The WB 100+ Station Group (originally called The WeB from its developmental stages until March 1999) is a defunct programming service operated by The WB Television Network – owned by the Warner Bros. Entertainment division of Time Warner, the Tribune Company and the group's founder, Jamie Kellner – comprising an affiliate group primarily made of non-broadcast local cable television outlets. Operating from September 21, 1998 to September 18, 2006, the service was intended for areas ranked below the top 100 Nielsen Media Research-designated television markets in the United States.
In addition to carrying WB programming, it also maintained a master schedule of syndicated programming that aired simultaneously on all WB 100+ affiliates outside of designated network programming time periods, essentially structuring the service as a de facto national feed of The WB. Programming and promotional services for The WB 100+ were housed at The WB's corporate headquarters in Burbank, California; engineering and master control operations were based at the California Video Center in Los Angeles.
This is a list of episodes from the animated television series Beast Wars: Transformers. The series premiered on September 16, 1996 and ended on March 7, 1999. A total of 52 episodes were produced.
The Web is an American dramatic anthology series that aired live on CBS for four seasons from July 11, 1950 to September 26, 1954. The series was also revived briefly by NBC in the summer during 1957. The program was produced by Mark Goodson and Bill Todman.
The dramas on The Web were all adaptations of stories written by members of the Mystery Writers of America and featured everyday people in situations beyond their control.
Among the future stars who appeared on The Web include Grace Kelly in Mirror of Delusion, Jack Palance and Eva Marie Saint in Last Chance, Paul Newman in One for the Road , James Dean in "Sleeping Dogs" and Joanne Woodward in Welcome Home.
Other performers who appeared on the series include, Richard Kiley, James Daly, Eli Wallach, James Gregory, Mary Sinclair, Phyllis Kirk, James Darren, and Rex Reason.
The Tempest is a play by William Shakespeare, believed to have been written in 1610–11, and thought by many critics to be the last play that Shakespeare wrote alone. It is set on a remote island, where the sorcerer Prospero, rightful Duke of Milan, plots to restore his daughter Miranda to her rightful place using illusion and skilful manipulation. He conjures up a storm, the eponymous tempest, to lure his usurping brother Antonio and the complicit King Alonso of Naples to the island. There, his machinations bring about the revelation of Antonio's lowly nature, the redemption of the King, and the marriage of Miranda to Alonso's son, Ferdinand.
There is no obvious single source for the plot of The Tempest, but researchers have seen parallels in Erasmus's Naufragium, Peter Martyr's De orbe novo, and eyewitness reports by William Strachey and Sylvester Jordain of the real-life shipwreck of the Sea Venture on the islands of Bermuda, and the subsequent conflict between Sir Thomas Gates and Sir George Somers. In addition, one of Gonzalo's speeches is derived from Montaigne's essay Of the Canibales, and much of Prospero's renunciative speech is taken word for word from a speech by Medea in Ovid's poem Metamorphoses. The masque in Act 4 may have been a later addition, possibly in honour of the wedding of Princess Elizabeth and Frederick V in 1613. The play was first published in the First Folio of 1623.
The Tempest (Stormen), Op. 109, is incidental music to Shakespeare's The Tempest, by Jean Sibelius. He composed it in 1925–26, at about the same time as he wrote his tone poem Tapiola. Sibelius derived two suites for piano from the score.
The music is said to display an astounding richness of imagination and inventive capacity, and is considered by some as one of Sibelius's greatest achievements. He represented individual characters through instrumentation choices: particularly admired was his use of harps and percussion to represent Prospero, said to capture the "resonant ambiguity of the character".
Sibelius had completed his 7th Symphony, which was to be his last, in 1924. The Tempest and Tapiola were to be his last great works, and he wrote little else for the remaining 32 years of his life, which came to be known as "The Silence of Järvenpää".
The idea for music for The Tempest was first suggested to Sibelius in 1901, by his friend Axel Carpelan. In 1925, his Danish publisher Wilhelm Hansen again raised the idea, as the Royal Theatre in Copenhagen was going to stage the work the following year, directed by Adam Poulsen. Sibelius wrote it from the autumn of 1925 through to the early part of 1926, during which time he turned 60.
The Tempest is the tenth studio album by American hip hop duo Insane Clown Posse. Released in 2007, the album marks the return of producer Mike E. Clark, who had a falling-out with the duo in 2000. However, he did not collaborate directly with ICP, and would not do so until their 2009 album Bang! Pow! Boom!
The album's concept compares a violent storm to a roller coaster; its lyrical themes vary from horrorcore-based character deconstructions and songs about the supernatural to humorous and lighter subject matter. Clark's production was praised by critics, and the album peaked at #20 on the Billboard 200. It is the group's 23rd overall release.
Mike E. Clark produced much of Insane Clown Posse's discography, as well as working with other groups on Psychopathic Records, until having a falling-out with ICP in 2000, after completing ICP's album's Bizaar and Bizzar, and beginning production on the Dark Lotus debut album Tales from the Lotus Pod.
After becoming a full-time producer for Kid Rock, Clark contracted pneumonia, but ignored the illness, and began coughing severely as he awoke, leading to a three-month stay in Mount Clemens General Hospital, during which one of his lungs collapsed three times. As the result of his near-death experience, Clark decided to reconcile with Bruce and Utsler. Phone conversations between Clark and Insane Clown Posse led to Clark producing Shaggy 2 Dope's 2006 solo album F.T.F.O.. The following year, Clark produced The Tempest; however, in both instances, he did not work with Psychopathic Records directly. Because of this, ICP felt that The Tempest was missing the collaborative element that they felt made their earlier albums enjoyable. Clark would not work directly work with Psychopathic Records until 2009's Bang! Pow! Boom!
The Web
See myself, standing on this shelf
See this suitcase, it's loaded here to go
See these lines, well the years have taken time
What you've taken, you've given back as mine
Everything you see
That's caught in the web
Well it's caught it for me
You're letting out your heart
You're trading in your soul
And would you trade it for me
Cos I would trade it for you
See this hand, it's shaking like a loaded gun
See this water, it's turning into wine
See these brush strokes, they've painted it for me
And if you want, then one and one is three
Everything you see
That's caught in the web
Well it's caught it for me
You're letting out your heart
You're trading in your soul
And would you trade it for me
Cos I would trade it for you
Stream on stream, my champagne velvet dies
I've tasted venom, tasted spears, I almost fly
I'm scared of nothing, cos nothing's scared of me
I've fallen into this, all I need is one wish
And that's to know that
Everything you see
That's caught in the web
Well it's caught it for me
You're letting out your heart
You're trading in your soul
And would you trade it for me
Cos I would trade it for you
Everything you see
That's caught in the web
Well it's caught it for me
You're letting out your heart
You're trading in your soul
And would you trade it for me