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MeSH | D013812 |
Therapy (in Greek: θεραπεία), or treatment, is the attempted remediation of a health problem, usually following a diagnosis. In the medical field, it is synonymous with the word "treatment". Among psychologists, the term may refer specifically to psychotherapy or "talk therapy".
Preventive therapy or prophylactic therapy is a treatment that is intended to prevent a medical condition from occurring. For example, many vaccines prevent infectious diseases. An abortive therapy is a treatment that is intended to stop a medical condition from progressing any further. A medication taken at the earliest signs of a disease, such as at the very symptoms of a migraine headache, is an abortive therapy.
A supportive therapy is one that does not treat or improve the underlying condition, but instead increases the patient's comfort.[1] Supportive treatment may be used in palliative care.
Overtreatment is an overutilization, a treatment that is unnecessary or disproportionate to the situation. For example, the treatment of a condition that causes no symptoms and will go away on its own is overtreatment. Similarly, extensive treatment for a condition that could be remedied with very limited treatment is overtreatment. Overtreatment may be caused by overdiagnosis, the identification of harmless abnormalities.
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In addition to (or in place of) the intended therapeutic effect of a treatment, a therapist may cause undesired (adverse) effects as well. When an adverse effect is weaker than the therapeutic effect, one commonly speaks of a "side effect".
An adverse effect may result from an unsuitable or incorrect dosage or procedure (which could be due to medical error). Some adverse effects occur only when starting, increasing or discontinuing a treatment. Using a drug or other medical intervention which is contraindicated may increase the risk of adverse effects. Patients sometimes quit a therapy because of its adverse effects. The severity of adverse effects ranges from nausea to death. Common adverse effects include alteration in body weight, change in enzyme levels, loss of function, or pathological change detected at the microscopic, macroscopic or physiological level.
Adverse effects may cause a reversible or irreversible change, including an increase or decrease in the susceptibility of the individual to other chemicals, foods, or procedures (e.g. drug interaction).
A prevention or preventive measure is a way to avoid an injury, sickness, or disease in the first place, and generally it will not help someone who is already ill (though there are exceptions). For instance, many babies in developed countries are given a polio vaccination soon after they are born, which prevents them from contracting polio. But the vaccination does not work on patients who already have polio. A treatment or cure is applied after a medical problem has already started.
A treatment treats a problem, and may lead to its cure, but treatments often ameliorate a problem only for as long as the treatment is continued, especially in chronic diseases. For example, there is no cure for AIDS, but treatments are available to slow down the harm done by HIV and delay the fatality of the disease. Treatments don't always work. For example, chemotherapy is a treatment for some types of cancer. In some cases, chemotherapy may cause a cure, but not in all cases for all cancers. When nothing can be done to stop or improve a medical condition, beyond efforts to make the patient more comfortable, the condition is said to be untreatable. Some untreatable conditions naturally resolve on their own; others do not.
Cures are a subset of treatments that reverse illnesses completely or end medical problems permanently. Many diseases that cannot be cured are still treatable.
Treatments can be classified according to the method of treatment:
Treatment decisions often follow formal or informal algorithmic guidelines. A first-line therapy (sometimes called induction therapy or primary therapy)[2] usually on the basis of clinical evidence for its efficacy in the population at large.[citation needed] If a first-line therapy either fails to resolve the issue or produces intolerable side effects, additional agents (second-line therapies) may be substituted or added to the treatment regimen.[citation needed]
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Look up therapy in Wiktionary, the free dictionary. |
Therapy (1995) is a novel by British author David Lodge.
The story concerns a successful sitcom writer, Laurence Passmore, plagued by middle-age neuroses and a failed marriage. His only problem seems to be an "internal derangement of the knee" but a mid-life crisis has struck and he is discovering angst. His familiar doses of cognitive therapy, aromatherapy, and acupuncture all offer no help, and he becomes obsessed with the philosophy of Kierkegaard. Moreover, Tubby, as Passmore is nicknamed, and referred to by several characters in the novel, undertakes a pilgrimage to Santiago de Compostela in order to find his first love.
