300px Ron Bennington and Fez Whatley |
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Genre | Talk show |
---|---|
Running time | 4 hours, including commercial breaks. |
Country | ![]() |
Languages | American English |
Home station | The Opie & Anthony Channel (XM105/Sirius206) |
Starring | Ron Bennington Fez Whatley Pepper Hicks |
Creators | Ron Bennington Fez Whatley Ron Diaz |
Producers | Chris "Pepper Hicks" Stanley |
Exec. producers | Fez Whatley |
Recording studio | New York, NY |
Air dates | since August 24, 1998 |
Audio format | Stereophonic sound |
Opening theme | North American Scum by LCD Soundsystem |
Ending theme | Satellite of Love by Lou Reed |
Website | Ron and Fez Official Site |
The Ron and Fez Show is an American radio talk show hosted by Ron Bennington and Fez "Marie" Whatley.
After long popular runs in Tampa, Florida, New York City, and Washington, D.C., Ron and Fez are now heard on Sirius XM Radio's The Opie & Anthony Channel, located on XM channel 105, and Sirius channel 206. The show airs from 11am until 3pm ET, with encore airings Monday through Saturday from 1am to 5am ET. The show is also available for download from Audible.com.
In the mid-1980s, stand-up comedian Ron Bennington joined Ron Diaz to create a wildly popular and raunchy morning radio program, The Ron & Ron Show, at Tampa Bay's WYNF-FM, known as 95YNF.[1] The show had huge ratings success and eventually, Ron and Ron partnered with their agent Ross Reback to form The Ron & Ron Radio Network to syndicate the programming. The shows final broadcast for WYNF was on March 12, 1993. Within thirty days, Reback had negotiated a deal for the newly formed network to launch on three radio stations in Miami, Orlando, and Jacksonville, FL with another approximately dozen markets soon following (including a new, more lucrative deal in Tampa). Fez Whatley along with other cast regulars Fast Eddie, Billy The Phone Freak, Flipper, and Paul O all made the show a wild and irreverent daily adventure. The Ron & Ron Show regularly had known celebrity guests and Ron & Ron made national headlines after engaging in a screaming match with apparently inebriated actor Don Johnson (Miami Vice, Nash Bridges) which was highly chronicled in the press, on many TV entertainment news shows, and was featured in People Magazine.
Ron Diaz's wife Debbie was diagnosed with AIDS in the early 1990s and Diaz began periodically missing broadcasts to care for her. Debbie Diaz died in November 1995. Ron Diaz decided to leave the show in 1997, and on September 29, 1997, after an 11-year syndicated run (the last few months of which featured several replacement hosts, all of whom took the name of "Ron" in an attempted replacement of Diaz), The Ron & Ron Show was promptly canceled when Clear Channel Radio purchased the radio division of rightsholder, Paxson Communications, and opted to not continue the show.
Whatley also briefly co-hosted the Hooters-on-the-Radio show with Brenda Lee (aka B.L.), Julie Williams and Hooters spokesperson and original Hooters girl (and Playboy's Miss July 1986) Lynn Austin in addition to his duties on The Ron & Ron Show.
In the early 1990s, The Ron and Ron Show through their radio network produced full length videos containing many of the show's highlights along with specially produced material. Their raunchy videos "Pup Friction" and "Let The Puppies Breathe" were big sellers with their fans and included footage from the show, predating the popular Girls Gone Wild video series and Opie and Anthony's "WOW" promotion. The impetus behind the phrase "Let the Puppies Breathe" was to get women to expose their bare breasts and nipples, which was featured on both tapes.
While based in Florida, The Ron and Ron Show famously hosted several live radio broadcasts/comedy shows known as Ron & Ron "Live Gigs" that were rather raucous and adult in nature. The "Live Gigs" were wildly popular and many of them would typically attract crowds estimated between 10,000 and 30,000 attendees. These included:
In the late 1990s, Ron and Fez hosted one of the first national adult dodgeball matches in Daytona Beach, Florida.
In the mid-1990s Ron Bennington assembled a comedy troupe to tour to the markets where The Ron & Ron Show was syndicated. Ron Bennington's Disciples of Comedy included several comedians who had previously toured as part of Sam Kinison's Outlaws of Comedy before Kinison's untimely death in a 1992 car accident. The comedy troupe sold out theatres of 2,000 to 3,000 seats.
Bennington co-owned Ron Bennington's Comedy Scene, a comedy club in Clearwater, Florida, which featured many major national headline acts and is credited by comic Jim Breuer for helping to discover him.
