Tears of a crying child.

Sadness is emotional pain associated with, or characterized by feelings of disadvantage, loss, despair, helplessness, sorrow, and rage. These feelings of certain things are usually negative. When one is sad, people often become outspoken, less energetic, and emotional. Crying is an indication of sadness.

Sadness can be viewed as a temporary lowering of mood, whereas depression is more chronic.

Sadness is one of Paul Ekman's "six basic emotions - happy, sad, angry, surprised, afraid, disgusted".[1]

Contents

In childhood [link]

'Being sad is a common experience in childhood. If faced openly, sadness can help families become stronger and more able to handle painful feelings'.[2] On the other hand, some families may have the (conscious or unconscious) rule: 'No sadness allowed...we were not allowed to be sad...a matter of family pride'.[3] The problem may then be that 'that screened-off emotion isn't available to us when we need it....the loss of sadness makes us a bit manic'.[4]

Sadness is part of the normal process of the child separating from an early symbiosis with the mother and becoming more independent. 'Every time a child separates just a tiny bit more, he'll have to cope with a small loss. He'll have to get sad for a little bit'; and if the mother cannot bear this, 'if she dashes right in to relieve the child's distress every single time he shows any...the child is not getting a chance to learn how to cope with sadness'.[5] This is why 'trying to jostle or joke out of a sad mood is devaluing to her'[6] or him: 'we need to respect a child's right to experience a loss fully and deeply'.[7]

At the same time, it seems clear that 'Sadness, however, seems to require a great deal of strength to bear', and a child in self-protection may develop 'hyperactivity or restlessness...as an early defensive activity against awareness of the painful affect of sadness'.[8] This is why D. W. Winnicott suggests that 'when your infant shows that he can cry from sadness you can infer that he has travelled a long way in the development of his feelings....some people think that sad crying is one of the main roots of the more valuable kind of music'.[9]

Coping mechanisms [link]

'The single mood people generally put most effort into shaking is sadness...Unfortunately, some of the strategies most often resorted to can backfire, leaving people feeling worse than before. One such strategy is simply staying alone'.[10] Ruminating, and "drowning one's sorrows", may also be counterproductive.

Two more positive alternatives have been recommended by cognitive therapy. 'One is to learn to challenge the thoughts at the center of rumination and think of more positive alternatives. The other is to purposely schedule pleasant, distracting events'.[11]

Object relations theory by contrast stresses the utility of staying with sadness: 'it's got to be conveyed to the person that it's all right for him to have the sad feelings' - easiest done perhaps 'where emotional support is offered to help them begin to feel the sadness'.[12] Such an approach is fuelled by the underlying belief that 'the capacity to bear loss wholeheartedly, without pushing the experience away, emerges...as essential to being truly alive and engaged with the world'.[13]

Pupil empathy [link]

Facial expressions of sadness with small pupils are judged significantly more intensely sad with decreasing pupil size. A person's own pupil size also mirror this with them being smaller when viewing sad faces with small pupils. No parallel effect exists when people look at neutral, happy or angry expressions.[14] The greater degree to which a person's pupils mirror another predicts a person's greater score on empathy.[15]However, in disorders such as autism and psychopathy facial expressions that represent sadness may be subtle, which may show a need for a more non-linguistic situation to affect their level of empathy. [16]

Cultural explorations [link]

  • During the Renaissance, "Edmund Spenser's high estimation of sadness renders it as a badge of sort for the spiritually elect...this endorsement of sadness"[17] in The Fairie Queene.
  • In The Lord of the Rings, Treebeard is described as having "a sad look in his eyes, sad but not unhappy".[18] This may be linked to the way "an early meaning of 'sad' is 'settled, determined'", exemplifying "Tolkien's theses that determination should survive the worst that can happen".[19]
  • Julia Kristeva considered that 'a diversification of moods, variety in sadness, refinement in sorrow or mourning are the imprint of a humanity that is surely not triumphant but subtle, ready to fight and creative'.[20]

