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Allmusic 2.5/5 stars{{#invoke:String|rep|1= 2=1
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Deep is the third studio album from the jazz rock fusion trio Niacin, released in March 2000.

The album is heavily loaded with Billy Sheehan's powerful bass solos and features contributions from guest musicians Glenn Hughes on vocals and Steve Lukather on guitar.

Contents

Track listing [link]

  1. Swing Swang Swung - 3:48
  2. Best Laid Plans - 4:26
  3. Sugar Blues - 5:50
  4. Stompin' Ground - 5:03
  5. Blue Mondo - 5:56
  6. Panic Button - 5:37
  7. Bootleg Jeans - 7:00
  8. Mean Streets - 5:37
  9. This One's Called... - 3:46
  10. Klunkified - 2:58
  11. Ratta McQue - 3:48
  12. Things Ain't Like They Used to Be - 7:25
  13. Bluesion - 4:18

Personnel [link]

Musicians [link]

Guest musicians [link]

External links [link]

References [link]

  1. Adle, David R.. Deep (Niacin album) at Allmusic. Retrieved 2013-03-16.

https://wn.com/Deep_(Niacin_album)

Ten (Pearl Jam album)

Ten is the debut studio album by the American rock band Pearl Jam, released on August 27, 1991 through Epic Records. Following the disbanding of bassist Jeff Ament and guitarist Stone Gossard's previous group Mother Love Bone, the two recruited vocalist Eddie Vedder, guitarist Mike McCready, and drummer Dave Krusen to form Pearl Jam in 1990. Most of the songs began as instrumental jams, to which Vedder added lyrics about topics such as depression, homelessness, and abuse.

Ten was not an immediate success, but by late 1992 it had reached number two on the Billboard 200 chart. The album produced three hit singles: "Alive", "Even Flow", and "Jeremy". While Pearl Jam was accused of jumping on the grunge bandwagon at the time, Ten was instrumental in popularizing alternative rock in the mainstream. In February 2013, the album crossed the 10 million mark in sales and has been certified 13x platinum by the RIAA. It remains Pearl Jam's most commercially successful album.

Background

Deep (Peter Murphy album)

Deep is the third solo studio album by English musician Peter Murphy. Produced by Simon Rogers, the album was released on 16 January 1990 through RCA and Beggars Banquet Records and features contributions from Murphy's backing band, The Hundred Men.

The album spawned three singles: "The Line Between the Devil's Teeth (And That Which Cannot Be Repeat)", "Cuts You Up" and "A Strange Kind of Love". The track "Cuts You Up" became a modern rock hit in 1990, spending seven weeks at the top of the U.S. charts and crossing over to Billboard Hot 100, where it peaked at number 55. The other singles also charted on Modern Rock Tracks chart, peaking at number 18 and 21, respectively.

Critical reception

Ned Raggett of Allmusic praised the album, stating that "Deep showed Murphy balancing mass appeal and his own distinct art with perfection." He also wrote: " Murphy simply sounds like he's having the time of his life, singing both for the sheer joy of it and for the dramatic power of his commanding voice."

Warp

Warp, warped or warping may refer to:

Agriculture

  • Warping, the practice of flooding agricultural land with turbid river water to add sediment to the soil
  • Aviation

  • Star-Lite Warp 1-A, an American ultralight aircraft design
  • Wing warping, a manner of controlling the roll of an aeroplane
  • Warp Drive Inc, a United States propeller manufacturer
  • Ships

  • Warping (sailing), a slow method of moving a boat in still waters or against the wind
  • Anchor Warp, a line (particularly a rope) attached to an anchor
  • Books and comics

  • WaRP Graphics, an alternative comics publisher
  • Warp (First Comics), comic book series published by First Comics based on the play Warp!
  • Warp (comics), a DC Comics supervillain
  • Warp (magazine), formerly the magazine and official organ of the New Zealand National Association for Science
  • Music

  • Warp (record label), an independent UK record label
  • Warp (album)

    Warp is the third and final album from New Musik released on March 5, 1982.

    Track listing

    LP: EPC 85567

    All songs written by Tony Mansfield, except where noted.

