Style

Style is a manner of doing or presenting things.

Style may refer to:

In arts and entertainment

In literature, linguistics, and rhetoric

Literary works

Style (Orbital song)

"Style" is a 1999 single by the electronica duo Orbital. It was their fourth consecutive single, and fifth overall, to reach the top 20 of the UK singles chart, peaking at number 13.

The track takes its name from the analogue electronic musical instrument, the stylophone, which is used extensively on the track. The main version includes a sample of "Oh L'amour" performed by Dollar, while the "Bigpipe Style" version (which features the main riff played on bagpipes) samples Suzi Quatro's hit "Devil Gate Drive". Orbital's request to use a sample from a Rolf Harris stylophone demonstration disc was turned down. The other versions are "Old Style", a more club-oriented dance mix; and "New Style", a retro-styled version with live bass by Andy James.

All of the mixes are by Orbital themselves; the duo had wanted Stereolab to remix the track, but the latter group were on tour at the time and unavailable, so the "New Style" mix is Orbital's own version of a Stereolab-type mix.

Style (2006 film)

Style is a Telugu film produced by Lagadapati Sirisha Sridhar on Larsco Entertainment banner, directed by Raghava Lawrence. Starring Prabhu Deva, Raghava Lawrence, Raja, Kamalinee Mukherjee, Charmme Kaur in lead roles, Chiranjeevi & Nagarjuna Akkineni given cameo appearance and music is composed by Mani Sharma. This is Lawrence's second directorial venture after the blockbuster Mass with Nagarjuna Akkineni. Megastar Chiranjeevi also made a came appearance in this film. The film recorded as 'Super Hit' at box-office. Raghava Lawrence won Filmfare Award for Best Dance Choreographer - South

Plot

Ganesh (Prabhu Deva) is a good dancer. He beats Anthony in one dance competition to head into the international arena. Anthony gets Ganesh beaten up, and Ganesh loses his legs in a car accident. He is depressed, but he wants to give his dance talent to someone and make him his heir. On a different line, Raghava (Raghava Lawrence) works as a boy at a dance school in Vizag. He and four of his friends are good dancers, but they are never recognized until one folk dance at a hotel. Ganesh finds his prospective heir in Raghava. The rest of the film is how Raghava prepares and defeats Anthony in the final dance competition.

Incubus (disambiguation)

An incubus is a male demon that has sexual intercourse with sleeping women.

Incubus may also refer to:

Film

Music

See also

Fugazi (album)

Fugazi is the second studio album by the British neo-progressive rock band Marillion, released in 1984. Produced by Nick Tauber, it was recorded between November 1983 and February 1984 at various studios and was the first to feature current drummer Ian Mosley, following the dismissal of the band's original drummer Mick Pointer. Built upon the success of its predecessor, the album hit the UK Top 5 and went Gold. According to AllMusic, the album "streamlined the intricacies of the group's prog rock leanings in favor of a more straight-ahead hard rock identity".

Release

Critical reception

As Marillion used ten different studios to record the album and the line-up had undergone a change, Fugazi proved to be a slightly incoherent follow-up to Script for a Jester's Tear, which was noticed in the retrospective review by John Franck of AllMusic. Nevertheless, he awarded the album a 4-star rating, singling out such songs as "Assassing", "Incubus", and "Fugazi".

Writing for Ultimate Classic Rock, Eduardo Rivadavia claimed Fugazi "proved just as diverse, ambitious, even preposterous (in the best possible prog-rock sense) as ‘Script.’ They matched epic, complex musicianship with oblique wordplay to perfection on the likes of ‘Assassing,’ ‘Jigsaw,’ ’Incubus,’ and the title track – all of which would become perennial concert favorites for years to come. If anything, the new album was, at once, more polished (in terms of both production standards and song arrangements) and a tad less consistent than its predecessor, unquestionably falling short of heightened expectations on the somewhat less-than-stellar ‘Emerald Lies’ and certainly the subpar ‘She Chameleon.’"