The Jazz Messengers were an influential jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
The group evolved into a proving ground for young jazz talent. While veterans occasionally re-appeared in the group, by and large, each iteration of the Messengers included a lineup of new young players. Having the Messengers on one's resume was a rite of passage in the jazz world, and conveyed immediate bona fides.
Many Messenger alumni went on to become jazz stars in their own right, such as: Lee Morgan, Benny Golson, Wayne Shorter, Freddie Hubbard, Bobby Timmons, Curtis Fuller, Cedar Walton, Chuck Mangione, Keith Jarrett, Joanne Brackeen, Woody Shaw, Wynton Marsalis, Branford Marsalis, Terence Blanchard, Donald Harrison and Mulgrew Miller. A more complete list of alumni can be found on the right column. Some members such as bassist Clarence Seay and then 16-year-old trombonist Gregory Charles Royal are documented to have played in the Jazz Messengers but did not record with the group.
The Jazz Messengers is a 1956 album by the Jazz Messengers, released by Columbia Records. It was the last recording by the Jazz Messengers lineup featuring pianist Horace Silver.
In 1968 Columbia reissued the LP in their Jazz Odyssey Series with a new cover under the title Art Blakey with the Original Jazz Messengers. In 1997 the album was digitally remastered and released on CD, again with its original title and cover, featuring all the tracks from the original LP along with five additional tracks drawn from the same recording sessions but previously released only on foreign imports.
This is the track listing for the current Columbia CD release. Tracks 1−7 are from the original LP and in the same order. The adjacent tracks 8−10 and 12 were first released on Originally (Columbia CL 897, 1956). Track 11 was previously unreleased.
Jazz Messengers '70 is a live album by drummer Art Blakey's Jazz Messengers recorded in Tokyo in 1970 and originally released on the Catalyst label.
Scott Yanow of Allmusic stated, "the quintet casts new light on these tunes, making them sound fresh and flexible. This unusual set is recommended to longtime followers of Art Blakey".
The Theme (Russian: Тема) is a 1979 Soviet film directed by Gleb Panfilov. It tells the story of an egotistical playwright who thinks of himself as an artist, but who allows the system to make him write conformist plays.
The film was heavily censored on its release in 1979. The full version was not released until 1986; this version was awarded the Golden Bear at the 37th Berlin International Film Festival.
"The Theme (It's Party Time)" was the lead single released from Tracey Lee's debut album, Many Facez. The song was produced by D-Dot and was a mild success, making it to 4 different Billboard charts, including 55 on the Billboard Hot 100.
The official remix, entitled "The After Party (The Theme II)" featured rappers, Busta Rhymes and Pirate and was also featured on the Many Facez album and was given both a single release and a music video. An additional remix was also released featuring Rampage.
The James Bond film series from Eon Productions has had numerous signature tracks over the years, many of which are now considered classic pieces of film music. The best known of these pieces of music is the ubiquitous "James Bond Theme." Other instrumental pieces, such as the "007 Theme" or "On Her Majesty's Secret Service", and various songs, such as Shirley Bassey's "Goldfinger", Paul McCartney's "Live and Let Die" or Carly Simon's "Nobody Does It Better", Sheena Easton's "For Your Eyes Only" and Duran Duran's "A View to a Kill" have also become identified with the series. "Skyfall" from Skyfall won the Academy Award for Best Song making it the first Bond song to do so.
The briefest of "James Bond themes", this composition started off the "Opening Titles" music of From Russia with Love. It was heard in the On Her Majesty's Secret Service film trailer. WLS (AM) used the theme in the mid-1960s for their secret agent radio serial "The Wild Adventures of Peter Fugitive" that appeared on "The Art Roberts Show".
[Chorus: Hell Razah]
Hell Razah and the Tribe of Judah, man vs. computer
We be them young Israelite rulers
Black jews with them German lugers, we Da Last Future
It's gon' take a whole world to move us
[Lazarus:]
The biochemical equation, six points, the day of invasion
Blitz Beverly Hills, murder caucasions
I'm like Joshua and came in, I'm like Malcolm
Before the pilgrimage, my main men braindead
Psychotic, fiber optic
Sub-atomic, Israelite rockets
Raised by the peasants and the prophets, fathers of the black Arab Islamic
I drop jewels, they say it's non sense
Fuck the radio, they try deceive I
That's why I keep seven quotes, the son of Levi
Fucked up since I was knee high
So now my brain's ran over with Remy, Allah's deep mind
Fuck it, ask the pastor, where's the collection?
Before I put the Smith & Wessing, in his mid section
Wild like dirty bitches in the projects
Popping pills like old timers
Hair wrapped like I'm Osama, no conscience
I was born feet first
So many niggas crossed me, so I'm thinking bout me first
Fuck the world, I was blessed with two little girls
So ya'll niggas ain't gotta like me
But fucking with me is unlikely
I'm like the black Christ, until my last day strike me
It's the prophet, nigga
[Hell Razah:]
If God is intelligence, I'm Hannibal riding on elephants
Burn up the body parts, leave no evidence
We build the alter for the head of your presidents
We getting pharaoh's necks like it was Exodus
Warriors of Babylon, threats of atom bombs
Tatted my arms, like Aztecs, Mexican dons
King David wrote my favorite song, when I think of that song
They change faces like the hatred is gone
All the reviews in magazines rated me wrong
Take America to court without supporting Saddam
Shoot at the son of Hitler, while I'm saying Shalom
It's no peace without warfare, you getting my crosshairs
No fear, I wrote this inside your pope's chair
With a cold beer, all of my bars is sincere
Burn L's with the Eloheim's, young Idi Amin
We take money like we see through your jeans
You got a bank card, we'll walk you to the ATM machine
And talk him out his chain, and that watch, and them rings
Been a king since Joseph and modern Egypt
Condoleeza, got me on that silence heaters
Throw a mask on, and ride on ya congress leaders
Black Fenitians that speak English, bless the four regions
We came from continents with God's teachings
We used to trade guns, now we using 'em, the same ones
That was slaves in Jerusalem, I kick the truth for them killas