Stone Poneys

The Stone Poneys were a folk-rock trio formed in Los Angeles, consisting of Linda Ronstadt on vocals, Bobby Kimmel on rhythm guitar and vocals, and Kenny Edwards on lead guitar. Their recordings include Ronstadt's first hit song, a cover of Mike Nesmith's "Different Drum". Even at this early stage, Ronstadt was already showcasing her performances of an eclectic mix of songs, often from under-appreciated songwriters, requiring a wide array of backing musicians.

As a testament to enduring interest in the trio, the band's three albums, The Stone Poneys, Evergreen, Volume 2, and Linda Ronstadt, Stone Poneys and Friends, Vol. III, were released together as single CDs for the first time in the 1990s in the US (nearly 30 years after the music was recorded), with the first two albums reissued in Australia in 2008. Four additional songs from the band's third album could also be found on the Australian reissue.

History of the band

Early meetings

Linda Ronstadt first met Bobby Kimmel in 1960 while performing gigs in and around Tucson, Arizona with her older brother Peter and older sister Suzi (under the name "The Three Ronstadts", among others). The three Ronstadts joined with Kimmel and a local banjo player named Richard Saltus, performing locally as "The New Union Ramblers". Kimmel, who was six years older than Linda, was impressed with the strong voice and enthusiasm of the precocious fourteen-year-old. He relocated to Southern California around 1961 and wrote regularly to cajole Linda into joining him throughout her high school years at Catalina High. Kimmel had already met and befriended Kenny Edwards shortly before Linda's arrival in L.A., and they had started writing folk-rock songs together.

The Stone Poneys (album)

The Stone Poneys is the debut studio album by the Stone Poneys; other than an early single of "So Fine" that was produced by Mike Curb in 1965, this album marks the first official recordings by Linda Ronstadt. Whether intended or not, the front cover photo appears to show the band as a more modern version of Peter, Paul and Mary with several of the songs sung in the same three-part harmony.

Release data

The album was released in the LP format on Capitol on January 30, 1967 in both monaural and stereophonic editions (catalogue numbers T 2666 and ST 2666, respectively).

In March 1975, Capitol reissued the album under the name The Stone Poneys Featuring Linda Ronstadt (catalogue number ST-11383), following the multi-platinum success Linda Ronstadt had in 1974-75 with her #1 album Heart Like A Wheel. Though the original release did not chart, this reissue reached #172 on the Billboard album chart. As a result, this heretofore virtually unknown first album by the Stone Poneys was more widely available in the 1970s and 1980s than the subsequent albums that featured the band's more familiar songs.

The Stone

The Stone may refer to:

Music

  • Stone (band), Finnish Thrash metal band
  • The Stone (music space), an experimental music space in New York City, United States
  • "The Stone" (Ashes Divide song)
  • "The Stone" (Dave Matthews Band song)
  • The Stone (band), a Serbian black metal band
  • The Stones (New Zealand band), a New Zealand rock band
  • The Rolling Stones, a British rock and roll band, often called "the Stones"
  • Other

  • Calculus (medicine)
  • Bladder stone
  • Kidney stones
  • The Stone (online game), an online puzzle game
  • The Stone (1977 film), a 1977 Azerbaijani film
  • The Stone (2013 film), a 2013 South Korean film
  • The Stones (TV series), an American sitcom
  • The Stone (blog), the New York Times philosophy blog
  • See also

  • Stone (disambiguation)
  • The Stone (Dave Matthews Band song)

    "The Stone" is a Dave Matthews Band song from the album Before These Crowded Streets. A ballad about mistakes and forgiveness, it features distinct backing by the Kronos Quartet. It contains lush orchestrations which were arranged by trumpeter John D'earth.

    Background

    The song originally held the working title "Chim Chimeney." The song is written in a 6/8 time signature and features orchestral arrangements by John D'earth, with the Kronos Quartet on strings. A 28-second studio jam in 2/2 is heard at the end of the track that features Béla Fleck.

    One interpretation of the song is a theme of Dave Matthews' fear of asking his wife for marriage, as well as the life of Judas Iscariot who betrayed Jesus in his final days.

    Live performance

    In concert, especially at acoustic shows, Matthews has been known to interpolate Elvis Presley's "Can't Help Falling in Love" towards the end of the song as the crowd sings along. Late saxophonist LeRoi Moore plays the melody of the song on the album version. During live performances of the song, the band plays an outro not featured on the studio version. Toward the end of the song, after it decrescendos, the band suddenly and intensely comes back in with the main riff of the song and finishes that way, as opposed to fading out gradually as on the album itself.

    The Stone (blog)

    The Stone is the New York Times philosophy blog moderated by Simon Critchley. It was established in May 2010. The blog features the writing of contemporary philosophers and other thinkers on issues both timely and timeless.

    Contributors

  • Alice Crary
  • Michael Lynch
  • Jason Stanley
  • Gary Gutting
  • See also

  • Philosophical Gourmet Report
  • References

    External links

  • The Stone
  • Podcasts:

    The Stone Poneys

    PLAYLIST TIME:

    The Stone

    by: Ashes Divide

    I've been pushing stones away far from these shores
    I pretend that it's all OK
    Till on the brink of what can't be adored
    We survive
    Well we can change
    So let it fade
    Just let it go
    We pretend so nothing does change
    We're flowers never breaking through the stone.
    I pretended and prayed it all away, searching for a place to hide
    But I don't need afflicted memories to fade,
    I just want to feel something real inside.
    We survive
    Well we can change
    So let it fade
    Just let it go
    We pretend so nothing does change
    We're flowers never breaking through the stone.
    I've been pushing stones away
    Far from these shores
    Pretend that it's all OK
    Till on the brink of what (can be endured)??
    We survive
    What we can't change
    So let it fade
    Just let it go
    We pretend so nothing does change




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