up Phillip at a psychiatric hospital to bring him home after a long treatment for his psychosis that was triggered by his obsessive love for Kari. Erik still hasn't given up his dream, but Phillip isn't able to write anymore, although his friend encourages him to make a new effort. Instead Phillip tries to get his ruined relationship with Kari to start from the beginning again by going to Paris again and imitating their first trip, but Philip realises he doesn't love Kari anymore and they go their separate ways.