A slave ship is a vessel used to transport slaves.
Slave Ship may also refer to:
The Slave Ship, originally titled Slavers Throwing overboard the Dead and Dying—Typhon coming on, is a painting by the British artist J. M. W. Turner, first exhibited in 1840. Measuring 35 3/4 x 48 1/4 in. in oil on canvas, it is now in the Museum of Fine Arts, Boston. In this classic example of a Romantic maritime painting, Turner depicts a ship, visible in the background, sailing through a tumultuous sea of churning water and leaving scattered human forms floating in its wake.
J.M.W. Turner was inspired to paint The Slave Ship in 1840 after reading The History and Abolition of the Slave Trade by Thomas Clarkson. In 1781, the captain of the slave ship Zong had ordered 133 slaves to be thrown overboard so that insurance payments could be collected. This event probably inspired Turner to create his landscape and to choose to coincide its exhibition with a meeting of the British Anti-Slavery Society. Although slavery had been outlawed in the British Empire since 1833, Turner and many other abolitionists believed that slavery should be outlawed around the world. Turner thus exhibited his painting during the anti-slavery conference, intending for Prince Albert, who was speaking at the event, to see it and be moved to increase British anti-slavery efforts. Placed next to the painting were lines from Turner's own untitled poem, written in 1812:
The Slave Ship (奴隷船, Dorei-sen) is a Japanese mystery-pink film directed by Satoshi Kaneda and released in 2010. It is an adaptation of the Oniroku Dan novella Dorei-bune (written with the same kanji), bearing pseudo-autobiographic elements as in most Oniroku Dan works. The film featured Kyōko Aizome, a pioneer of the Japanese adult video market in the 1980s. In 2012, the film had a DVD release in the US by Switchblade Pictures.
Onimata Kan (Tarō Suwa) is a middle-aged writer of BDSM literature fame and he hosts in a Tokyo Bay houseboat named the "Slave Ship" swinger-style BDSM parties attended by couples. When he pays a visit to the Umezu onsen owned by a couple who are frequenters of the Slave Ship, he learns that the elderly wife Kikue (Kyōko Aizome) has moved to a mental institution. Her husband Zenzaburō claims that she is suffering due to abnormal interest of Kazuo Kitagawa, a married young admirer attending the Slave Ship parties. Onimata Kan is intrigued and finds Kitagawa, learning from him the intimate aspects of his dangerous liaison with Kikue.
Slave ships were large cargo ships specially converted for the purpose of transporting slaves, especially newly captured African slaves to the Americas.
Only a few decades after the arrival of Europeans to America, demand for unpaid labor to work plantations made slave-trading a profitable business. The peak time of slave ships to the Atlantic passage was between the 18th and 19th centuries, when large plantations developed in the colonies of America.
In order to achieve profit, the owners of the ships divided their hulls into holds with little headroom, so they could transport as many slaves as possible. Unhygienic conditions, dehydration, dysentery and scurvy led to a high mortality rate, on average 15% and up to a third of captives. Often the ships, also known as Guineamen, transported hundreds of slaves, who were chained tightly to plank beds. For example, the slave ship Henrietta Marie carried about 200 slaves on the long Middle Passage. They were confined to cargo holds with each slave chained with little room to move.
Slave Ship is a 1956 short science fiction novel by Frederik Pohl, originally serialized in Galaxy. The scene is a world in the throes of a low-intensity global war, which appears to be an amplified representation of the Vietnam War, in which the U.S. was just beginning to be involved. The plot involves telepathy, speaking to animals, and, in the last few pages, an invasion by extraterrestrials.
The nominal adversaries in the novel are known as "cow-dyes", a corruption of Caodai, a religion of Vietnamese origin. On the American side, telepaths, who are used in espionage and other covert activities, are falling victim to "the glotch", a fatal affliction which is believed to be a Caodai bio-weapon, transmitted telepathically.
Galaxy reviewer Floyd C. Gale praised the novel as "an authentically convincing picture of a wartime navy and . . . a think-tank tickler."Anthony Boucher reported Slave Ship to be "at once fascinating and disappointing." Boucher praised Pohl for his "Heinleinesque skill in the detailed indirect exposition of a convincing future," but faulted the novel as episodic, weakly characterized, and arbitrarily resolved.
Slave Ship is the second book in The Bounty Hunter Wars trilogy of books in the Star Wars expanded universe. It was written by K. W. Jeter.
A slave is a person owned or entrapped by another.
Slave may also refer to:
Off in the distance rises up a mighty roar
I look around to see I'm not touching the floor
I'm just a pawn in ancient pan-galactic wars
To mine the ether ore is my eternal chore
Not here, not now, not anymore
I'm tired and my head is sore
Asteroids live and breathe and planets fall in love
Bat-beings groan and seethe and fit you like a glove
Traverse Orion's leg in the blink of an eye
Warm hands at dying suns and boiling midnight skies
No day or night, eternal vacuum, hard and cold
I slave where time is growing old
Slaveship
Slaveship
We're on
Another run
Slaveship
We're on
Another run
Slaveship
We're on
Another run