Shot

Shot may refer to:

  • Shot (filmmaking), a part of a film between two cuts
  • Shot (medicine), an injection
  • Shot silk, a type of silk
  • Showt or Shoţ, the city in Iran
  • Line length, a fifteen fathom length of anchor chain
  • Shot, (or shott), a group of adjacent strips or furlongs in the medieval open field system
  • SHOT is an acronym for:

  • Society for the History of Technology, a professional organization for historians of technology
  • Shooting, Hunting, and Outdoor Trade Show, an annual trade show for the shooting, hunting, and firearms industry
  • Serious Hazards of Transfusion, an organisation monitoring blood transfusion errors in the UK
  • Beverages

  • Shot glass, a small glass used for serving or measuring liquor, hence:
  • Shooter (drink), a mixed alcoholic drink served in a shot glass
  • Music

  • Shot (album), by The Jesus Lizard
  • "Shot" (song), by The Rasmus
  • Shot Rev 2.0, a video album by The Sisters of Mercy
  • Shot, Illusion, New God, an EP by Gruntruck
  • Sport

  • Shot (ice hockey), an attempt to score a goal or points
  • Injection (medicine)

    An injection (often referred to as a "shot" in US English, or a "jab" in UK English) is an infusion method of putting fluid into the body, usually with a syringe and a hollow needle which is pierced through the skin to a sufficient depth for the material to be administered into the body. An injection follows a parenteral route of administration; that is, administration via a route other than through the digestive tract. Since the process inherently involves a small puncture wound to the body (with varying degrees of pain depending on injection type and location, medication type, needle gauge and the skill of the individual administering the injection), fear of needles is a common phobia.

    There are several methods of injection or infusion used in humans, including intradermal, subcutaneous, intramuscular, intravenous, intraosseous, intraperitoneal, intrathecal, epidural, intracardiac, intraarticular, intracavernous, and intravitreal. Rodents used for research are often administered intracerebral, intracerebroventricular, or intraportal injections as well. Long-acting forms of subcutaneous/intramuscular injections are available for various drugs, and are called depot injections.

    Shot, Illusion, New God

    Shot, Illusion, New God is an EP by the American grunge band Gruntruck. It was released in 1996. The group's last recording, it was intended to reestablish their musical career after their legal battle with Roadrunner Records.

    It was produced by Jack Endino at Avast Studios, while "New God" produced by Gary King at House of Leisure. It was mastered at Hanzsek Audio.

    Track listing

    Credits

  • Ben McMillan - vocals, guitars
  • Tom Niemeyer - lead guitar
  • Alex Sibbald - bass
  • Josh Sinder - drums

  • Gizmo!

    Gizmo! is a 1977 documentary film produced and directed by Howard Smith about improbable inventions, and uses old newsreel footage about these inventions. Early examples of parkour and buildering are also featured, including footage of an urban acrobat, John Ciampa (the "Brooklyn Tarzan"), and a stuntman, Arnim Dahl.

    External links

  • Gizmo! at the Internet Movie Database
  • "Gizmo!" description and review
  • Film clip from Gizmo!

  • Gremlins

    Gremlins is a 1984 American comedy horror film directed by Joe Dante and released by Warner Bros. The film is about a young man who receives a strange creature called a mogwai as a pet, which then spawns other creatures who transform into small, destructive, evil monsters. This story was continued with a sequel, Gremlins 2: The New Batch, released in 1990. Unlike the lighter sequel, Gremlins opts for more black comedy, balanced against a Christmastime setting. Both films were the center of large merchandising campaigns.

    Steven Spielberg was the film's executive producer and the screenplay was written by Chris Columbus. The film stars Zach Galligan and Phoebe Cates, with Howie Mandel providing the voice of Gizmo, the main mogwai character. Gremlins was a commercial success and received positive reviews from critics. However, the film was also heavily criticized for some of its more violent sequences. In response to this and to similar complaints about Indiana Jones and the Temple of Doom, Spielberg suggested that the Motion Picture Association of America (MPAA) alter its rating system, which it did within two months of the film's release.

    Gizmo (DC Comics)

    Gizmo (also known as Mikron O’Jeneus) is a fictional character, a supervillain from DC Comics. He was created by George Pérez and Marv Wolfman, and he first appeared in The New Teen Titans #3 (January 1981) as a founding member of the Fearsome Five, a supervillain team that frequently fought the Teen Titans and the Outsiders.

    Fictional character biography

    Mikron O'Jeneus

    A bald dwarf who flies around on a jet pack, Gizmo is a genius inventor who can turn seemingly innocuous objects like vacuum cleaners into dangerous weapons. Gizmo created a corporation which supplied technology to various people, including criminals. Hoping to increase his wealth, Gizmo joined the Fearsome Five through an ad placed in the Underworld Star, a criminal underground newsletter, by the psychopathic criminal Doctor Light.

