A sequel is a narrative, documental, or other work of literature, film, theatre, television, music, or video game that continues the story of, or expands upon, some earlier work. In the common context of a narrative work of fiction, a sequel portrays events set in the same fictional universe as an earlier work, usually chronologically following the events of that work.
In many cases, the sequel continues elements of the original story, often with the same characters and settings. A sequel can lead to a series, in which key elements appear in a number of stories. Although the difference between more than one sequel and a series is somewhat arbitrary, it is clear that some media franchises have enough sequels to become a series, whether originally planned as such or not.
Sequels are attractive to creators and to publishers because there is less risk involved in returning to a story with known popularity rather than developing new and untested characters and settings. Audiences are sometimes eager for more stories about popular characters or settings, making the production of sequels financially appealing.
"Taxi" is a song written and performed by Harry Chapin from his 1972 album Heads and Tales. Chapin debuted the song on NBC's The Tonight Show Starring Johnny Carson in 1972, which was followed by many calls and telegrams sent from viewers to NBC demanding that Chapin return to the show. It was the first time in the show's history that host Johnny Carson brought a performer back the very next night for an encore performance. "Taxi" thus front-lined his defining work. The single helped establish Chapin's musical style and fame, and as a result, many Chapin items featured taxi-related imagery. Legendary WMEX-Boston Radio Personality Jim Connors is credited with a Gold record for discovering Chapin and pushing his single "Taxi" to #24 on the Billboard charts, where it would last 16 weeks on the Hot 100, in the United States. Billboard ranked it as the No. 85 song for 1972. In Canada, the song reached number three, and is ranked as the No. 37 song for 1972.
The song tells the story of Harry, a cab driver, on a rainy night in San Francisco. He picks up a woman, his last fare for the night, and she asks to be taken to her home at 16 Parkside Lane. Harry finds the woman familiar at first, but she doesn't seem to recognize him until after she looks at him in the rear-view mirror and at his license. It is then revealed that she is Sue, Harry's old lover.
A sequel is a work of fiction in literature, film, and other creative works that is produced after a completed work, and is set in the same "universe" but at a later time.
Sequel may also mean:
In cryptography, a cipher (or cypher) is an algorithm for performing encryption or decryption—a series of well-defined steps that can be followed as a procedure. An alternative, less common term is encipherment. To encipher or encode is to convert information into cipher or code. In common parlance, 'cipher' is synonymous with 'code', as they are both a set of steps that encrypt a message; however, the concepts are distinct in cryptography, especially classical cryptography.
Codes generally substitute different length strings of characters in the output, while ciphers generally substitute the same number of characters as are input. There are exceptions and some cipher systems may use slightly more, or fewer, characters when output versus the number that were input.
Codes operated by substituting according to a large codebook which linked a random string of characters or numbers to a word or phrase. For example, "UQJHSE" could be the code for "Proceed to the following coordinates." When using a cipher the original information is known as plaintext, and the encrypted form as ciphertext. The ciphertext message contains all the information of the plaintext message, but is not in a format readable by a human or computer without the proper mechanism to decrypt it.
Cipher (Jennifer Swann) is a fictional character appearing in American comic books published by Marvel Comics. The character appears in the newuniversal imprint of Marvel Comics, and is one of the four initial superhumans created by the White Event in 2006 (the others being Justice, Nightmask, and Star Brand). newuniversal, designated Earth-555 in the Marvel Comics multiverse, is a re-imagining of the New Universe imprint from the late 1980s. The name Cipher actually refers to two things: a powerful extra-dimensional glyph (tattoo) that confers superhuman powers on a sentient being, and the name of the being that wields the glyph. Cipher is a new superhuman created by Warren Ellis and Salvador Larroca who were inspired by the original Spitfire and the nature of the Star Brand itself (as an extra-dimensional tool of near-unlimited power), combined with strong conceptual ties to Iron Man.
