The Woman in Question (released in the United States as Five Angles on Murder) is a 1950 British mystery film directed by Anthony Asquith and starring Jean Kent, Dirk Bogarde and John McCallum. After a woman is murdered, the complex and very different ways in which she is seen by several people are examined. It was loosely adapted into the 1954 Indian film Andha Naal.
Agnes Huston, an English widow, is found murdered at her house. Superintendent Lodge, the detective on the case, and Inspector Butler start questioning people closely associated with her. Her neighbour Mrs. Finch, tells Lodge that Agnes is a gentlewoman, and throughout her rendition Agnes is shown in a pleasant looking, smart and well-mannered light. She explains that Agnes’ sister Catherine Taylor is a rude, obnoxious woman.
According to Mrs. Finch, once before Agnes’ husband Charles died, Catherine made an unpleasant entry. Agnes and Catherine had an argument about Agnes’ husband having an affair with Catherine. Catherine then left after hurting Agnes’ feelings. On another occasion, Bob Baker, Catherine’s boyfriend once tried to make advances to Agnes and got censured for it. A few days later, Baker and Catherine barged into their apartment and forced their way to see Agnes. Finch ran to get the help of Mr. Pollard, a timid pet store owner opposite the building, who comes in but withdraws in fear. Catherine and Bakerthreaten to kill everyone and leave. This leads Lodge to question Catherine.
Woman is an adult female human.
Woman also can refer to:
The Woman is a 2011 American horror film directed by Lucky McKee, adapted by McKee and Jack Ketchum from Ketchum's novel of the same name. This movie is a sequel to the film Offspring. The film stars Pollyanna McIntosh, Angela Bettis, Sean Bridgers, Lauren Ashley Carter, Carlee Baker, Alexa Marcigliano, and introducing Zach Rand and Shyla Molhusen.
The movie opens with the feral Woman (Pollyanna McIntosh) circling what appears to be her child. A wolf, apparently tamed by the feral Woman, circles the infant as well but does it no harm. Although it is not referenced in the film, the Woman is the last remaining member of a cannibalistic tribe that has roamed the north-east coast for decades (as seen in the 2009 film Offspring).
Chris Cleek (Sean Bridgers) is a country lawyer at a local barbecue with his family. The oldest daughter Peggy (Lauren Ashley Carter) sits off to the side, upset. Their only son Brian Cleek (Zach Rand) watches as a couple of boys abuse and push a small girl into a corner, making no effort to save her. While out hunting, Chris happens upon the Woman, who is bathing. He returns with a net in an effort to capture her. He knocks her out and returns home with her, restrains her in a cellar, and directs his family to participate in "civilizing" her.
The Woman is a 1915 American drama silent film directed by George Melford and written by William C. de Mille. The film stars Theodore Roberts, James Neill, Ernest Joy, Raymond Hatton, Mabel Van Buren and Tom Forman. The film was released on May 3, 1915, by Paramount Pictures.
pave these streets with open arms
it's always you we're waiting on
the skin, the taste, the drug, the need
i'm asking, telling you, don't leave
erase the lines that we have drawn
it's always you we're waiting on
and waiting on and waiting on
and on and on and on and on
these are our words, we fill these mouths
but all the letters of the alphabet could never spell it out
these palms and frames that we tear through
to cling to something that is bigger than the failed attempts at you
wait wait wait, i don't wanna see
wait wait wait, i am not the person anyone would want to be
the perfect shoes with matching clothes
it is the lie we're always told
but nothing masks the shallow touch
by saying words that cost so much
while you're an addict to the need
to find yourself a way to breathe
the sex, the purge, the vein, the look
to reflex feelings that we took
these are our words, we fill these mouths
but all the letters of the alphabet could never spell it out
these palms and frames that we tear through
to cling to something that is bigger than the failed attempts at you
perfection, it's perfection
but never quiet enough, and never could disguise
the drugs to make it stay
the wanting in your eyes
the money that you spent, but you're still an accident
we are more than words that fill our mouths
drink with eyes that tell us the answers that we need
these are our words, we fill these mouths
but all the letters of the alphabet could never spell it out
these palms and frames that we tear through
to cling to something that is bigger than the failed attempts at you
wait wait wait, i don't wanna see
wait wait wait, i am not the person anyone would want to be
waiting here until you leave...