The Tape

"The Tape" is the 25th episode of Seinfeld. It is the eighth episode of the show's third season. It first aired on November 13, 1991.

The episode was written by Larry David and Don McEnery and Bob Shaw and was directed by David Steinberg.

Plot

Elaine anonymously leaves an erotic message on Jerry's tape recorder that he used to record his comedy act from the previous night. Upon hearing the message, he, George, and Kramer become obsessed with her. Elaine admits to George that she was the sexy voice in the tape. George is shocked to hear this and suddenly becomes attracted to her, but does not tell Elaine about it. Elaine makes George promise not to reveal her confession to Jerry or Kramer. Jerry, determined to get in touch with the woman who left the message, finds out who sat near the tape and gets her number. After his date with her, he tries to kiss her, but gets the "pull-back", and concludes that she is crazy.

George orders a cream from China after watching a commercial that claims that it can cure baldness. At Jerry's apartment, George makes a collect call to the product's company in Beijing while Jerry mocks George for being gullible enough to believe that the cream actually works. George tries desperately to communicate with the people on the other side of the line, but is unable to do so since they don't speak English; meanwhile, this is when Elaine decides to stop by and Kramer decides to start making his own home videos by recording whatever Jerry, George and Elaine are doing. This includes a fake interview with Elaine, portrayed as a porn star, and she says the sex is never simulated with George, arousing him. Finally, the Chinese delivery boy, Ping, delivers the take-out Kramer orders and George convinces Ping, who speaks Chinese, to talk on the phone and help him order the cream.

The Tape (album)

The Tape is debut album by Kid Capri released on February 19, 1991, on Cold Chillin' Records (distributed by Warner Bros. Records), The album was produced by Biz Markie and co-produced by Cool V.

Track listing

A-side and B-side

The terms A-side and B-side refer to the two sides of 78 and 45 rpm phonograph records, whether singles or extended plays (EPs). The A-side usually featured the recording that the artist, record producer, or the record company intended to receive the initial promotional effort and then receive radio airplay, hopefully, to become a "hit" record. The B-side (or "flip-side") is a secondary recording that has a history of its own: some artists, notably Elvis Presley, Little Richard, the Beatles, Chuck Berry, and Oasis, released B-sides that were considered as strong as the A-side and became hits in their own right. Creedence Clearwater Revival had hits, usually unintentionally, with both the B-sides of their A-side releases. Others took the opposite track: producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side.

18 (Moby album)

18 is the sixth studio album by American electronica musician Moby released in 2002. The most successful single from the album was "We Are All Made of Stars", which reached number 11 on the UK Singles Chart. A notable single on the album is "Extreme Ways" which appears on The Bourne Identity. The album features guest appearances by Azure Ray, MC Lyte, Angie Stone, and Sinéad O'Connor. A collection of the album's B-sides and video footage was released a year later on 18 B Sides + DVD.

Critical response to the album was positive to mixed, with many critics feeling it was too much of a retread of his previous releases and lacked inspiration. The album debuted at number 1 in the UK and many other European countries. It also peaked at number 4 in the Billboard 200. 18 earned gold and platinum awards in over 30 countries, and sold more than five million copies worldwide, which was a respectable number for an electronica album, even though it didn't sell half as many copies as its predecessor Play.

B-Sides

B-Sides may refer to:

See also