Without You (Peabo Bryson and Regina Belle song)

"Without You" is a romantic song written by the American songwriter and music producer Lamont Dozier and recorded as a duet by the singers Peabo Bryson and Regina Belle in 1987. The song was the love theme from the comedy film Leonard Part 6, released the same year. The single peaked at #8 on the adult contemporary chart, #14 on the R&B chart and #89 on the Billboard Hot 100 chart.

Description

"Without You" was composed by Dozier to be the love theme in Leonard Part 6, released in the United States on December 18, 1987. That same year, Belle released her first album, All by Myself, but "Without You" was not included on the album. In 2012, All by Myself was remastered on CD and "Without You" was included at the end of the album as a bonus track. This is the only album by Belle in which the song is present. Unlike her, Bryson included the song on his album Positive, released in 1988. The song was included in his compilations Anthology, released in 2001, and Bedroom Classics Vol. 2 – Peabo Bryson, released in 2004. On every album that the song is present, it is titled "Without You (Love Theme from Leonard Part 6)", but its title is only '"Without You", given by its composer Dozier. It was the first of four duets recorded by Bryson and Belle, who recorded together "Without You" (in 1987), "I Can't Imagine" (in 1991), "A Whole New World" (in 1992) and "Total Praise" (in 2009). "A Whole New World" is the main theme of the American animated film Aladdin.

Without You

Without You may refer to:

Music

Albums

Songs

Pre-1980s

1980s

We Are the Fallen

We Are the Fallen was an American-Irish gothic metal band consisting of former American Idol contestant Carly Smithson, Marty O'Brien and former Evanescence members Ben Moody, John LeCompt, and Rocky Gray. The band's name is an allusion to Evanescence's 2003 album, Fallen, which has resulted in criticism for their similar style to Evanescence. In a Los Angeles Times interview, co-founder of Evanescence, Ben Moody, said that We Are the Fallen differs from Evanescence in that "everyone is equal" and that it has "more energy than Evanescence could ever muster." He also stated, "We cannot try to be who we are. If there is some similarity in sound, it's because that genre was created by us."

History

Formation

We Are the Fallen began forming when Moody had discussions with Evanescence band members Gray and LeCompt about the band moving in a different direction than originally planned. Moody felt something had to change in order to preserve their style of music and left due to "creative differences" with Amy Lee, the band's co-founder and frontwoman. Years later when Gray and LeCompt also left the band, Moody reached out to them in attempts to continue where they had left off in 2003 with Fallen, recruiting O'Brien in the process. The band held auditions looking for a lead singer in New York City and Moody feared that the search for the band's "soulmate" was going to take a long time due to the exhaustive process. Moody's roommate showed him videos online of Smithson performing her rendition of Evanescence's "Bring Me to Life" which was coincidentally the song all singers used to audition for Moody and the band. Ben was then introduced to Smithson who was developing a solo album after the tour with American Idol.

Partition of an interval

In mathematics, a partition of an interval [a, b] on the real line is a finite sequence x = ( x_i ) of real numbers such that

In other terms, a partition of a compact interval I is a strictly increasing sequence of numbers (belonging to the interval I itself) starting from the initial point of I and arriving at the final point of I.

Every interval of the form [x_i, x_i+1] is referred to as a sub-interval of the partition x.

Refinement of a partition

Another partition of the given interval, Q, is defined as a refinement of the partition, P, when it contains all the points of P and possibly some other points as well; the partition Q is said to be “finer” than P. Given two partitions, P and Q, one can always form their common refinement, denoted P ∨ Q, which consists of all the points of P and Q, re-numbered in order.

Norm of a partition

The norm (or mesh) of the partition

is the length of the longest of these subintervals, that is

Applications

Partitions are used in the theory of the Riemann integral, the Riemann–Stieltjes integral and the regulated integral. Specifically, as finer partitions of a given interval are considered, their mesh approaches zero and the Riemann sum based on a given partition approaches the Riemann integral.

Mesh (disambiguation)

Mesh is a type of material.

Mesh or MESH may also refer to:

In science and mathematics

In computing

In popular culture

In medicine

Meš

The cuneiform MEŠ, or meš is a plural form attached at the end of Mesopotamian cuneiform words as a suffix. As part of a name (PN, personal name, or other), or major class being referenced, in capital letters (a sumerogram form), it is typically separated from other capital letter sumerograms with a period. The name of the group can follow, in lower case letters, for example: (men-massu, Amarna letter EA 365), LÚ.MEŠ–ma-as-sà-meš, (and using a secondary suffix meš, not being typical).

The MEŠ cuneiform is a vertical stroke, followed by three or four angled smaller wedge-strokes. The strokes can also be "not angled", but 45 degree wedges, smaller, or large. For example, Amarna letter EA 161, Aziru to Pharaoh, shows a series of six preparation items listed sequentially. The following wedges (on the meš or sumerogram .MEŠ wedges, are large, and the scribe has a scribing base line, that follows the vertical stroke, a baseline on which the wedges are placed sequentially. EA 161 shows the baseline 'remainder', extending beyond the last 3rd, or 4th wedge.