Essentially nothing is known about Dr. Jennifer Swann’s early life, or where she earned her doctorate. Sometime in the late 1990s or early 2000s she was hired by the NSA to work on Project Spitfire, taking her father’s previous position there. Jennifer continues the work her father, Dr. Joseph Swann, began in 1959 on the H.E.X. (Human Enhancement eXperimental) initiative, an armored exoskeleton that is intended to enable its wearer to combat superhumans with a wide variety of weapons. The original suit was created by Anthony Stark in 1959 who became Cipher in the "The Fireworks" event in 1955, and is an alternate version of Tony Stark (Iron Man) from the mainstream Marvel Universe. Prior to the events in newuniversal #1, neither Jennifer nor her father were able to perfect the design, both suffering broken bones during testing.
Cipher is an American hardcore punk, metalcore band that formed in 1996 in Long Beach, New York. Cipher's core line-up consisted of Maurice "Moe" Mitchell (vocals), Danny "Cipher" Bobis (drums), Chris Fry (guitar) and Krys Maniecki (bass).
The band's earliest demo's released when they were High School Juniors. These releases were marked by a noticeably more metal and progressive sound than their contemporaries in the Long Island Hardcore scene. Another distinct element of Cipher's sound was Moe Ciphers vocals which were expressed as rhythmic, staccato yells rather than screams which drew some comparisons to Hip hop. Cipher's music addressed socio-political activism, hardcore scene politics and identity.
Later releases became progressively pointed in their political critiques and complex in their musical structure. The release of the EP Protoculture marks a distinct change in artistic direction for Cipher. The four song recording was the first time Cipher put together a compilation of work written for the express purpose of being released as a unit. The outcome was a treatment on race, the trans-Atlantic slave trade, spiritual indecision, and the role of the individual in changing her/his reality.
[Intro: Styles P]
BET get your recorders
You rocking with the ghost Papoose
And Lupe the skate boarder (this is crazy)
Welcome to the cipher the beginning of rap,
For record deals first I'm going to toss you the cap
[Verse 1: Papoose]
Over 100 soilders died dis month I drop info out of ahundred da majority was negros George Bush is on a roll like a round hero dey still findin human remains at ground zero dey foundem in da sewers yeah it shows aww man yo I guess dats y dey call it a man hole when we say B.E.T we ain't tryna spell bet black entertainment Papoose is da best Nacirema wait till my album drop he hop up I clap him in his hip u can call it hip-hop rappers be actin like dey tougher den dey really is so I sitem in wheelchairs like jada pinkin kids u was puttin your sneakers on da wrong feet whan Papoose was reppin for da streets man defeat u mineaswell face your defeat look patna I have u lookin at defeat like a foot docta
That's Right
[Verse 2: Lupe Fiasco]
They say the game as the belly of a beast (Lupe)
Blunt for fingers and hallo tips for teeth
Wire taps for ears NIKE AIR for feet
Blaspheme for prayers the system full of heart
Rap music for beats heorin for the son and married to the streets
Crack pipes for lungs
And he never sleeps just spized with dice in his eyes
Love life cause he like when it dies
For baking for the soul he cough up pleasure
Clothes made out of dolar bills that he sowed together
He knows he's clever
Jealous his house all the liquor that pours out and goes right to his mouth
Rides around on a stray bullet
With prositute, pimp, dope dealers and killers tied to it to pull it
TV in his head
Strippers slide down his leg and he known to ride around with the Feds
He's
Out there [x4]
[Verse 3: Styles P]
[Let's go P] Don't call me ghost no more call me the phantom
Real brothers lover street brothers understand 'em
This is to the man with his hand on his Canon
Right at this moment I know we need an atonement
The Malcom is dead, The Martin is dead the guns the barber
Let me know who want to pardon there head
And I am back to the clip fill to the top
I'll grill with a bop
Poloce coming through kids still a rock
I don't give a F cause I wanna die cause I am gonna die
You to figure, don't boo who figure
Want to the play the game find out who's who figure
After you do that, find out who's true figure
Lots of brothers died over B.S, nonsense
School of Hardknocks no Parent Teacher Conference
Got to learn the rules real fast, move fast
Stand up the [? ] shortie
Cause they know that you ass
[Outro:]
[Styles P:] Yeah
[Papoose:] Yeah that's hip hop
[Styles P:]
Before there was radio, before there were videos, before there were magazines
Put the camera down this what it was
[Papoose:]
The cipher 360 degrees, the cipher
Show you cats how to rhyme man