    After a number of unsuccessful conflicts with the Teen Titans, (and Superman in Adventures of Superman #430) Gizmo went straight for a while, and took a job at S.T.A.R. Labs, until his former Fearsome Five teammate Psimon, after having been seemingly killed by his teammates, resurfaced looking for revenge, and shrank Gizmo to microscopic size. Years later, Gizmo found a way to revert to his normal size, and took up a life of crime once again, partnering with his former teammate, Mammoth.

    Podcasts:

    PLAYLIST TIME:

    The Dj

    by: Dj Revolution

    [Intro: KRS - talking]
    Yes, KRS. Revolution. You know what this is
    We back in the building, straight up
    Yo, look at 'em. Look at 'em runnin'
    Look at 'em runnin' already. Out the door
    Let's go. This is raw. Y'all know what time this is
    [Verse 1:]
    When KRS-One comes to spit
    You DJ's with no breaks, I don't wanna hear that shit
    The radio?
    I can't even bare that shit
    Gucci/Prada, I don't even wear that shit
    I'm in the streets, holla, but y'all fear that shit
    We blue collar DJ's, we're here to rip
    900 number, we got two pairs of it
    MP3 shit, I'm not sharin' it
    Classic samples and loops, we not clearin' it
    The life of DJ, there's no comparin' it
    Many wanna be but many more are scared of it
    Before they start they already plan to quit
    The music? They no longer fans of it
    They wanna use it, so they can get a grand and shit
    The program director is handin' 'em strips
    Make 'em play wack shit and lie from they lips!
    [talking: DJ Premier]
    You see, there's times like this.
    When you need real motherfuckers like us to let you know what a DJ is
    Listen man, I gotta pay you to play my shit? Check this out
    My shit's already hot so I ain't gotta pay for shit
    You can't tell a DJ what to do. We tell you what's really good
    DJ Revolution, I got you. Fuck these clowns
    [Verse 2:]
    So, you wanna be a DJ live on the set?
    Can't be travellin' back again, you should not forget
    The beats in the street and you have been elected
    To carry the tradition of records being selected
    Check it
    Your job is to break new records
    Go to the club, get on man and wreck shit
    Seemless mixin', blends undetected
    The true DJ and MC are connected
    Like me and DJ Revolution
    Look at what we usin'
    Beats and rhymes, no confusion
    Who's in the house?
    If my crew's in the house?
    100's of people be groovin' it out
    Cuttin', mixin', scratchin' non-stop
    Party rockin', two hours non-stop
    If you got Serrato
    Bravo
    But if you can't cut vinyl records, you won't be able to follow
    A true MC, not a new MC
    Fuck the computer it's you and me
    And the crowd
    And oh yes they want it loud
    At the tombstone of Scott La Rock, I vow
    Never to let a wack DJ mix me
    And I'll be spittin' this way past 60
    Ain't nothin' changed but the format
    Funk, soul, jungle, maaaan, you gotta play all that
    Mix it up, not lick it up
    The mix, a DJ should pick you up
    KRS-One
    DJ Revolution
    Tell me, what's the solution?
    [Scratch chorus: "The DJ" - Common]
    [Verse 3:]
    Yeah, you're a D dot J dot, man don't even say that
    We real in the field, y'all pressin' play back
    DJ Revolution, watch how you say dat
    Y'all gonna respect this DJ from way back
    Yo, hey Jack, this the payback
    Y'all far from home and forgot your way back
    So bein' I'm the teacher and all this
    Me and DJ Revolution put together this short list
    For DJ's
    So you can get on your job
    A DJ is not an Ipod
    A DJ is not a jukebox, fuck your requests
    You come to hear the DJ rock
    Just because you got 20, 000 songs in your computer and you call on them
    Doesn't mean you should bore the crowd
    Be selective, you don't have to play all of them
    I really shouldn't have to say this
    But don't build your set from your P.D. playlist
    DJ's across the nation
    What you play in your ride, play on the station
    Needless to say
    DJ's must love the music they play
    And Mix
    If you're good
    Just because you can scratch doesn't mean you should
    Cuttin' and scratchin' is seasonin' when you use it
    Rock it, but people wanna hear the music
    So #7
    Let's get into this
    Don't ever start a mix you can't finish
    At #8
    For DJ's to hear it
    Don't shout your name over other rapper's lyrics
    Or rhymes
    Keep the party movin'
    Play up to two verses only, keep the party movin'
    Find a friend
    A true MC that down with you till the end
    Someone who can explain what you doin'
    Sorta like KRS with DJ Revolution
    What are we provin'?
    DJin' with MCin' together is hip hop's true fusion
    "The DJ"
    [talking: KRS One]
    Stand up for the culture. Don't just grab a check
    These motherfuckers won't be here next year
    What you gonna do when they fire yo' ass?
    Man, you better stand with the people. DJ Revolution. The originator




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