On August 24, 1998 The Ron and Fez Show debuted on WKRO-FM Daytona Beach in the morning drive-time slot. Just a few months earlier, on May 22, 1998, The Monsters In The Morning (then known as The Monsters of the Midday), briefly reunited several regulars from the cancelled Ron and Ron Show, including Ron Bennington, Fez Whatley, Billy the Phone Freak, Paul O and Mitchell Walters. After explaining their perspective on the split with Diaz, Ron and Fez announced their return to radio. Using the formula they developed in Tampa, Ron and Fez recruited new employees, interns and characters for the new show. They were on WKRO for about a year and a half before being hired by Infinity Broadcasting in New York.
Ron and Fez's show in New York City debuted on February 21, 2000, one week earlier than planned. The show was improved, and with the help of popular lead-ins Opie and Anthony, they discovered an eager fan base, while distancing themselves from their "shock jock" roots to better accommodate WNEW's line-up.
New York's WNEW-FM was converted from a long-respected rock station to all-talk in 1999, with afternoon drive show Opie and Anthony as the "masthead." Ron and Fez signed to host an overnight talk show named Ron and Fez Dot Com, beginning February 21, 2000 and broadcast from 11pm - 3am. Ron and Fez eventually moved to evenings (7:00-11:00 pm), then to early afternoon (12:00-3:00pm) and later back to the evening timeslot. Buoyed by Opie and Anthony's lead-in ratings, the duo began to enjoy success.
During this period, several memorable characters joined their on-air team, including taciturn producer Hawk, Dumpy, Tasteless Ginny, and the call-in prankster Joe Poo. The show's web-based premise inspired the founding of several websites devoted to the show, including RFBabies.com (once a haven for the show's cadre of young female fans), and the unofficial site for the show. Though "Dot Com" was soon dropped from the show's title, Ron and Fez have garnered an enormous online following due to RonFez.net.
To foster a sense of community with listeners, Ron and Fez developed the "Big ASS Card" for those wanting to join their "All Secret Society." Aside from providing discounts at sponsors' establishments, the "Big ASS Card" identified cardholders with the show. Whenever "Big ASS Card" holders gave their card number at the beginning of the call, a sound clip was played of Al Pacino yelling "HOO-AH!". Though the promotion was discontinued, some callers still announce their "BAC" numbers, and the clip is usually played when producers are paying attention.
Other promotional items included the "Ron and Fez Restroom Inspection Award" stickers, which were fraught with printing errors and postage delays, much to the annoyance of fans. Billy Staples and some listeners supposedly posted the stickers throughout New York City during April, 2002. In Hoboken, New Jersey one sticker was placed on a statue, for which WNEW had to pay a fine. Unlike the still-relevant “Big ASS Card", the “Restroom Inspection Award” sticker bit played out on two shows and was rarely mentioned again, but did earn Billy Staples the nickname "MeatFist" for posting too many stickers.
On the evening of September 11, the team stayed on the air taking calls from distressed listeners, some of whom were unsure if loved ones were still alive inside the Twin Towers. It is said that Hawk walked across the Queensboro Bridge against outpouring hordes of people to get to his job; Billy Staples hid in a Long Island Rail Road bathroom so he could return to work because only medical and rescue personnel were allowed into the city. Ron and Fez expressed heartfelt sympathy and related the feelings of many New Yorkers, and staged several "bar crawls" and other events under the motto "New York Forever," designed to encourage listeners to patronize businesses in lower Manhattan. "The 2001 Halloween Bar Crawl" was particularly memorable thanks to the heavy turnout and shenanigans that ensued. The bars most publicized included The Slaughtered Lamb and Karavas' Place.
Ron and Fez enjoyed amicable relationships with WNEW's other personalities, particularly Opie and Anthony (O&A), who would sometimes sit in with the Ron and Fez show. These shows were known as "AFRO Shows" (AFRO being an acronym for Anthony, Fez, Ron, Opie).
Ron and Fez's motley cast of characters grew as the show entered 2002. Billy Staples, their phone screener and producer became more of an on-air personality, often confronting his substance abuse problems, while the show producer was the butt of many jokes, often for his strange habits and perceived managerial ineffectiveness. As the show developed during spring 2002, the ratings steadily improved.
After Ron and Fez's popularity continued growing through the summer of 2002, WNEW's flagship show Opie and Anthony was canceled, leading many observers to believe that the station might alter its all-talk format. Ron and Fez remained in their time slot for another five months until WNEW's format "flipped" on January 27, 2003, moving the show to sister station WJFK-FM in Washington DC.
