L'Histoire du soldat (The Soldier's Tale) is a theatrical work "to be read, played, and danced" ("lue, jouée et dansée") by three actors and one or several dancers, accompanied by a septet of instruments. The piece was conceived by Igor Stravinsky and Swiss writer C. F. Ramuz based on a Russian folk tale (The Runaway Soldier and the Devil) drawn from the collection of Alexander Afanasyev.
The libretto relates the parable of a soldier who trades his fiddle to the devil in return for unlimited economic gain. The music is scored for a septet of violin, double bass, clarinet, bassoon, cornet (often played on trumpet), trombone, and percussion, and the story is told by three actors: the soldier, the devil, and a narrator, who also takes on the roles of minor characters. A dancer plays the non-speaking role of the princess, and there may also be additional ensemble dancers.
The original French text by Ramuz has been translated into English by Michael Flanders and Kitty Black, and into German by Hans Reinhart.
The Soldier or The Soldiers may refer to:
The Soldier (Codename: The Soldier in the UK) is a 1982 American Cold War action film directed by James Glickenhaus and starring Ken Wahl. The film also features Klaus Kinski, Alberta Watson and a cameo by country music superstar George Strait.
Renegade KGB agents hijack a plutonium shipment inside the United States and use it to plant a nuclear device in the Saudi Arabian Ghawar oilfield. They threaten to detonate it, thereby contaminating 50% of the world's oil reserve, unless Israel withdraws its settlements from the West Bank. The fact that the KGB is behind this threat is unknown, as the culprits are believed by the Israelis and Americans to be Islamic fundamentalist extremists. The American president contemplates starting a war with Israel, in order to save the world from oil crisis. The director of the CIA offers the president an alternative solution.
A CIA agent codenamed The Soldier (Ken Wahl), working outside the usual channels, is assigned to the case. After Russian agent Dracha (Klaus Kinski) attempts to terminate him, he contacts the CIA director from the US embassy in Berlin. A KGB agent assassinates the director and frames The Soldier for his murder, leaving no official knowledge of his activities other than the president, who has disavowed any knowledge of his actions. On the run from his own government, he seeks refuge in the Israeli embassy. He and his team cooperate with the Israeli Mossad, represented by their director of covert operations Susan Goodman (Alberta Watson). Meanwhile, the president authorizes military action against Israel.
If I should die, think only this of me:
That there's some corner of a foreign field
That is for ever England. There shall be
In that rich earth a richer dust concealed;
A dust whom England bore, shaped, made aware,
Gave, once, her flowers to love, her ways to roam,
A body of England's, breathing English air,
Washed by the rivers, blest by suns of home.
And think, this heart, all evil shed away,
A pulse in the eternal mind, no less
Gives somewhere back the thoughts by England given;
Her sights and sounds; dreams happy as her day;
And laughter, learnt of friends; and gentleness,
In hearts at peace, under an English heaven.
"The Soldier" is a poem written by Rupert Brooke. The poem is the fifth of a series of poems entitled 1914.
It is often contrasted with Wilfred Owen's 1917 antiwar poem Dulce Et Decorum Est. The manuscript is located at King's College, Cambridge.
This poem was written at the beginning of the First World War in 1914, as part of a series of sonnets written by Rupert Brooke. Brooke himself, predominantly a prewar poet, died the year after “The Soldier” was published. “The Soldier”, being the conclusion and the finale to Brooke’s ‘1914’ war sonnet series, deals with the death and accomplishments of a soldier.
[Ty talking]
'Yes. This is a cautionary tale.
You can ... take it any which way you wanna.
I mean no disrespect in part two.
As we just ... alright ... let me ...' [Ty's voice fades]
It was a sunny afternoon, somewhere between April, May or maybe June
The year had been quite busy
and I was just taking a break from having to make a tune
I was chilling with my cousin rude boys undercover just ...
watching the place
Sitting opposite the tube
and this girl walked up and said 'I recognise your face.
Your name's Ty isn't it? I seen you in this and that magazine'
I was quite chuffed really,
looked slightly at my cousin and we both said 'seen!'
One month later she phones me up
'I'm in the area, can I come up?' I'm like 'please!'
Turned to my brethren said
'I love you like a brother, but BRUSH you got to leave!'
[Tee talking]
'You know what I'm saying? You got to leave! If you met this girl right,
you'd understand. You - have - got - to - go. Thank you.'
Check my reflection in the mirror,
spray a little air fresh, splash a little brute
Answer the intercom, 'is Tee there?' Oh,, she sounds cute!
I take her jacket and she's left with a white dress going from here to here
I offer her a drink, but she only wants water, I'm like 'oh each!'
The conversation goes from vague adult chat to thinly veiled come on's
Blood leaves my brain, my whole body's a drum stick ... anxious to drum on
How shall I approach this? I'm virtually brain dead plus the line's busy
I begin with a little friendly WWF and touch the titty!
[Girl talking, Ty whistling in background]
'Hold on, what are you doing? What are you doing? Are you trying to touch
any of this? Who are you? Just because ...' [Girl's voice fades]
Felt so ashamed! Had to excuse myself by pretending to take the piss
Walked to the mirror, splashed water on my face and said 'man what is this?'
Get a grip Ben, just because the girl's here doesn't mean you're in
Ha, this sexy bullshit can mess up the play
and make you think your love is king
[Ty talking]
'Ohhh boy. Listen ...
you know when you're in one of those predicaments where it's like,
just, oh what can I say, I can't say ...' [Ty's voice fades]
I left the bathroom with a clear head,
expecting her to moan, apologetic in the worst way
She's butt naked on the sofa,
smiling like a joker 'T-Y it's your birthdayyy!'
[Ty talking]
'No, no, no, no, no, no, no, y'know, no!
You don't, listen, you don't have to ask me what happened next!
Anyway, lets just say ... mighty fun was had by all!