"The Truth" is the 19th episode of Seinfeld. It is the second episode of the show's third season. It first aired on September 25, 1991. Directed by David Steinberg, this is the first episode in the series (other than the pilot) not directed by Tom Cherones.
After Kramer gets Jerry to donate to a fake relief fund, Jerry gets audited by the IRS. George gives Jerry's tax papers to his girlfriend Patrice (played by Valerie Mahaffey), a representative for the IRS, but has trouble getting around her strange pronunciation habits. George tells the truth to Patrice and they break up, a move that upsets Jerry, as she took the tax papers with her.
Upon learning that Patrice checked into a mental institution, Jerry and George go to see her. When George introduces her to Jerry, she recognizes him as "the Jerome with the tax problems." She reveals to them that after she left George, she got upset and threw out Jerry's tax papers. Jerry never made copies, and the episode ends with him tracking them down by phone.
The Truth (With Jokes) is an American book of political satire and humor by Al Franken, released in October 2005. The book's main focus is on the 2004 presidential election and Franken's research into the Republicans' strategy in their victory—as well as examples of subsequent political overreach which he predicts will be their downfall. Finally, he makes some predictions about the future.
The book opens with a retelling of the aftermath of November 2, 2004, as all the major news stations claim that incumbent U.S. President George W. Bush—reelected with an historically narrow margin over his Democratic opponent, Massachusetts Senator John Kerry, of less than 2.5 percentage points—won an "ideological mandate" in this election. Franken points to the previous low point for incumbent presidents' reelections, Woodrow Wilson's 3.2-point 1916 victory, juxtaposes them with the landslide reelection victories of Franklin D. Roosevelt in 1936, Dwight D. Eisenhower in 1956, Lyndon B. Johnson in 1964, Richard Nixon in 1972, and Ronald Reagan in 1984, and counter-argues that Bush's margin of victory was nowhere close to these lopsided contests; further, Franken points out that Bush's margin was 6 points narrower than that of Bill Clinton in 1996 over Republican challenger Bob Dole, and that nobody considered that victory a "mandate".
The Truth is a fiction podcast that seeks to re-imagine what audio drama is and can be. The podcast is released every two weeks. The tagline for the organization is "Movie for your ears". Stories are developed as a collective where frequently the dialogue is completely improvised. Additionally, recordings are made on location and then taken into the studio to be edited. Work by The Truth has been heard on many nationally syndicated public radio programs, including This American Life, Studio 360, Snap Judgment, and The Story (see Links below). The show is part of podcast network Radiotopia.
The Truth stories, while fictional, are often topical and possible. The pilot episode was inspired by the real speech "In Event of Moon Disaster" written for President Richard Nixon in case the Apollo 11 mission failed.
In 2009 Jonathan Mitchell started The Truth with Hillary Frank. Frank had been Mitchell's editor on a story for a show produced by American Public Media (APM) called Weekend America, titled "Eat Cake." The piece was intended to air on Valentine's Day weekend, but Weekend America was cancelled while the story was in production and the last episode was January 29, 2009. Weekend America decided to air the story anyway, on that last broadcast. Peter Clowney, the executive producer at Weekend America, was then moved into a development position at American Public Media. Mitchell and Frank pitched him the idea of doing a regular drama series along the lines of "Eat Cake". The title "The Truth" comes from a quote by Ralph Waldo Emerson, that goes, "fiction reveals truth that reality obscures."
[Verse 1]
Yea I sit beneath a plaster moon
Puff puff pass the gloom and watch the ashes bloom
Black balloons float above me singing saddest tunes
Like no one loves me but that can't be true
I never show my ugly attributes, I'd rather choose
To expose my sunny plastic moods, so after you
I know that crummy sulken frumpy, oh-so-grumpy attitude
Over something nobody can have but you
[Bridge X5]
You're such a mess
And plus your nose is bloody
[Hook x2]
Does anybody ever really want to know why I
Always leave the party when we say bye-bye
With a cyanide taste and a mai tai chase
And another trail of blood when the pipeline breaks
And she's always got to listen to the rhythm of the wicked
When I give her my attention try to fix it but the fix is
Just a little bigger litter better little more to benefit
An addict when I can't afford the habit that you chose
[Verse 2]
Yea you wait in line to take a line
A powdered nose and some make-up might erase the strife
So take your time wait until you taste the sky
To take your flight cloudy headed let it fade to white
I'd wake up night after night after night after night
While you'd take another line after line after line after line
Little little lovable drift into this puff of smoke
Something so innocent is getting into such a hole
Yea you huff and blow to huff some blow
Lovely Snow White why'd I find your touch so cold
You look so comfortable but pretty with your bloody nose
And you're still thinking that nobody knows
You're such a mess
[Hook]
[Outro X9]
Sleep back to back in the shape of a butterfly