Jeremy Coleman (PD of New York's WNEW in 2000) became aware of Ron and Fez when he was a program director for WJFK-FM, the sister station he nurtured. He originally intended to bring the show to DC, but instead became WNEW's program director. One month later, on March 27, 2000, Ron and Fez began tape delay syndication in DC where they found a small but loyal fan base in a late night timeslot. In November 2002, WJFK's evening radio show The Sports Junkies relocated to WHFS, opening a timeslot for Ron and Fez to syndicate their show live in Washington DC (7p.m. - 11 p.m.), following The Don and Mike Show.
After WNEW changed formats in early 2003, Ron and Fez began broadcasting the show on WJFK. Although heard only in Washington DC, Ron and Fez chose to remain in New York until June 2003, when they finally relocated to the WJFK studios in Fairfax, Virginia. During the following year, several memorable characters, listeners and staff gave the show a fresh identity. While the WNEW show had been heavily influenced by a dedicated and funny core group of callers, WJFK proved to be fertile ground for eccentric visitors who each brought their own unique humor to the show. Cherrynoid, David Lee Kinison (aka Elfish), Cigar Sid (aka Sidcada) and Crazy Jen became call-in and studio regulars. During the late summer of 2003, Ron and Fez took calls for 2 extra hours on the evening of Hurricane Isabel. All of the DC, Northern Va and Maryland areas were without power or under water.
Known for being team players, Ron and Fez worked on split shifts, did drop-ins for WJFK's Redskins broadcasts, did live commercials and appearances, and helped mentor the hosts of a weekend show (later to become weeknight show), The Hideout. A good relationship with lead-in show Don and Mike, along with improved call-ins, freshly funny bits, and a community needing a good laugh during the 2004 presidential election propelled Ron and Fez to stellar ratings in January 2005.
In mid-2003, after being on WJFK exclusively for a mere few months, Ron and Fez agreed to host a one hour midday show entitled The Fastest Hour in Radio, scheduled between Howard Stern and conservative commentator Bill O'Reilly. This timeslot would supplement their evening duties, and would not be caller driven. Instead, Ron and Fez emphasized their own witty social commentary. When the nighttime show was syndicated in Baltimore, Maryland and Tampa, Florida in the summer of 2004, Ron and Fez focused on their evening show, with the Fastest Hour in Radio scheduled 7:00-8:00 pm.
Until 2003, Ron and Fez were not known for political commentary. But their move to the nation's capital, their experience on The Fastest Hour of Radio, and the 2004 presidential election seemed to make their discussions more political in nature.
In 2003, before becoming the cornerstone for Air America Radio, Al Franken did an interview. Shortly after the 2004 election, Tom Shales from the Washington Post called in to discuss the political ramifications of the Federal Communications Commission (FCC) crackdown on terrestrial radio. To their credit, Ron and Fez managed simulcasts of the 2004 presidential debates and election returns.
Ron and Fez continued to reach out to listeners with several local appearances during their time in DC. These included:
In addition, Fez raced in 2004 and 2005 in an annual charity 5K with fans of the show. In 2005, Fez would meet fans and friends every Friday night to party at a Fairfax, VA bar called "Thursdays", in a tradition that became known as "Friday Night Lights". Ron made his only appearance at the final "Friday Night Lights" on July 29, 2005.
The future looked bleak for Ron and Fez at 106.7 in January 2005 when (after their best ratings to date at WJFK) the station was forced to absorb staff from WHFS -- a "sister station" that switched formats from modern rock to Spanish dance. Ironically, the new staff included The Sports Junkies, who were given the midday spot many had hoped would go to Ron and Fez. The first station casualty, however, was The Hideout, which lost the late night shift and eventually relocated to WTKS 104.1 from Orlando, Florida and were subsequently canned. With nowhere to advance in the station lineup—and with little apparent respect for the show evidenced by frequent preemptions for infomercials on University of Maryland Terrapins basketball (Man on Man) and Redskins Radio Monday nights—Ron and Fez began to entertain internet rumors that they would leave terrestrial radio to join old WNEW-FM friends Opie and Anthony on XM satellite radio. 2005 was a year of hints and speculation, but nothing was confirmed until the very last segment, on their last airing in Washington, D.C.: Friday, July 29, 2005.
On December 20, 2006, The Ron and Fez Show debuted on WFNY in the 6-9PM time slot. The Free-FM show was different from the XM show in that it is aired later in the day, and was a completely independent "evening edition" of the show, rather than a re-broadcast of the XM show, or a joint show with XM, like Opie and Anthony's morning show.
Besides the obvious FCC-compliant content of the Free-FM show, the focus was different in that it tended to focus on events local to the New York City area, in contrast to the national focus of the XM show.
