The Stone (Hangul: 스톤; RR: Deo Seu-ton) is a 2013 South Korean film written and directed by Cho Se-rae. It premiered at the 2013 Locarno International Film Festival.
Min-su is a graduate of the Korean Baduk Academy but despite his outstanding talent, he has been wasting his days as a gambler without pursuing a real career out of it. He chooses to play the game for money, easily beating every opponent that comes his way. Nam-hae is a middle-aged, smalltime gangster boss, brought up on the streets and used to using his fists to gain authority. After accidentally meeting, playing and losing to Min-su in a gambling club, while his goons were collecting the monthly installment of protection money, his taste for the ancient game is rekindled and he hires the boy to become his private instructor.
As he goes deeper into the baduk experience, Nam-hae begins reviewing his own past in the perspective of the rules and requirements of the game and begins to lose interest in the criminal world, becoming far more concerned with the future of his tutor, whom he encourages to face the challenge of a pro tournament and carve a legitimate future for himself. The fatherless young Min-su, on the other hand, discovers the coarse masculine underworld, the meaning of life and true victory through Nam-hae. However, when Nam-hae's competition starts to expand their territory, he is forced into a path to destruction.
The Stone may refer to:
"The Stone" is a Dave Matthews Band song from the album Before These Crowded Streets. A ballad about mistakes and forgiveness, it features distinct backing by the Kronos Quartet. It contains lush orchestrations which were arranged by trumpeter John D'earth.
The song originally held the working title "Chim Chimeney." The song is written in a 6/8 time signature and features orchestral arrangements by John D'earth, with the Kronos Quartet on strings. A 28-second studio jam in 2/2 is heard at the end of the track that features Béla Fleck.
One interpretation of the song is a theme of Dave Matthews' fear of asking his wife for marriage, as well as the life of Judas Iscariot who betrayed Jesus in his final days.
In concert, especially at acoustic shows, Matthews has been known to interpolate Elvis Presley's "Can't Help Falling in Love" towards the end of the song as the crowd sings along. Late saxophonist LeRoi Moore plays the melody of the song on the album version. During live performances of the song, the band plays an outro not featured on the studio version. Toward the end of the song, after it decrescendos, the band suddenly and intensely comes back in with the main riff of the song and finishes that way, as opposed to fading out gradually as on the album itself.
The Stone is the New York Times philosophy blog moderated by Simon Critchley. It was established in May 2010. The blog features the writing of contemporary philosophers and other thinkers on issues both timely and timeless.