The Super Inframan (simplified Chinese: 中国超人; traditional Chinese: 中國超人; pinyin: ZhōngGuóChāoRén, translated literally as Chinese Superman) is a Hong Kong Science fiction Tokusatsu film produced by Shaw Brothers Studio in 1975. Based upon the huge success of the Japanese tokusatsu shows Ultraman and Kamen Rider in Hong Kong, this film features the same type of "henshin", monster/robot action and costumed derring-do, coupled with Chinese kung fu action.
This film also has some historical importance:
The film was directed by Hua Shan, written by science fiction writer Ni Kuang, produced by Runme Shaw and the cinematography was by Tadashi Nishimoto (as Lan Shan Ho). There was also assistance from Japan, also; Music from Ultra Seven (1967) and Mirrorman (1971) (both composed by Toru Fuyuki) is used in this film. And the Inframan/Science Headquarters/monster costumes were provided by Ekisu Productions, which had done costumes for many Toei Superhero shows of the same period. The film also starred Danny Lee as the superhero himself, and Bruceploitation star Bruce Le in a supporting role (He still got to display some of his martial art skills in many scenes of the film).
The Super is a 1991 American comedy film starring Joe Pesci as a New York slum landlord sentenced to live in one of his own buildings until it is brought up to code. Screenwriter Nora Ephron co-scripted the story with Sam Simon. This is the last film in which Vincent Gardenia appeared.
Joe Pesci stars as Louie Kritski, a heartless slumlord who was born into money, thanks to his ruthless father, "Big Lou" (Vincent Gardenia), also a slumlord. However, the tables turn on Louie when he's threatened with prison for his failure to keep his New York slum up to code. The judge gives him another option, which he accepts: he must live in a vacant apartment of one of his own shoddy run-down apartment blocks until he brings it up to livable standards.
The sentence an effective house arrest; Louie is not allowed to leave the apartment except for the following reasons: daily exercise, food shopping, or conferring with workmen in order to repair the deficient problems. In addition, Louie is not authorized to make any changes to the apartment he has been assigned unless all other apartments had the same upgrade beforehand. At first Louie is adamant that not one repair will be carried out, and will wait until his father bails him out. However, Louie has a change of heart after meeting and getting to know the building's residents, including a small time hustler named Marlon (Ruben Blades), and a struggling street boy named Tito.
The Super is a 1972 United States comedic television series starring Richard S. Castellano which centers on the superintendent of an apartment building in New York City. The show aired between June 21, 1972, and August 23, 1972.
Joe Girelli, the Italian-American superintendent (or "super") of an apartment building in a lower-middle-class section of New York City, is a big man (260 pounds; 118 kg) who prefers to be left alone so that he can drink beer while watching television. However, he rarely gets left alone. His family – wife Francesca, daughter Joanne, son Anthony, and brother Frankie, a big-shot lawyer – continually bothers him, the building's tenants are constantly banging on the pipes and complaining about him and one another, and city officials always are trying to condemn his building. His children are disrespectful toward him, and an endless series of ethnic and cultural disputes break out among the tenants, which include political revolutionaries, homosexuals, social workers, and police officers, and Italian Americans, Irish Americans, Polish Americans, Jewish Americans, African Americans, and Puerto Ricans.
Tarzan and the Super 7, is a Saturday morning cartoon series, produced by Filmation and originally airing from 1978–1980 on CBS.
The show consisted of separate installments featuring seven groups of adventurers;
The show was an updating of The Batman/Tarzan Adventure Hour which aired on CBS Saturday mornings during the 1977–1978 television season. That series featured separate half hour episodes for each hero, with each show having its own opening and closing credits. The two series had previously run separately as Tarzan, Lord of the Jungle (1976) and The New Adventures of Batman (1977).
During the 1980–1981 television season, NBC ran repeat episodes under the title Batman and the Super 7. This hour long series featured all of the original ‘Super 7’ segments except Jason of Star Command and Tarzan, Lord of the Jungle (The Tarzan show continued airing repeats on CBS as part of The Tarzan/Lone Ranger Adventure Hour (1980–1981), later renamed The Tarzan/Lone Ranger/Zorro Adventure Hour (1981–1982)).