The Ron and Fez Show was discontinued when WFNY reverted to a rock format as WXRK on May 24, 2007.[2]
On August 2, 2005, three days after Ron and Fez signed off from WJFK-FM, the official announcement was made that they would go to XM Satellite Radio beginning September 12.[3][4] On August 9, and then again one month later on September 8 and 9, Ron and Fez went on The Opie and Anthony Show to provide behind-the-scenes stories about their time at WNEW-FM and the years since they last worked together.. On September 9, the four hosts of both shows (as well as O&A co-host Jim Norton) met hundreds of fans at a preshow kickoff party at B.B. King's Blues Cafe in Times Square which doubled as a welcome back party to New York City for Ron and Fez.
On November 9, 2005, Fez suffered a mild heart attack, unbeknownst to him. He hosted the show the next day before his doctor informed him of the heart attack.[5] An angioplasty was performed and he was diagnosed with diabetes. Fez returned to the show on November 28.
Following an interview on May 9, 2007 with author Elmore Leonard, Fez left the studio during the show for the emergency room. Fez subsequently had a second stent inserted May 11, 2007.[6]
Until early 2010, the show openers were created by Mooch Cassidy & Chris Stanley. The openings mixed drops from movies and pop culture into a song followed by "North American Scum" by LCD Soundsystem. For a brief period in early 2010, the show opened with a brief introduction that cuts to Ron in the studio speaking in medias res. By the mid-summer of 2010, the LCD Soundsystem intro to the program returned with the Cassidy/Hicks-style intros used from time to time.
On January 16, 2009, Executive Producer Earl Douglas announced his resignation live on the air and announced in May 2009 his plans to write a book on black artists in rock. On May 18, 2009 the show format was extended from three hours (Noon-3pm EST) to four hours (11am-3pm EST).[7]
In June 2010, East Side Dave McDonald departed from the show. He was the one of the show's longest running producers. East Side was replaced by Chris Stanley who was promoted to Executive Producer.
On February 24, 2012, Fez came out as gay.[8]
Throughout their time on WNEW and WJFK, the show featured multiple recurring characters and impersonations, often voiced by the shows' staff. They typically would "call" the show when a particularly boring guest appeared on the phone, although they would also call during the show in order to annoy Ron and Fez.
Ron and Fez have long used eclectic music during their show's opening, closing and rejoiners from commercial breaks. For many years their closing song was "Vertigogo" by Combustible Edison featured in the movie Four Rooms, which was changed to "Satellite of Love" by Lou Reed. During their WNEW days, the opening music bed was "Oddities" by Insane Clown Posse, and also "Fired" by Ben Folds. When the show was on terrestrial WFNY in 2007, "Oddities" made a comeback, as well as other recognizable music beds from the WNEW era. The closing music of their FM show was the "Theme from the Last Waltz" by The Band.
The theme music in 2005 received a lot of attention from listeners who believed that Ron and Fez might leave WJFK for satellite radio. Some songs, like the January 2005 opening with the J Geils Band Crusin For A Love (with its lyric "I'm back on Broadway") turned out to be prophetic. Using various versions of I Shall Be Released in early summer 2005 was a clear sign that they wanted out of their contract. On that final DC broadcast, they also played We Want The Airwaves, Please Don't Talk About Me When I'm Gone, Radio, Radio, So Long Baby Goodbye, and Satellite of Love -- their last song played on WJFK.
The show opens, typically, with "North American Scum" by LCD Soundsystem.
[9] ==References==
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Let me entertain you
Rang through my head
I was a reckless child
And I did what he said
People came
From miles around
To hear the sound
That was tearing up the town
(Maybe you're an icon)
(Baby you're a hard on)
Or maybe you're a god
(Baby you're an icon)
(Maybe you're a hard on)
Or maybe you're a dog
The next batter up
Was a man
A scary man
With the golden hands
He brought his axe
To bury the tracks
No mortal man
Could follow his act
(Maybe you're an icon)
(Baby you're a hard on)
Or maybe you're god
You can't refrain
From going insane
It's what you want to do
(Maybe you're an icon)
(Baby you're a hard on)
Or maybe you're a god
(Maybe you're an icon)
(Baby you're a hard on)
Maybe you're god
Now that rock & roll's in the palm of our hands
We take it to the people every chance that we can
We are the party that never ends
Live by these words until we meet again
You can't refrain
From going insane
It's what you want to do
(Maybe you're an icon)
(Baby you're a hard on)
Or maybe you're a god
(Maybe you're an icon)
(Baby you're a hard on)
Or maybe you're god
(Maybe you're an icon)
(Baby you're a hard on)
Or maybe you're a god
(Maybe you're an icon)
(Baby you're a hard on)
Or maybe you're god
Whoa! It's time for the show babe
N-n-n-n-no!
Whoa! Yeah yeah yeah yeah
Yeah yeah yeah yeah yeah
Time for the show