Leeches!

Leeches! is a 2003 horror film directed by David DeCoteau.

Plot

Members of a college swim team take anabolic steroids to enhance their performance. While on a daytrip to a local lake, a couple of the members pick up some leeches, which feed on the steroids in their blood. The leeches end up washed down a shower drain, where they grow to enormous size and return for more feedings.

Following the deaths of several members of the team and a college administrator, the few surviving team members and one of their girlfriends hatch a plan to kill off the monster leeches. They will draw them to the campus swimming pool by having one of the swimmers act as bait. Then they'll electrify the pool, electrocuting the leeches. Tragically, the team coach, who's been infested by a leech, attacks them, delaying the electrification just long enough to allow the leeches to kill one last swimmer. Finally the coach is subdued and the switch is thrown, frying the leeches.

As the film ends, a surviving swim team member, in true mad scientist fashion, is revealed to have had a hand in creating the leeches and is shown to have breeding stock left.

Leech

Leeches are segmented worms that belong to the phylum Annelida and comprise the subclass Hirudinea. Like the oligochaetes, such as earthworms, leeches share a clitellum and are hermaphrodites. Nevertheless, they differ from the oligochaetes in significant ways. For example, leeches do not have bristles and the external segmentation of their bodies does not correspond with the internal segmentation of their organs. Their bodies are much more solid as the spaces in their coelom are dense with connective tissues. They also have two suckers, one at each end.

The majority of leeches live in freshwater environments, while some species can be found in terrestrial and marine environments, as well. The best-known leeches, such as the medicinal leech, Hirudo medicinalis, are hematophagous, feeding on vertebrate blood and invertebrate hemolymph. Most leech species, however, are predatory, feeding primarily by swallowing other invertebrates. Almost 700 species of leeches are currently recognized, of which some 100 are marine, 90 terrestrial and the remainder freshwater taxa.

Coil

Coil may refer to:

Science, technology and medicine

Music

Other uses

People with the surname

See also

Coil (band)

Coil was an English cross-genre, experimental music group formed in 1982 by John Balance—later credited as "Jhonn Balance"—and his life partner and collaborator Peter Christopherson, aka "Sleazy". The duo worked together on a series of releases before Balance chose the name Coil, which he claimed to be inspired by the omnipresence of the coil's shape in nature. Today, Coil remains one of the most influential and best-known industrial music groups.

The group's first official release as Coil was a 1984 12" album titled How to Destroy Angels released on the Belgian Les Disques du Crépuscule's sublabel LAYLAH Antirecords. Following the 12"s success, Some Bizarre Records produced two albums, Scatology, Horse Rotorvator and Coil departed SomeBizzare Label and Produced Love's Secret Domain, which met with little commercial success, but were praised as innovative due to their blend of industrial music and acid house.

In 1985, the group began working on a series of soundtracks, amongst them music for the first Hellraiser movie based on the novel The Hellbound Heart by their acquaintance at that time, Clive Barker. The group's first live performance in 16 years occurred in 1999, and began a series of mini-tours that would last until 2004. Following the death of John Balance on 13 November 2004, Christopherson announced via their official record label website Threshold House that Coil as an entity had ceased to exist.

Coil (album)

Coil is an album by Toad the Wet Sprocket released in 1997. It is their fifth studio album, and the final one before the band broke up in 1998. As with previous albums, Coil was released under the Columbia Records label and produced by Gavin MacKillop.

This album has been praised by some as the band's most mature album. It combines themes explored in all of their previous albums - including love, spirituality and the virtues of an uncomplicated life - and it continues the straightforward rock sound found in Dulcinea. One song from the album, "Come Down", hit the Billboard Modern Rock and Mainstream Rock Charts, and the single "Crazy Life" explores the perceived injustices experienced by Leonard Peltier. "Whatever I Fear" was also released as a single but failed to chart with poor backing from Columbia Records; thus in turn, the planned fourth single "Dam Would Break" was never released.

Track listing

Studio outtakes