See also [link]

References [link]

  1. ^ Daniel Goleman, Emotional Intelligence (London 1996) p. 271
  2. ^ T. Berry Brazleton, To Listen to a Child (1992) p. 46 and p. 48
  3. ^ Masman, p. 8
  4. ^ Skynner/Cleese, p. 33 and p. 36
  5. ^ Skynner/Cleese, p. 158-9
  6. ^ Brazleton, p. 52
  7. ^ Selma H. Fraiberg, The Magic Years (New York 1987) p. 274
  8. ^ M. Mahler et al, The Psychological Birth of the Human Infant (London 1975) p. 92
  9. ^ D. W. Winnicott, The Child, the Family, and the Outside World (Penguin 1973) p. 64
  10. ^ Goleman, p. 69-70
  11. ^ Goleman, p. 72
  12. ^ Skynner/Cleese, p. 164
  13. ^ Michael Parsons, The Dove that Returns, the Dove that Vanishes (London 2000) p. 4
  14. ^ Harrison NA, Singer T, Rotshtein P, Dolan RJ, Critchley HD (June 2006). "Pupillary contagion: central mechanisms engaged in sadness processing". Soc Cogn Affect Neurosci 1 (1): 5–17. DOI:10.1093/scan/nsl006. PMC 1716019. PMID 17186063. https://scan.oxfordjournals.org/cgi/pmidlookup?view=long&pmid=17186063. 
  15. ^ Harrison NA, Wilson CE, Critchley HD (November 2007). "Processing of observed pupil size modulates perception of sadness and predicts empathy". Emotion 7 (4): 724–9. DOI:10.1037/1528-3542.7.4.724. PMID 18039039. https://content.apa.org/journals/emo/7/4/724. 
  16. ^ {{cite journal |author=Harrison NA, Wilson CE, Critchley HD |title=Processing of observed pupil size modulates perception of sadness and predicts empathy |journal=Emotion|volume=7 |issue=4 |pages=724–729 |year=2007 |doi=10.1037/1528-3542.7.4.724 |url=https://journals1.scholarsportal.info.myaccess.library.utoronto.ca/tmp/10961548213673890983.pdf
  17. ^ Douglas Trevor, The Poetics of Melancholy in early modern England (Cambridge 2004) p. 48
  18. ^ J. R. R. Tolkien, The Lord of the Rings (London 1991) p. 475
  19. ^ T. A Shippey, The Road to Middle-Earth (London 1992) p. 143
  20. ^ Quoted in Adam Phillips, On Flirtation (London 1994) p. 87

Further reading [link]

External links [link]


https://wn.com/Sadness

Inside Out (2015 film)

Inside Out is a 2015 American 3D computer-animated comedy-drama adventure film produced by Pixar Animation Studios and released by Walt Disney Pictures. The film was directed and co-written by Pete Docter, co-directed and co-written by Ronnie del Carmen and produced by Jonas Rivera, with music composed by Michael Giacchino. The film is set in the mind of a young girl named Riley Andersen (Kaitlyn Dias), where five personified emotions—Joy (Amy Poehler), Sadness (Phyllis Smith), Fear (Bill Hader), Anger (Lewis Black), and Disgust (Mindy Kaling)—try to lead her through life as her parents (Diane Lane and Kyle MacLachlan) move the family from Minnesota to San Francisco and she has to adjust to her new life.

Docter first began developing Inside Out in 2009 after noticing changes in his daughter's personality as she grew older. The film's producers consulted numerous psychologists, including Dacher Keltner from the University of California, Berkeley, who helped revise the story by emphasizing the neuropsychological findings that human emotions affect interpersonal relationships and can be significantly moderated by them.