    Side One

  • "Here Comes The People" – 3:26
  • "Going Around Again" – 2:55
  • "A Train On Twisted Tracks" – 3:26
  • "I Repeat" – 4:28
  • "All You Need Is Love" – 4:21
  • "All You Need Is Love" (Lennon–McCartney) – 5:38
  • Side Two

  • "Kingdoms for Horses" – 4:16
  • "Hunting" – 4:15
  • "The New Evolutionist (Example 'A')" – 3:19
  • "Green and Red (Respectively)" (Mansfield/Gates/Venner) – 3:05
  • "The Planet Doesn't Mind" – 3:40
  • "Warp" – 4:22
  • 2001 Epic Records International CD Reissue: EICP 7015

  • "Here Comes The People" – 3:26
  • "Going Around Again" – 2:55
  • "A Train On Twisted Tracks" – 3:26
  • "I Repeat" – 4:28
  • "All You Need Is Love" – 4:21
  • "All You Need Is Love" (Lennon–McCartney) – 5:38
  • "Kingdoms for Horses" – 4:16
  • "Hunting" – 4:15
  • "The New Evolutionist (Example 'A')" – 3:19
  • "Green and Red (Respectively)" (Mansfield/Gates/Venner) – 3:05
  • "The Planet Doesn't Mind" – 3:40
  • "Warp" – 4:22
  • "The Planet Doesn't Mind (Single Version)" – 3:36
  • Warp (magazine)

    Warp was a New Zealand magazine and official organ of the National Association for Science Fiction (NASF), the country's first national science fiction fan organisation.

    History

    First published in November 1977, Warp continued on a usually two-monthly schedule until the late 1990s, surviving for a short period independently after NASF went into recess. The magazine was published by Transworld. Excluding the APA Aotearapa, Warp was the first New Zealand science fiction publication to reach 100 issues, which it did in June 1995. In all, some 115 editions of Warp were produced. Its largest issues were 44 pages in length.

    The location of Warp's publishing varied according to the home city of its editor, although during much of the later 1980s it was based in Christchurch, and during the early and mid 1990s it was based in Dunedin. At times the magazine's schedule was erratic, especially during the late 1980s and shortly before its demise in the late 1990s.

    Originally published in A4 format, for much of its run it was A5 in size, returning to A4 shortly before its demise.

    Podcasts:

    PLAYLIST TIME:

    The Deep

    by: Shades Of Culture

    [CHORUS: D-Shade & Revolution]
    Watch how you climb 'cause life's angles are steep
    The body's on the surface, and the mind is in the deep
    Watch how you climb 'cause life's angles are steep
    The body's on the surface, and the mind is in the deep
    [D-Shade]
    The last time I examined heads and necks were having spasms
    They were reacting to the actions and the fathoms
    That the, crews that deliver the new to your doormat
    The D and the Revolu don't try to give(?) like John Cusack
    Open your mental vehicles, you're getting boarded
    We punch in the co-ordinates, and now we're ready to orbit
    3-60 degrees around the planet
    Making circles of MCs start to scream like Mike and Janet (heeeeeeeee)
    Not only I, but crews be creeping in the deep
    That's why when they around I'm always hesitant to speak to
    See I, do what I gotta to get sunlight down under
    Ground shaking down all them clowns that try to clutter (clutter)
    Your mind with weak rhymes, got nerves to talk about mine
    The creeps will know the diff between the good and wack rhymes
    MCs with the skills be keeping it real in Mont Real
    And critics keep it tight lip, that's all part of the deal
    [CHORUS]
    [Revolution]
    Deep penetration, wack crew in-filtration
    Putting them in traction for their biting infractions
    I crush, skulls manipulate and reform
    I take you late and inform, MCs how not to dis me
    Deep, thrust to trust me in a whole kid
    Coming from the land of Tut, you're in a bad rut
    Depths unknown to man I'm under hell
    You can't understand without the use of a Vulcan mind melt
    I've lost my marbles on the verge of psychosis
    I'm leaving en-tire crews with broken noses
    The flow is like Crimson Tide when it hits your T-shirt
    So deep I'm like a submarine, soon you'll need an expert
    The setting, you're jetting (jetting) and you don't know where you're
    heading
    Well I'm betting you're bed wetting, and face is start reddening
    Don't be embarassed because you're careless
    Peep this we're fearless, to raise levels of awareness
    [Notorious B.I.G.] "I get deeper and deeper"
    [scratched by DJ Storm]
    [Revolution]
    I'm so deep to reach me you follow caverns
    I quit rapping for beers and handshakes in cheesy taverns
    So don't oppose, go out and croach
    And coach, promotes the coast crews to follow my lyrical prose
    [D-Shade]
    And from the depths of imagination I sparks to the conversation
    No hesitation when it comes to rhyme creating
    Strictly relating all the data from the brain matter
    D knows his shit like a Sensei knows his Kata
    [CHORUS]
    [D-Shade]
    Deep [echoed]




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