The theorbo is a plucked string instrument of the lute family, with an extended neck and a second pegbox, related to the liuto attiorbato, the French théorbe des pièces, the archlute, the German baroque lute, and the angélique or angelica.
Theorboes were developed during the late sixteenth century in Italy, inspired by the demand for extended bass range instruments for use in opera developed by the Florentine Camerata and new musical works utilising basso continuo, such as Giulio Caccini's two collections, Le nuove musiche (1602 and 1614). For his 1607 opera L'Orfeo, Claudio Monteverdi lists duoi (two) chitaroni among the instruments required for performing the work.
Musicians originally used large bass lutes (c. 80+ cm string length) and a higher re-entrant tuning; but soon created neck extensions with secondary pegboxes to accommodate extra open (i.e. unfretted) longer bass strings, called diapasons or bourdons, for improvements in tonal clarity and an increased range of available notes.
Yeah, you took meNaive and uglyInto your festering heart
And you poured Eros maggots down my throatUntil I choked
There‘s nothing darker than love that’s gone sourSatan’s spit Love that’s gone sour
Yeah, you took meNaive and uglyInto your festering heartAnd your rammed Eros maggots down my throatUntil I choked
There’s nothing darker than love gone sour, Satan’s spitNothing darker than love that’s gone sour, Satan’s spit
Out of the bowels of loveThe bowels of loveThe bowels of loveThe bowels of love
Out of the bowels of loveThe bowels of loveThe bowels of loveThe bowels of love
Love Yeah Love