The novel is divided into four parts. The first part is written as a journal, the second part is written in dramatic monologues, the third part consists of journal entries and a memoir and the fourth part is a narrative written after the events happened and Tubby has returned to London.
In the first part, Tubby starts writing a journal triggered by a description he had to write for his cognitive behavior therapist. Before that Tubby wrote only screenplays but no narrative texts. During the writing Tubby reflects upon his problems and depression.
"Therapy" is a song by American recording artist Mary J. Blige. It was written by Blige along with British musician Sam Smith and producer Eg White for The London Sessions (2014). Production on the track was hemled by White, Stephen Fitzmaurice, Rodney "Darkchild" Jerkins, and Jimmy Napes. Released as the album's leading single following buzz track "Right Now", it has since the top thirty on Billboard's Adult Contemporary chart.
"Therapy" was written by Blige and English musicians Sam Smith and Eg White. The pair was among a host of young British acts commissioned to work with Blige in London following the success of her version of "F for You", a remake of English electronic music duo Disclosure's fourth single from their debut studio album, Settle (2013), and her duet version of Smith's "Stay with Me". Initially composed for Smith's debut album In the Lonely Hour (2014), "Therapy" was already reference-vocaled when the White and Smith played it for Blige. Upon hearing it, Blige felt inspired: "It was like, 'OK. This is it. This is the first moment. This is the one that says I'm doing something different.' Slight lyrical and tonal changes were made to make it fit for her. On the process, Blige later elaborated: "At the end of the day, I pictured myself singing it. I went and sang the song. And it was perfect, 'cause I just felt like the message was universal. Because I think everybody needs a little bit. And it's not, you know, literally sitting in front of a doctor all the time. It could be whatever your therapy is. What works for you."
Adagio is the fifth album by Solitude Aeturnus.
Line-up:
Recorded at Rhythm Studios, Bidford On Avon, UK, April '98
Produced by Solitude Aeturnus and Paul Johnston
Engineered by Paul Jonston
Mastered by Alexander Krull at Mastersound
Artwork and design by Travis Smith
Photos by Jax Smith
Because ballet became formalized in France, a significant part of ballet terminology is in the French language.
A la seconde (French pronunciation: [a la səɡɔ̃d]) A position of the leg to the side or a movement with the leg held to the side in second position, as in a pirouette à la seconde, in which a dancer turns with the working leg à la hauteur ('elevated') in second position
Also, one of the directions of the body, facing the audience (i.e. en face), arms in second position, with one leg extended to second position.
(French pronunciation: [a la katʁijɛm]) One of the directions of body, facing the audience (en face), arms in second position, with one leg extended either to fourth position in front (quatrième devant) or fourth position behind (quatrième derrière).
(French pronunciation: [a tɛʁ]) Touching the floor.
Italian, or French adage, meaning 'slowly, at ease.'
In musical terminology, tempo [ˈtɛmpo] ("time" in Italian; plural: tempi [ˈtɛmpi]) is the speed or pace of a given piece or subsection thereof.
A piece of music's tempo is typically written at the start of the score, and in modern Western music is usually indicated in beats per minute (BPM). This means that a particular note value (for example, a quarter note, or crotchet) is specified as the beat, and that the amount of time between successive beats is a specified fraction of a minute. The greater the number of beats per minute, the smaller the amount of time between successive beats, and thus faster a piece must be played. For example, a tempo of 60 beats per minute signifies one beat per second, while a tempo of 120 beats per minute is twice as rapid, signifying one beat every 0.5 seconds. Mathematical tempo markings of this kind became increasingly popular during the first half of the 19th century, after the metronome had been invented by Johann Nepomuk Maelzel, although early metronomes were somewhat inconsistent. Beethoven was one of the first composers to use the metronome; in the 1810s he published metronomic indications for the eight symphonies he had composed up to that time. for example a minum has a 2 seconds