Veldt, or veld, is an open landscape in southern Africa.
Veldt may also refer to:
"The Veldt" is a short story written by American author Ray Bradbury. Originally appearing as "The World the Children Made" in the 23 September 1950 issue of The Saturday Evening Post, it was republished under its current name in the 1951 anthology The Illustrated Man.
In the story, two children solve their disappointment with their parents by escaping to a simulated grassland that proves all too real.
The Hadley family lives in an automated house called "The Happylife Home," filled with machines that do everything for them from cooking meals, to clothing them, to rocking them to sleep. The two children, Peter and Wendy (their names a homage to Peter Pan and Wendy Darling), become fascinated with the "nursery," a virtual reality room that is able to connect with the children telepathically to reproduce any place they imagine.
The parents, George and Lydia, soon wonder if there is something wrong with their way of life. Lydia tells George, "That's just it. I feel like I don’t belong here. The house is wife and mother now, and nursemaid. Can I compete with an African veldt? Can I give a bath and scrub the children as efficiently or quickly as the automatic scrub bath can? I cannot." They are also perplexed and confused that the nursery is stuck on an African setting, with lions in the distance, eating the dead carcass of some sort of animal. There they also find recreations of their personal belongings and hear strangely familiar screams. Wondering why their children are so concerned with this scene of death, they decide to call a psychologist.
"The Veldt" is a progressive house song by Canadian electronic music producer deadmau5, featuring guest vocals by Chris James.
The song ranked number 48 on Rolling Stone's list of the 50 best songs of 2012.
"The Veldt" was inspired by the 1950 short story of the same name by Ray Bradbury. The song was initially created during a 22-hour live streaming session in March 2012. The following day, Zimmerman found Chris James, who created his own vocal rendition of the song, via Twitter. Zimmerman was impressed with James' vocals, particularly with the lyrical references to the Ray Bradbury story, and confirmed that the official release of the song would include James' vocals. The song's production was captured on a live streaming session via his official website.
The song is in the key of A major, at a tempo of 128 beats per minute (BPM).
On April 20, 2012, Zimmerman and Ultra Records uploaded the eight minute-plus version of the song onto their YouTube channels, with the radio edit being uploaded onto Ultra Records' channel on May 7, 2012. Both versions of the song were released the following day.