Radiosurgery (album)

Radiosurgery is the seventh studio album by American rock band New Found Glory. It was first released on September 30, 2011 in Australia, before its wider release on October 4 through independent label Epitaph Records. It is the band's final studio album to feature founding guitarist Steve Klein. To follow up predecessor Not Without a Fight (2009), the band began writing new material during their stint on the 2010 Honda Civic Tour. After self-producing a set of demos and contacting long-term record producer Neal Avron, the band went on to record the album in Avron's home recording studio over a period of three months in 2011. The quintet set out to write an album that paid homage to classic punk rock records that first inspired them to form a band during the 1990s. Listening extensively to the likes of early Green Day and Ramones, New Found Glory strove to create a sound that could "bridge the gap" between old and new generations of the genre.

The album title is a reference to the actual medical procedure radiosurgery, with the lyrics directly influenced by a troubled divorce suffered within the band. Radiosurgery was written as a concept album about the different emotions an individual goes through after a separation, including feelings of regret, sadness, and insanity. The band looked up several brain surgeries, settling on Radiosurgery, using the idea that instead of using the procedure to remove a tumor from the brain, it could remove memories.

Jake

Jake may refer to:

  • Jake (given name), including a list of persons and fictional characters with the name
  • Katrin Jäke (born c. 1975), German retired swimmer
  • Aichi E13A, a Japanese World War II reconnaissance floatplane, Allied reporting name "Jake"
  • "The Jake," nickname of the Major League Baseball stadium once known as Jacobs Field, now Progressive Field
  • Jake, a young male wild turkey
  • Jake, a slang term in the United States for Jamaica ginger extract
  • Jake, a slang term used in Discordianism to describe a prank, often celebrated on Jake Day
  • Jake / Bot2, one of the remotely operated vehicles used during the filming of the documentary Ghosts of the Abyss
  • Jake the Alligator Man, an oddity on view in Long Beach, Washington
  • Jake (rescue dog), a search and rescue dog
  • See also

  • Jakes (disambiguation)
  • Rise of the Cybermen

    "Rise of the Cybermen" is the fifth episode of the second series of the British science fiction television programme Doctor Who. The episode introduces a non-extraterrestrial reinvention of the Cybermen, as well as a parallel universe which would serve as a recurring plot element in the series. It is the first part of a two-part story, the concluding part being "The Age of Steel". The TARDIS becomes stranded in an alternative universe where Rose Tyler's father is alive and corporations are closely involved with the British government; one such corporation is Cybus Industries, which is being countered by an underground resistance. The Doctor, Rose and Mickey Smith discover a plot by Cybus co-founder John Lumic to convert the population of London into monotonous cybernetic creatures resembling enemies the Doctor has faced before.

    The episode was first broadcast on 13 May 2006. It was directed by Graeme Harper, who became the first and so far only man in the show's history to have directed episodes in both the original and revived runs of the series: he previously directed the acclaimed serial The Caves of Androzani in 1984, and Revelation of the Daleks in 1985.

    Podcasts:

    PLAYLIST TIME:

    The Sadness

    by: Ryan Adams

    The stars they sink
    In the oceans of ink
    Long black ribbons of cars
    And in the taxi
    You ask me how I'm doing
    But you already know
    Beyond, beyond is not through
    Its only a reflection of you
    And something at the window
    It motions with its fingers
    Calling me beyond
    The sadness is mine
    The sadness is mine
    Its why you're not healing me
    And whatever has come for me
    Oh I can give you whatever you're wanting
    Just take it and spare me spare me
    Please oh tell me this is only a warning/no
    Please have mercy let me go
    If only a day to let her know
    Without her love I'm nothing at all
    The change is happening and I'm almost gone
    In her heart is my faith
    And it wins against the sadness
    The train it moves through the desert
    The horses they will challenge its stride
    And into the boxcar she leaps
    And is my hero
    And penetrates the demons inside
    The clouds they pass
    But they're moving so fast
    As I watch them collide
    Collide and collapse in her arms like a newborn child
    I am at one reborn
    The fog in the mote
    As he grabs me by the throat
    It lifts as she comes
    She opens her cloak and the color of blood
    It is the sign of what now must come
    Deny deny me my destiny
    I am not ready to go
    I am the horror that brings us to the morning




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