Chico Freeman

Chico Freeman (born Earl Lavon Freeman Jr.; July 17, 1949) is a modern jazz tenor saxophonist and trumpeter and son of jazz saxophonist Von Freeman. He began recording as lead musician in 1976 with Morning Prayer, won the New York Jazz Award in 1979 and earned the Stereo Review Record of the Year in 1981 for his album The Outside Within.

Early years

Freeman was introduced to the trumpet by his brother Everett, who found a trumpet in the family basement. Freeman began playing, inspired by artists such as Miles Davis. He went to Northwestern University in 1967 with a scholarship for mathematics and played the trumpet in the school, but did not begin playing the saxophone until his junior year. After practicing eight to ten hours per day and trying out for the saxophone section, Freeman quickly changed his major to music, and graduated in 1972. By that time he was proficient in saxophone, trumpet, and piano.

After graduation, Freeman taught at the Association for the Advancement of Creative Musicians School of Music in Chicago and started taking classes as a graduate student at Governors State University, earning a master's degree in composition and theory. Although most of Freeman's musical upbringing had been in jazz, at this time he began getting involved in blues music as well. He began playing at local Chicago clubs with artists such as Memphis Slim and Lucky Carmichael.

The Jazz Messengers

The Jazz Messengers were an influential jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.

The group evolved into a proving ground for young jazz talent. While veterans occasionally re-appeared in the group, by and large, each iteration of the Messengers included a lineup of new young players. Having the Messengers on one's resume was a rite of passage in the jazz world, and conveyed immediate bona fides.

Many Messenger alumni went on to become jazz stars in their own right, such as: Lee Morgan, Benny Golson, Wayne Shorter, Freddie Hubbard, Bobby Timmons, Curtis Fuller, Cedar Walton, Chuck Mangione, Keith Jarrett, Joanne Brackeen, Woody Shaw, Wynton Marsalis, Branford Marsalis, Terence Blanchard, Donald Harrison and Mulgrew Miller. A more complete list of alumni can be found on the right column. Some members such as bassist Clarence Seay and then 16-year-old trombonist Gregory Charles Royal are documented to have played in the Jazz Messengers but did not record with the group.

The Jazz Messengers (1956 album)

The Jazz Messengers is a 1956 album by the Jazz Messengers, released by Columbia Records. It was the last recording by the Jazz Messengers lineup featuring pianist Horace Silver.

In 1968 Columbia reissued the LP in their Jazz Odyssey Series with a new cover under the title Art Blakey with the Original Jazz Messengers. In 1997 the album was digitally remastered and released on CD, again with its original title and cover, featuring all the tracks from the original LP along with five additional tracks drawn from the same recording sessions but previously released only on foreign imports.

Track listing

This is the track listing for the current Columbia CD release. Tracks 1−7 are from the original LP and in the same order. The adjacent tracks 8−10 and 12 were first released on Originally (Columbia CL 897, 1956). Track 11 was previously unreleased.

Traveler

Traveler or traveller may refer to:

Sociology

People

The Traveller (poem)

The Traveller; or, a Prospect of Society (1764) is a philosophical poem by Oliver Goldsmith. In heroic verse of an Augustan style it discusses the causes of happiness and unhappiness in nations. It was the work which first made Goldsmith’s name, and is still considered a classic of mid-18th century poetry.

Synopsis

The dedication to The Traveller sets out Goldsmith's purpose:

He begins the poem by extolling the happiness of his brother Henry's simple family life. Then, from a vantage-point in the Alps, he surveys the condition of the world. Every nation, he says, considers itself the happiest, but this is only because each nation judges by its own standards. In fact, happiness is probably equally spread, though in different forms which tend to be mutually exclusive.

Then Goldsmith turns to consider various countries individually. Italy is naturally fertile and was formerly successful in commerce, but has since been overtaken by other countries. The remaining great works of art and architecture only inspire a childish love of show in the Italians. The Swiss have poverty, but also equality. They love home-life and simple things, but have no nobility of soul. France is a nation motivated by honour, and is therefore too prone to vanity. In Holland industry has brought prosperity, but

The Traveler (1974 film)

The Traveler (Persian: مسافر‎‎, Mosāfer) is a 1974 Iranian drama film directed by Abbas Kiarostami. The film depicts a troubled but resourceful boy's quest to attend a football match at any cost, and his indifference to the effects of his actions on other people, even those closest to him. Thematically, the film explores childhood, societal conventions, and the origins of moral and amoral behavior. Visually, it affords a candid glimpse of Iranian life in the early 1970s.

Plot

Jazz Messengers '70

Jazz Messengers '70 is a live album by drummer Art Blakey's Jazz Messengers recorded in Tokyo in 1970 and originally released on the Catalyst label.

Reception

Scott Yanow of Allmusic stated, "the quintet casts new light on these tunes, making them sound fresh and flexible. This unusual set is recommended to longtime followers of Art Blakey".

Track listing

Personnel

References