Theme

Theme or themes may refer to:

Art

See also

Thematic vowel

In Indo-European studies, a thematic vowel or theme vowel is the vowel *e or *o from ablaut placed before the ending of a Proto-Indo-European (PIE) word. Nouns, adjectives, and verbs in the Indo-European languages with this vowel are thematic, and those without it are athematic. Used more generally, a thematic vowel is any vowel found at the end of the stem of a word.

Proto-Indo-European

PIE verbs and nominals (nouns and adjectives) consist of three parts:

The thematic vowel, if present, occurs at the end of the suffix (which may include other vowels or consonants) and before the ending:

Athematic forms, by contrast, have a suffix ending in a consonant, or no suffix at all (or arguably a null suffix):

For several reasons, athematic forms are thought to be older, and the thematic vowel was likely an innovation of late PIE: Athematic paradigms (inflection patterns) are more "irregular", exhibiting ablaut and mobile accent, while the thematic paradigms can be seen as a simplification or regularisation of verbal and nominal grammar. In the Anatolian languages, which were the earliest to split from PIE, thematic verbs are rare or absent. Furthermore, during late PIE and in the older daughter languages, a number of athematic forms were replaced by thematic ones, as in prehistoric Greek *thes- 'god' versus *thes-o- > Classical Greek θεός (theós).

The Family Way (soundtrack)

The Family Way is a soundtrack recording composed by Paul McCartney, released in January 1967. The album is the soundtrack to the 1966 film of the same name, directed by Roy Boulting and starring Hayley Mills. Produced and arranged by George Martin, the album was credited to "The George Martin Orchestra" and issued under the full title The Family Way (Original Soundtrack Album). A 45rpm single, again credited to the George Martin Orchestra, was issued on 23 December 1966, comprising "Love in the Open Air" backed with "Theme From 'The Family Way'", as United Artists UP1165.

The Family Way won an Ivor Novello Award in 1967. It was remastered and released on CD in 1996 with new musical compositions not on the original 1967 soundtrack album.

The recording took place over November and December 1966, before the Beatles began work on their album Sgt. Pepper's Lonely Hearts Club Band. McCartney's involvement in the project was minimal, according to biographer Howard Sounes, who quotes Martin's recollection that he had to "pester Paul for the briefest scrap of a tune" with which to start writing the score. After McCartney had provided "a sweet little fragment of a waltz tune", Martin continued, "I was able to complete the score."

Noon

Noon (also midday or noon time) is usually defined as 12 o'clock in the daytime. The term midday is also used colloquially to refer to an arbitrary period of time in the middle of the day. Solar noon is when the sun crosses the meridian and is at its highest elevation in the sky, at 12 o'clock apparent solar time. The local or clock time of solar noon depends on the longitude and date. The opposite of noon is midnight.

In many cultures in the Northern Hemisphere, noon had ancient geographic associations with the direction "south" (as did midnight with "north" in some cultures). Remnants of the noon = south association are preserved in the words for noon in French (Midi) and Italian (Mezzogiorno), both of which also refer to the southern parts of the respective countries. Modern Polish, Ukrainian, and Serbian go a step farther, with the words for noon (południe, південь, пoднe – literally "half-day") also meaning "south" and the words for "midnight" (północ, північ, пoнoħ – literally "half-night", as with English mid(dle) meaning "half") also meaning "north".

List of The Keys to the Kingdom characters

The Keys to the Kingdom is a fantasy-adventure book series, written by Garth Nix, started in 2003 with Mister Monday and ended with "Lord Sunday". The series follows the story of Arthur Penhaligon and his charge as the Rightful Heir of the Architect to claim the Seven Keys to the Kingdom and the seven demesnes of the House.

Heroes

Arthur Penhaligon

Arthur, a 12-year-old boy, has recently moved to a town and wants to fit into it. After suffering an asthma attack, he is saved by a mysterious metal object, called a Key, given by an even stranger character, Mister Monday, whose servants bring an incurable plague to Arthur's town. Arthur hurries to the House, a mysterious structure that only he can see. Shortly after arriving in the House, Arthur discovers the structure of the house is a complete universe and is informed of his duty to unseat the seven Trustees who run the House, claim their Keys, and rule all of Creation. Arthur cannot live an ordinary life unless he overthrows all of the Trustees, who are also known as the Morrow Days. To do this, however, he must use the Keys, which infect him with sorcery and make him a Denizen of the House; and whenever Denizens appear in the Secondary Realms (everything in Creation that is not in the House, including Earth), they are "inimical to mortal life", i.e. incredibly harmful to reality. This dilemma is a constant theme in the books: as Arthur does not wish to turn into a Denizen; he often resists using the Keys, and only does when it is absolutely necessary.

Nun (letter)

Nun is the fourteenth letter of the Semitic abjads, including Phoenician Nūn , Hebrew Nun נ, Aramaic Nun , Syriac Nūn ܢܢ, and Arabic Nūn ن (in abjadi order). It is the third letter in Thaana (ނ), pronounced as "noonu".
Its sound value is [n].

The Phoenician letter gave rise to the Greek nu (Ν), Etruscan , Latin N, and Cyrillic Н.

Origins

Nun is believed to be derived from an Egyptian hieroglyph of a snake (the Hebrew word for snake, nachash begins with a Nun and snake in Aramaic is nun) or eel. Some have hypothesized a hieroglyph of fish in water as its origin (in Arabic, nūn means large fish or whale). The Phoenician letter was named nūn "fish", but the glyph has been suggested to descend from a hypothetical Proto-Canaanite naḥš "snake", based on the name in Ethiopic, ultimately from a hieroglyph representing a snake,

(see Middle Bronze Age alphabets). Naḥš in modern Arabic literally means "bad luck". The cognate letter in Ge'ez and descended Semitic languages of Ethiopia is nehas, which also means "brass".